Array The griffin classics - The Collected Works of Honore de Balzac

Oscar had reached that last quarter of adolescence when little things cause immense joys and immense miseries, — a period when youth prefers misfortune to a ridiculous suit of clothes, and caring nothing for the real interests of life, torments itself about frivolities, about neckcloths, and the passionate desire to appear a man. Then the young fellow swells himself out; his swagger is all the more portentous because it is exercised on nothings. Yet if he envies a fool who is elegantly dressed, he is also capable of enthusiasm over talent, and of genuine admiration for genius. Such defects as these, when they have no root in the heart, prove only the exuberance of sap, — the richness of the youthful imagination. That a lad of nineteen, an only child, kept severely at home by poverty, adored by a mother who put upon herself all privations for his sake, should be moved to envy by a young man of twenty-two in a frogged surtout-coat silk-lined, a waist-coat of fancy cashmere, and a cravat slipped through a ring of the worse taste, is nothing more than a peccadillo committed in all ranks of social life by inferiors who envy those that seem beyond them. Men of genius themselves succumb to this primitive passion. Did not Rousseau admire Ventura and Bacle?

But Oscar passed from peccadillo to evil feelings. He felt humiliated; he was angry with the youth he envied, and there rose in his heart a secret desire to show openly that he himself was as good as the object of his envy.

The two young fellows continued to walk up and own from the gate to the stables, and from the stables to the gate. Each time they turned they looked at Oscar curled up in his corner of the coucou. Oscar, persuaded that their jokes and laughter concerned himself, affected the utmost indifference. He began to hum the chorus of a song lately brought into vogue by the liberals, which ended with the words, “‘Tis Voltaire’s fault, ‘tis Rousseau’s fault.”

“Tiens! perhaps he is one of the chorus at the Opera,” said Amaury.

This exasperated Oscar, who bounded up, pulled out the wooden “back,” and called to Pierrotin: —

“When do we start?”

“Presently,” said that functionary, who was standing, whip in hand, and gazing toward the rue d’Enghien.

At this moment the scene was enlivened by the arrival of a young man accompanied by a true “gamin,” who was followed by a porter dragging a hand-cart. The young man came up to Pierrotin and spoke to him confidentially, on which the latter nodded his head, and called to his own porter. The man ran out and helped to unload the little hand-cart, which contained, besides two trunks, buckets, brushes, boxes of singular shape, and an infinity of packages and utensils which the youngest of the new-comers, who had climbed into the imperial, stowed away with such celerity that Oscar, who happened to be smiling at his mother, now standing on the other side of the street, saw none of the paraphernalia which might have revealed to him the profession of his new travelling companion.

The gamin, who must have been sixteen years of age, wore a gray blouse buckled round his waist by a polished leather belt. His cap, jauntily perched on the side of his head, seemed the sign of a merry nature, and so did the picturesque disorder of the curly brown hair which fell upon his shoulders. A black-silk cravat drew a line round his very white neck, and added to the vivacity of his bright gray eyes. The animation of his brown and rosy face, the moulding of his rather large lips, the ears detached from his head, his slightly turned-up nose, — in fact, all the details of his face proclaimed the lively spirit of a Figaro, and the careless gayety of youth, while the vivacity of his gesture and his mocking eye revealed an intellect already developed by the practice of a profession adopted very early in life. As he had already some claims to personal value, this child, made man by Art or by vocation, seemed indifferent to the question of costume; for he looked at his boots, which had not been polished, with a quizzical air, and searched for the spots on his brown Holland trousers less to remove them than to see their effect.

“I’m in style,” he said, giving himself a shake and addressing his companion.

The glance of the latter, showed authority over his adept, in whom a practised eye would at once have recognized the joyous pupil of a painter, called in the argot of the studios a “rapin.”

“Behave yourself, Mistigris,” said his master, giving him the nickname which the studio had no doubt bestowed upon him.

The master was a slight and pale young man, with extremely thick black hair, worn in a disorder that was actually fantastic. But this abundant mass of hair seemed necessary to an enormous head, whose vast forehead proclaimed a precocious intellect. A strained and harassed face, too original to be ugly, was hollowed as if this noticeable young man suffered from some chronic malady, or from privations caused by poverty (the most terrible of all chronic maladies), or from griefs too recent to be forgotten. His clothing, analogous, with due allowance, to that of Mistigris, consisted of a shabby surtout coat, American-green in color, much worn, but clean and well-brushed; a black waistcoat buttoned to the throat, which almost concealed a scarlet neckerchief; and trousers, also black and even more worn than the coat, flapping his thin legs. In addition, a pair of very muddy boots indicated that he had come on foot and from some distance to the coach office. With a rapid look this artist seized the whole scene of the Lion d’Argent, the stables, the courtyard, the various lights and shades, and the details; then he looked at Mistigris, whose satirical glance had followed his own.

“Charming!” said Mistigris.

“Yes, very,” replied the other.

“We seem to have got here too early,” pursued Mistigris. “Couldn’t we get a mouthful somewhere? My stomach, like Nature, abhors a vacuum.”

“Have we time to get a cup of coffee?” said the artist, in a gentle voice, to Pierrotin.

“Yes, but don’t be long,” answered the latter.

“Good; that means we have a quarter of an hour,” remarked Mistigris, with the innate genius for observation of the Paris rapin.

The pair disappeared. Nine o’clock was striking in the hotel kitchen. Georges thought it just and reasonable to remonstrate with Pierrotin.

“Hey! my friend; when a man is blessed with such wheels as these (striking the clumsy tires with his cane) he ought at least to have the merit of punctuality. The deuce! one doesn’t get into that thing for pleasure; I have business that is devilishly pressing or I wouldn’t trust my bones to it. And that horse, which you call Rougeot, he doesn’t look likely to make up for lost time.”

“We are going to harness Bichette while those gentlemen take their coffee,” replied Pierrotin. “Go and ask, you,” he said to his porter, “if Pere Leger is coming with us — ”

“Where is your Pere Leger?” asked Georges.

“Over the way, at number 50. He couldn’t get a place in the Beaumont diligence,” said Pierrotin, still speaking to his porter and apparently making no answer to his customer; then he disappeared himself in search of Bichette.

Georges, after shaking hands with his friend, got into the coach, handling with an air of great importance a portfolio which he placed beneath the cushion of the seat. He took the opposite corner to that of Oscar, on the same seat.

“This Pere Leger troubles me,” he said.

“They can’t take away our places,” replied Oscar. “I have number one.”

“And I number two,” said Georges.

Just as Pierrotin reappeared, having harnessed Bichette, the porter returned with a stout man in tow, whose weight could not have been less than two hundred and fifty pounds at the very least. Pere Leger belonged to the species of farmer which has a square back, a protuberant stomach, a powdered pigtail, and wears a little coat of blue linen. His white gaiters, coming above the knee, were fastened round the ends of his velveteen breeches and secured by silver buckles. His hob-nailed shoes weighed two pounds each. In his hand, he held a small reddish stick, much polished, with a large knob, which was fastened round his wrist by a thong of leather.