Array The griffin classics - William Shakespeare - Complete Collection

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This collection gathers together the works by William Shakespeare in a single, convenient, high quality, and extremely low priced Kindle volume! It comes with 150 original illustrations which are the engravings John Boydell commissioned for his Boydell Shakespeare Gallery
This book contains now several HTML tables of contents that will make reading a real pleasure!
The Comedies of William Shakespeare
A Midsummer Night's Dream
All's Well That Ends Well
As You Like It
Love's Labour 's Lost
Measure for Measure
Much Ado About Nothing
The Comedy of Errors
The Merchant of Venice
The Merry Wives of Windsor
The Taming of the Shrew
The Two Gentlemen of Verona
Twelfth Night; or, What you will
The Romances of William Shakespeare
Cymbeline
Pericles, Prince of Tyre
The Tempest
The Winter's Tale
The Tragedies of William Shakespeare
King Lear
Romeo and Juliet
The History of Troilus and Cressida
The Life and Death of Julius Caesar
The Life of Timon of Athens
The Tragedy of Antony and Cleopatra
The Tragedy of Coriolanus
The Tragedy of Hamlet, Prince of Denmark
The Tragedy of Macbeth
The Tragedy of Othello, the Moor of Venice
Titus Andronicus
The Histories of William Shakespeare
The Life and Death of King John
The Life and Death of King Richard the Second
The Tragedy of King Richard the Third
The first part of King Henry the Fourth
The second part of King Henry the Fourth
The Life of King Henry V
The first part of King Henry the Sixth
The second part of King Henry the Sixth
The third part of King Henry the Sixth
The Life of King Henry the Eighth
The Poetical Works of William Shakespeare
The Sonnets
Sonnets to Sundry Notes of Music
A Lover's Complaint
The Rape of Lucrece
Venus and Adonis
The Phoenix and the Turtle
The Passionate Pilgrim

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Duke.

So I believe; but Thurio thinks not so.

Proteus, the good conceit I hold of thee

(For thou hast shown some sign of good desert)

Makes me the better to confer with thee.

Pro.

Longer than I prove loyal to your Grace

Let me not live to look upon your Grace.

Duke.

Thou know’st how willingly I would effect

The match between Sir Thurio and my daughter?

Pro.

I do, my lord.

Duke.

And also, I think, thou art not ignorant

How she opposes her against my will?

Pro.

She did, my lord, when Valentine was here.

Duke.

Ay, and perversely she persevers so.

What might we do to make the girl forget

The love of Valentine, and love Sir Thurio?

Pro.

The best way is to slander Valentine

With falsehood, cowardice, and poor descent,

Three things that women highly hold in hate.

Duke.

Ay, but she’ll think that it is spoke in hate.

Pro.

Ay, if his enemy deliver it;

Therefore it must with circumstance be spoken

By one whom she esteemeth as his friend.

Duke.

Then you must undertake to slander him.

Pro.

And that, my lord, I shall be loath to do:

’Tis an ill office for a gentleman,

Especially against his very friend.

Duke.

Where your good word cannot advantage him,

Your slander never can endamage him;

Therefore the office is indifferent,

Being entreated to it by your friend.

Pro.

You have prevail’d, my lord; if I can do it

By aught that I can speak in his dispraise,

She shall not long continue love to him.

But say this weed her love from Valentine,

It follows not that she will love Sir Thurio.

Thu.

Therefore, as you unwind her love from him,

Lest it should ravel and be good to none,

You must provide to bottom it on me;

Which must be done by praising me as much

As you in worth dispraise Sir Valentine.

Duke.

And, Proteus, we dare trust you in this kind,

Because we know (on Valentine’s report)

You are already Love’s firm votary,

And cannot soon revolt and change your mind.

Upon this warrant shall you have access

Where you with Silvia may confer at large—

For she is lumpish, heavy, melancholy,

And (for your friend’s sake) will be glad of you—

Where you may temper her by your persuasion

To hate young Valentine and love my friend.

Pro.

As much as I can do, I will effect.

