Array The griffin classics - The Collected Works of Honore de Balzac

“Why do you stay there in spite of my advice, mademoiselle?” asked the professor, gravely.

The pupil turned her easel so that no one but the master could see the sketch, which she placed upon it, and said, in an agitated voice: —

“Do you not think, as I do, that the light is very good? Had I not better remain here?”

Servin turned pale. As nothing escapes the piercing eyes of malice, Mademoiselle Thirion became, as it were, a sharer in the sudden emotion of master and pupil.

“You are right,” said Servin; “but really,” he added, with a forced laugh, “you will soon come to know more than I do.”

A pause followed, during which the professor studied the drawing of the officer’s head.

“It is a masterpiece! worthy of Salvator Rosa!” he exclaimed, with the energy of an artist.

All the pupils rose on hearing this, and Mademoiselle Thirion darted forward with the velocity of a tiger on its prey. At this instant, the prisoner, awakened, perhaps, by the noise, began to move. Ginevra knocked over her stool, said a few incoherent sentences, and began to laugh; but she had thrown the portrait into her portfolio before Amelie could get to her. The easel was now surrounded; Servin descanted on the beauty of the copy which his favorite pupil was then making, and the whole class was duped by this stratagem, except Amelie, who, slipping behind her companions, attempted to open the portfolio where she had seen Ginevra throw the sketch. But the latter took it up without a word, and placed it in front of her. The two young girls then looked at each other fixedly, in silence.

“Come, mesdemoiselles, take your places,” said Servin. “If you wish to do as well as Mademoiselle di Piombo, you mustn’t be always talking fashions and balls, and trifling away your time as you do.”

When they were all reseated before their easels, Servin sat down beside Ginevra.

“Was it not better that I should be the one to discover the mystery rather than the others?” asked the girl, in a low voice.

“Yes,” replied the painter, “you are one of us, a patriot; but even if you were not, I should still have confided the matter to you.”

Master and pupil understood each other, and Ginevra no longer feared to ask: —

“Who is he?”

“An intimate friend of Labedoyere, who contributed more than any other man, except the unfortunate colonel, to the union of the 7th regiment with the grenadiers of Elba. He was a major in the Imperial guard and was at Waterloo.”

“Why not have burned his uniform and shako, and supplied him with citizen’s clothes?” said Ginevra, impatiently.

“He will have them to-night.”

“You ought to have closed the studio for some days.”

“He is going away.”

“Then they’ll kill him,” said the girl. “Let him stay here with you till the present storm is over. Paris is still the only place in France where a man can be hidden safely. Is he a friend of yours?” she asked.

“No; he has no claim upon me but that of his ill-luck. He came into my hands in this way. My father-in-law, who returned to the army during the campaign, met this young fellow, and very cleverly rescued him from the claws of those who captured Labedoyere. He came here to defend the general, foolish fellow!”

“Do you call him that!” cried Ginevra, casting a glance of astonishment at the painter, who was silent for a moment.

“My father-in-law is too closely watched to be able to keep him in his own house,” he resumed. “So he brought him to me, by night, about a week ago. I hoped to keep him out of sight in this corner, the only spot in the house where he could be safe.”

“If I can be useful to you, employ me,” said Ginevra. “I know the Marechal de Feltre.”

“Well, we’ll see,” replied the painter.

This conversation lasted too long not to be noticed by all the other girls. Servin left Ginevra, went round once more to each easel, and gave such long lessons that he was still there at the hour when the pupils were in the habit of leaving.

“You are forgetting your bag, Mademoiselle Thirion,” said the professor, running after the girl, who was now condescending to the work of a spy to satisfy her jealousy.

The baffled pupil returned for the bag, expressing surprise at her carelessness; but this act of Servin’s was to her fresh proof of the existence of a mystery, the importance of which was evident. She now ran noisily down the staircase, and slammed the door which opened into the Servins’ apartment, to give an impression that she had gone; then she softly returned and stationed herself outside the door of the studio.

CHAPTER III. LABEDOYERE’S FRIEND

When the painter and Ginevra thought themselves alone, Servin rapped in a peculiar manner on the door of the dark garret, which turned at once on its rusty and creaking hinges. Ginevra then saw a tall and well-made young man, whose Imperial uniform set her heart to beating. The officer had one arm in a sling, and the pallor of his face revealed sharp suffering. Seeing an unknown woman, he recoiled.

Amelie, who was unable to look into the room, the door being closed, was afraid to stay longer; she was satisfied with having heard the opening of the garret door, and departed noiselessly.

“Fear nothing,” said the painter to the officer. “Mademoiselle is the daughter of a most faithful friend of the Emperor, the Baron di Piombo.”

The young soldier retained no doubts as to Ginevra’s patriotism as soon as he saw her.

“You are wounded,” she said.

“Oh! it is nothing, mademoiselle,” he replied; “the wound is healing.”

Just at this moment the loud cries of the vendors of newspapers came up from the street: “Condemned to death!” They all trembled, and the soldier was the first to hear a name that turned him pale.

“Labedoyere!” he cried, falling on a stool.

They looked at each other in silence. Drops gathered on the livid forehead of the young man; he seized the black tufts of his hair in one hand with a gesture of despair, and rested his elbow on Ginevra’s easel.

“After all,” he said, rising abruptly, “Labedoyere and I knew what we were doing. We were certain of the fate that awaited us, whether from triumph or defeat. He dies for the Cause, and here am I, hiding myself!”

He rushed toward the door of the studio; but, quicker than he, Ginevra reached it, and barred his way.

“Can you restore the Emperor?” she said. “Do you expect to raise that giant who could not maintain himself?”

“But what can I do?” said the young man, addressing the two friends whom chance had sent to him. “I have not a relation in the world. Labedoyere was my protector and my friend; without him, I am alone. To-morrow I myself may be condemned; my only fortune was my pay. I spent my last penny to come here and try to snatch Labedoyere from his fate; death is, therefore, a necessity for me. When a man decides to die he ought to know how to sell his life to the executioner. I was thinking just now that the life of an honest man is worth that of two traitors, and the blow of a dagger well placed may give immortality.”

This spasm of despair alarmed the painter, and even Ginevra, whose own nature comprehended that of the young man. She admired his handsome face and his delightful voice, the sweetness of which was scarcely lessened by its tones of fury. Then, all of a sudden, she poured a balm upon the wounds of the unfortunate man: —

“Monsieur,” she said, “as for your pecuniary distress, permit me to offer you my savings. My father is rich; I am his only child; he loves me, and I am sure he will never blame me. Have no scruple in accepting my offer; our property is derived from the Emperor; we do not own a penny that is not the result of his munificence. Is it not gratitude to him to assist his faithful soldiers? Take the sums you need as indifferently as I offer them. It is only money!” she added, in a tone of contempt. “Now, as for friends, — those you shall have.”