Array The griffin classics - The Collected Works of Honore de Balzac

A chalet has been built for me half-way up the hillside, with a charming exposure, having the woods of the Ronce on either side, and in front a grassy slope running down to the lake. Externally the chalet is an exact copy of those which are so much admired by travelers on the road from Sion to Brieg, and which fascinated me when I was returning from Italy. The internal decorations will bear comparison with those of the most celebrated buildings of the kind.

A hundred paces from this rustic dwelling stands a charming and ornamental house, communicating with it by a subterranean passage. This contains the kitchen, and other servants’ rooms, stables, and coach-houses. Of all this series of brick buildings, the facade alone is seen, graceful in its simplicity, against a background of shrubbery. Another building serves to lodge the gardeners and masks the entrance to the orchards and kitchen-gardens.

The entrance gate to the property is so hidden in the wall dividing the park from the wood as almost to defy detection. The plantations, already well grown, will, in two or three years, completely hide the buildings, so that, except in winter, when the trees are bare, no trace of habitation will appear to the outside world, save only the smoke visible from the neighboring hills.

The surroundings of my chalet have been modeled on what is called the King’s Garden at Versailles, but it has an outlook on my lakelet and island. The hills on every side display their abundant foliage — those splendid trees for which your new civil list has so well cared. My gardeners have orders to cultivate new sweet-scented flowers to any extent, and no others, so that our home will be a fragrant emerald. The chalet, adorned with a wild vine which covers the roof, is literally embedded in climbing plants of all kinds — hops, clematis, jasmine, azalea, copaea. It will be a sharp eye which can descry our windows!

The chalet, my dear, is a good, solid house, with its heating system and all the conveniences of modern architecture, which can raise a palace in the compass of a hundred square feet. It contains a suite of rooms for Gaston and another for me. The ground-floor is occupied by an ante-room, a parlor, and a dining room. Above our floor again are three rooms destined for the nurseries. I have five first-rate horses, a small light coupe, and a two-horse cabriolet. We are only forty-minutes’ drive from Paris; so that, when the spirit moves us to hear an opera or see a new play, we can start after dinner and return the same night to our bower. The road is a good one, and passes under the shade of our green dividing wall.

My servants — cook, coachman, groom, and gardeners, in addition to my maid — are all very respectable people, whom I have spent the last six months in picking up, and they will be superintended by my old Philippe. Although confident of their loyalty and good faith, I have not neglected to cultivate self-interest; their wages are small, but will receive an annual addition in the shape of a New Year’s Day present. They are all aware that the slightest fault, or a mere suspicion of gossiping, might lose them a capital place. Lovers are never troublesome to their servants; they are indulgent by disposition, and therefore I feel that I can reckon on my household.

All that is choice, pretty, or decorative in my house in the Rue du Bac has been transported to the chalet. The Rembrandt hangs on the staircase, as though it were a mere daub; the Hobbema faces the Rubens in his study; the Titian, which my sister-in-law Mary sent me from Madrid, adorns the boudoir. The beautiful furniture picked up by Felipe looks very well in the parlor, which the architect has decorated most tastefully. Everything at the chalet is charmingly simple, with the simplicity which can’t be got under a hundred thousand francs. Our ground-floor rests on cellars, which are built of millstone and embedded in concrete; it is almost completely buried in flowers and shrubs, and is deliciously cool without a vestige of damp. To complete the picture, a fleet of white swans sail over my lake!

Oh! Renee, the silence which reigns in this valley would bring joy to the dead! One is awakened by the birds singing or the breeze rustling in the poplars. A little spring, discovered by the architect in digging the foundations of the wall, trickles down the hillside over silvery sand to the lake, between two banks of water-cress, hugging the edge of the woods. I know nothing that money can buy to equal it.

May not Gaston come to loathe this too perfect bliss? I shudder to think how complete it is, for the ripest fruits harbor the worms, the most gorgeous flowers attract the insects. Is it not ever the monarch of the forest which is eaten away by the fatal brown grub, greedy as death? I have learned before now that an unseen and jealous power attacks happiness which has reached perfection. Besides, this is the moral of all your preaching, and you have been proved a prophet.

When I went, the day before yesterday, to see whether my last whim had been carried out, tears rose to my eyes; and, to the great surprise of my architect, I at once passed his account for payment.

“But, madame,” he exclaimed, “your man of business will refuse to pay this; it is a matter of three hundred thousand francs.” My only reply was to add the words, “To be paid without question,” with the bearing of a seventeenth-century Chaulieu.

“But,” I said, “there is one condition to my gratitude. No human being must hear from you of the park and buildings. Promise me, on your honor, to observe this article in our contract — not to breathe to a soul the proprietor’s name.”

Now, can you understand the meaning of my sudden journeys, my mysterious comings and goings? Now, do you know whither those beautiful things, which the world supposes to be sold, have flown? Do you perceive the ultimate motive of my change of investment? Love, my dear, is a vast business, and they who would succeed in it should have no other. Henceforth I shall have no more trouble from money matters; I have taken all the thorns out of my life, and done my housekeeping work once for all with a vengeance, so as never to be troubled with it again, except during the daily ten minutes which I shall devote to my old major-domo Philippe. I have made a study of life and its sharp curves; there came a day when death also gave me harsh lessons. Now I want to turn all this to account. My one occupation will be to please him and love him , to brighten with variety what to common mortals is monotonously dull.

Gaston is still in complete ignorance. At my request he has, like myself, taken up his quarters at Ville d’Avray; to-morrow we start for the chalet. Our life there will cost but little; but if I told you the sum I am setting aside for my toilet, you would exclaim at my madness, and with reason. I intend to take as much trouble to make myself beautiful for him every day as other women do for society. My dress in the country, year in, year out, will cost twenty-four thousand francs, and the larger portion of this will not go in day costumes. As for him, he can wear a blouse if he pleases! Don’t suppose that I am going to turn our life into an amorous duel and wear myself out in devices for feeding passion; all that I want is to have a conscience free from reproach. Thirteen years still lie before me as a pretty woman, and I am determined to be loved on the last day of the thirteenth even more fondly than on the morrow of our mysterious nuptials. This time no cutting words shall mar my lowly, grateful content. I will take the part of servant, since that of mistress throve so ill with me before.

Ah! Renee, if Gaston has sounded, as I have, the heights and depths of love, my happiness is assured! Nature at the chalet wears her fairest face. The woods are charming; each step opens up to you some fresh vista of cool greenery, which delights the soul by the sweet thoughts it wakens. They breathe of love. If only this be not the gorgeous theatre dressed by my hand for my own martyrdom!