But you, Sir Thurio, are not sharp enough;

You must lay lime to tangle her desires

By wailful sonnets, whose composed rhymes

Should be full-fraught with serviceable vows.

Duke.

Ay, much is the force of heaven-bred poesy.

Pro.

Say that upon the altar of her beauty

You sacrifice your tears, your sighs, your heart;

Write till your ink be dry, and with your tears

Moist it again, and frame some feeling line

That may discover such integrity:

For Orpheus’ lute was strung with poets’ sinews,

Whose golden touch could soften steel and stones,

Make tigers tame, and huge leviathans

Forsake unsounded deeps to dance on sands.

After your dire-lamenting elegies,

Visit by night your lady’s chamber-window

With some sweet consort; to their instruments

Tune a deploring dump—the night’s dead silence

Will well become such sweet-complaining grievance.

This, or else nothing, will inherit her.

Duke.

This discipline shows thou hast been in love.

Thu.

And thy advice this night I’ll put in practice:

Therefore, sweet Proteus, my direction-giver,

Let us into the city presently

To sort some gentlemen well skill’d in music.

I have a sonnet that will serve the turn

To give the onset to thy good advice.

Duke.

About it, gentlemen!

Pro.

We’ll wait upon your Grace till after supper,

And afterward determine our proceedings.

Duke.

Even now about it! I will pardon you.

Exeunt.

ACT IV

Scene I

Enter Valentine, Speed, and certain Outlaws.

1. Out.

Fellows, stand fast; I see a passenger.

2. Out.

If there be ten, shrink not, but down with ’em.

3. Out.

Stand, sir, and throw us that you have about ye.

If not, we’ll make you sit, and rifle you.

Speed.

Sir, we are undone; these are the villains

That all the travellers do fear so much.

Val.

My friends—

1. Out.

That’s not so, sir; we are your enemies.

2. Out.

Peace! we’ll hear him.

3. Out.

Ay, by my beard, will we, for he is a proper man.

Val.

Then know that I have little wealth to lose.

A man I am cross’d with adversity;

My riches are these poor habiliments,

Of which if you should here disfurnish me,

You take the sum and substance that I have.

2. Out. Whither travel you?

Val. To Verona.

1. Out. Whence came you?

Val. From Milan.

3. Out. Have you long sojourn’d there?

Val.

Some sixteen months, and longer might have stay’d,

If crooked fortune had not thwarted me.

1. Out. What, were you banish’d thence?

Val. I was.

2. Out. For what offense?

Val.

For that which now torments me to rehearse:

I kill’d a man, whose death I much repent,

But yet I slew him manfully in fight,

Without false vantage, or base treachery.

1. Out.

Why, ne’er repent it, if it were done so.

But were you banish’d for so small a fault?

Val.

I was, and held me glad of such a doom.

2. Out.

Have you the tongues?

Val.

My youthful travel therein made me happy,

Or else I often had been miserable.

3. Out.

By the bare scalp of Robin Hood’s fat friar,

This fellow were a king for our wild faction!

1. Out.

We’ll have him. Sirs, a word.

Speed.

Master, be one of them;

It’s an honorable kind of thievery.

Val.

Peace, villain.

2. Out.

Tell us this: have you any thing to take to?

Val.

Nothing but my fortune.

3. Out.

Know then, that some of us are gentlemen,

Such as the fury of ungovern’d youth

Thrust from the company of aweful men.

Myself was from Verona banished

For practicing to steal away a lady,

[An] heir, and [near] allied unto the Duke.

2. Out.

And I from Mantua, for a gentleman,

Who, in my mood, I stabb’d unto the heart.

1. Out.

And I for such like petty crimes as these.

But to the purpose—for we cite our faults

That they may hold excus’d our lawless lives;

And partly, seeing you are beautified

With goodly shape, and by your own report

A linguist, and a man of such perfection

As we do in our quality much want—

2. Out.

Indeed because you are a banish’d man,

Therefore, above the rest, we parley to you:

Are you content to be our general?

To make a virtue of necessity

And live as we do in this wilderness?

3. Out.

What say’st thou? wilt thou be of our consort?

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