Array The griffin classics - Leaves of Grass

Two hawks in the air, two fishes swimming in the sea not more

lawless than we;)

The furious storm through me careering, I passionately trembling.

The oath of the inseparableness of two together, of the woman that

loves me and whom I love more than my life, that oath swearing,

(O I willingly stake all for you,

O let me be lost if it must be so!

O you and I! what is it to us what the rest do or think?

What is all else to us? only that we enjoy each other and exhaust

each other if it must be so;)

From the master, the pilot I yield the vessel to,

The general commanding me, commanding all, from him permission taking,

From time the programme hastening, (I have loiter'd too long as it is,)

From sex, from the warp and from the woof,

From privacy, from frequent repinings alone,

From plenty of persons near and yet the right person not near,

From the soft sliding of hands over me and thrusting of fingers

through my hair and beard,

From the long sustain'd kiss upon the mouth or bosom,

From the close pressure that makes me or any man drunk, fainting

with excess,

From what the divine husband knows, from the work of fatherhood,

From exultation, victory and relief, from the bedfellow's embrace in

the night,

From the act-poems of eyes, hands, hips and bosoms,

From the cling of the trembling arm,

From the bending curve and the clinch,

From side by side the pliant coverlet off-throwing,

From the one so unwilling to have me leave, and me just as unwilling

to leave,

(Yet a moment O tender waiter, and I return,)

From the hour of shining stars and dropping dews,

From the night a moment I emerging flitting out,

Celebrate you act divine and you children prepared for,

And you stalwart loins.

1

I sing the body electric,

The armies of those I love engirth me and I engirth them,

They will not let me off till I go with them, respond to them,

And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?

And if those who defile the living are as bad as they who defile the dead?

And if the body does not do fully as much as the soul?

And if the body were not the soul, what is the soul?

2

The love of the body of man or woman balks account, the body itself

balks account,

That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,

But the expression of a well-made man appears not only in his face,

It is in his limbs and joints also, it is curiously in the joints of

his hips and wrists,

It is in his walk, the carriage of his neck, the flex of his waist

and knees, dress does not hide him,

The strong sweet quality he has strikes through the cotton and broadcloth,

To see him pass conveys as much as the best poem, perhaps more,

You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the

folds of their dress, their style as we pass in the street, the

contour of their shape downwards,

The swimmer naked in the swimming-bath, seen as he swims through

the transparent green-shine, or lies with his face up and rolls

silently to and from the heave of the water,

The bending forward and backward of rowers in row-boats, the

horse-man in his saddle,

Girls, mothers, house-keepers, in all their performances,

The group of laborers seated at noon-time with their open

dinner-kettles, and their wives waiting,

The female soothing a child, the farmer's daughter in the garden or

cow-yard,

The young fellow hosing corn, the sleigh-driver driving his six

horses through the crowd,

The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,

good-natured, native-born, out on the vacant lot at sundown after work,

The coats and caps thrown down, the embrace of love and resistance,

The upper-hold and under-hold, the hair rumpled over and blinding the eyes;

The march of firemen in their own costumes, the play of masculine

muscle through clean-setting trowsers and waist-straps,

The slow return from the fire, the pause when the bell strikes

suddenly again, and the listening on the alert,

The natural, perfect, varied attitudes, the bent head, the curv'd

neck and the counting;

Such-like I love—I loosen myself, pass freely, am at the mother's

breast with the little child,

Swim with the swimmers, wrestle with wrestlers, march in line with

the firemen, and pause, listen, count.

3

I knew a man, a common farmer, the father of five sons,

And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,

The shape of his head, the pale yellow and white of his hair and

beard, the immeasurable meaning of his black eyes, the richness

and breadth of his manners,

These I used to go and visit him to see, he was wise also,

He was six feet tall, he was over eighty years old, his sons were

massive, clean, bearded, tan-faced, handsome,

They and his daughters loved him, all who saw him loved him,

They did not love him by allowance, they loved him with personal love,

He drank water only, the blood show'd like scarlet through the

clear-brown skin of his face,

He was a frequent gunner and fisher, he sail'd his boat himself, he

had a fine one presented to him by a ship-joiner, he had

fowling-pieces presented to him by men that loved him,

When he went with his five sons and many grand-sons to hunt or fish,

you would pick him out as the most beautiful and vigorous of the gang,

You would wish long and long to be with him, you would wish to sit

by him in the boat that you and he might touch each other.

4

I have perceiv'd that to be with those I like is enough,

To stop in company with the rest at evening is enough,

To be surrounded by beautiful, curious, breathing, laughing flesh is enough,

To pass among them or touch any one, or rest my arm ever so lightly

round his or her neck for a moment, what is this then?

I do not ask any more delight, I swim in it as in a sea.

There is something in staying close to men and women and looking

on them, and in the contact and odor of them, that pleases the soul well,

All things please the soul, but these please the soul well.

5

This is the female form,

A divine nimbus exhales from it from head to foot,

It attracts with fierce undeniable attraction,

I am drawn by its breath as if I were no more than a helpless vapor,

all falls aside but myself and it,

Books, art, religion, time, the visible and solid earth, and what

was expected of heaven or fear'd of hell, are now consumed,

Mad filaments, ungovernable shoots play out of it, the response

likewise ungovernable,

Hair, bosom, hips, bend of legs, negligent falling hands all

diffused, mine too diffused,

Ebb stung by the flow and flow stung by the ebb, love-flesh swelling

and deliciously aching,

Limitless limpid jets of love hot and enormous, quivering jelly of

love, white-blow and delirious nice,

Bridegroom night of love working surely and softly into the prostrate dawn,

Undulating into the willing and yielding day,

Lost in the cleave of the clasping and sweet-flesh'd day.

This the nucleus—after the child is born of woman, man is born of woman,