Array The griffin classics - William Shakespeare - Complete Collection

And twice as much, what e’er thou off’rest next.

Gre.

Nay, I have off’red all, I have no more,

And she can have no more than all I have;

If you like me, she shall have me and mine.

Tra.

Why then the maid is mine from all the world,

By your firm promise; Gremio is outvied.

Bap.

I must confess your offer is the best,

And let your father make her the assurance,

She is your own, else you must pardon me;

If you should die before him, where’s her dower?

Tra.

That’s but a cavil; he is old, I young.

Gre.

And may not young men die as well as old?

Bap.

Well, gentlemen,

I am thus resolv’d: on Sunday next you know

My daughter Katherine is to be married.

Now on the Sunday following shall Bianca

Be bride to you, if you make this assurance;

If not, to Signior Gremio.

And so I take my leave, and thank you both.

Exit.

Gre.

Adieu, good neighbor. Now I fear thee not.

Sirrah, young gamester, your father were a fool

To give thee all, and in his waning age

Set foot under thy table. Tut, a toy!

An old Italian fox is not so kind, my boy.

Exit.

Tra.

A vengeance on your crafty withered hide!

Yet I have fac’d it with a card of ten.

’Tis in my head to do my master good.

I see no reason but suppos’d Lucentio

Must get a father, call’d suppos’d Vincentio;

And that’s a wonder. Fathers commonly

Do get their children; but in this case of wooing,

A child shall get a sire, if I fail not of my cunning.

Exit.

¶

Enter Lucentio [as Cambio], Hortensio [as Litio], and Bianca.

Luc.

Fiddler, forbear, you grow too forward, sir.

Have you so soon forgot the entertainment

Her sister Katherine welcom’d you withal?

Hor.

But, wrangling pedant, this is

The patroness of heavenly harmony.

Then give me leave to have prerogative,

And when in music we have spent an hour,

Your lecture shall have leisure for as much.

Luc.

Preposterous ass, that never read so far

To know the cause why music was ordain’d!

Was it not to refresh the mind of man

After his studies or his usual pain?

Then give me leave to read philosophy,

And while I pause, serve in your harmony.

Hor.

Sirrah, I will not bear these braves of thine.

Bian.

Why, gentlemen, you do me double wrong

To strive for that which resteth in my choice.

I am no breeching scholar in the schools,

I’ll not be tied to hours, nor ’pointed times,

But learn my lessons as I please myself.

And to cut off all strife, here sit we down:

Take you your instrument, play you the whiles,

His lecture will be done ere you have tun’d.

Hor.

You’ll leave his lecture when I am in tune?

Luc.

That will be never, tune your instrument.

Bian.

Where left we last?

Luc.

Here, madam:

“Hic ibat Simois; hic est [Sigeia] tellus;

Hic steterat Priami regia celsa senis.”

Bian.

Conster them.

Luc. “Hic ibat,” as I told you before, “Simois,” I am Lucentio, “hic est,” son unto Vincentio of Pisa, “[Sigeia] tellus,” disguis’d thus to get your love, “Hic steterat,” and that Lucentio that comes a-wooing, “Priami,” is my man Tranio, “regia,” bearing my port, “celsa senis,” that we might beguile the old pantaloon.

Hor. Madam, my instrument’s in tune.

Bian. Let’s hear. O fie, the treble jars.

Luc. Spit in the hole, man, and tune again.

Bian. Now let me see if I can conster it: “Hic ibat Simois,” I know you not, “hic est [Sigeia] tellus,” I trust you not, “Hic steterat Priami,” take heed he hear us not, “regia,” presume not, “celsa senis,” despair not.

Hor.

Madam, ’tis now in tune.

Luc.

All but the base.

Hor.

The base is right, ’tis the base knave that jars.

Aside.

How fiery and forward our pedant is!

Now, for my life, the knave doth court my love:

Pedascule, I’ll watch you better yet.

[Bian.]

In time I may believe, yet I mistrust.

[Luc.]

Mistrust it not, for sure Aeacides

Was Ajax, call’d so from his grandfather.

[Bian.]

I must believe my master, else, I promise you,

I should be arguing still upon that doubt.

But let it rest. Now, Litio, to you:

Good master, take it not unkindly, pray,

That I have been thus pleasant with you both.

Hor. [To Lucentio.]

You may go walk, and give me leave a while;

My lessons make no music in three parts.

Luc.

Are you so formal, sir? Well, I must wait,

Aside.

And watch withal, for but I be deceiv’d,

Our fine musician groweth amorous.

Hor.

Madam, before you touch the instrument,

To learn the order of my fingering,

I must begin with rudiments of art,

To teach you gamouth in a briefer sort,

More pleasant, pithy, and effectual,

Than hath been taught by any of my trade;

And there it is in writing, fairly drawn.

Bian.

Why, I am past my gamouth long ago.

Hor.

Yet read the gamouth of Hortensio.

Bian. [Reads.]

“Gamouth I am, the ground of all accord:

A re, to plead Hortensio’s passion;

B mi, Bianca, take him for thy lord,

C fa ut, that loves with all affection.

D sol re, one cliff, two notes have I,

E la mi, show pity, or I die.”

Call you this gamouth? Tut, I like it not.

Old fashions please me best; I am not so nice

To [change] true rules for [odd] inventions.

Enter a Messenger.

[Mess.]

Mistress, your father prays you leave your books,

And help to dress your sister’s chamber up.

You know to-morrow is the wedding-day.

Bian.

Farewell, sweet masters both, I must be gone.

[Exeunt Bianca and Messenger.]

Luc.

Faith, mistress, then I have no cause to stay.

[Exit.]

Hor.

But I have cause to pry into this pedant.

Methinks he looks as though he were in love;

Yet if thy thoughts, Bianca, be so humble

To cast thy wand’ring eyes on every stale,

Seize thee that list. If once I find thee ranging,

Hortensio will be quit with thee by changing.

Exit.

¶

Enter Baptista, Gremio, Tranio [as Lucentio], Katherine, Bianca, [Lucentio as Cambio,] and others, attendants.

Bap. [To Tranio.]

Signior Lucentio, this is the ’pointed day,

That Katherine and Petruchio should be married,

And yet we hear not of our son-in-law.

What will be said? What mockery will it be,

To want the bridegroom when the priest attends

To speak the ceremonial rites of marriage?

What says Lucentio to this shame of ours?

Kath.

No shame but mine. I must forsooth be forc’d

To give my hand oppos’d against my heart

Unto a mad-brain rudesby full of spleen,

Who woo’d in haste, and means to wed at leisure.

I told you, I, he was a frantic fool,

Hiding his bitter jests in blunt behavior;

And to be noted for a merry man,