Thomas B. Costain - The Silver Chalice

Linus threw back his head and let out a loud guffaw. “So you want more of the law, do you? More of Marius Antonius? You stupid ox, get yourself gone before I invoke the law myself. A slave has no rights in a Roman court. I think your stupidity exceeds your pride.” He raised one broad sleeve of his tunic and wiped the perspiration from his brow. “I give you a word of warning. You are not to see any members of this family. Most particularly, you are not to talk to the lady Persis. You must not communicate with her in any way. Is that clear in your mind, slave? If you come here on any excuse, I shall have you beaten and driven away like a thief!”

For two years the Great Colonnade, with its four rows of pillars like Roman soldiers on parade, had cut Basil off from everything that seemed worth while in life. He lived in the Street of the Silversmiths, which was narrow and turgid and filled at all hours with chaffering and expostulation. Here he sat at a rear window, in a sweltering hole under the roof, working through the hours of day and often into the night, with his hammers and chasing tools, his pots of wax and his soldering wicks. He was subject to the sullen humors of his master, who was called Sosthene of Tarsus, and the tinderlike temper of his mistress, who kept him under pressure to produce more and more.

From his window he could see the tops of the Colonnade columns and even a segment of parapet that he believed to be part of the house, once the property of Ignatius and now rightfully his.

Sosthene was small and black and at his trade he was quick and skillful. In the beginning he had been helpful. He would watch Basil at work and then suddenly he would shake his head and take the tools out of the boy’s hands.

“No, no!” he would say with a rising intonation that made his voice seem to screech. “Not that way. By Zeus, by Apollo, by Pan! By Men! By all the gods! See, stupid one. Do it thus. And thus.”

In spite of his great skill with the tools, the little man had no sense of beauty, and what he produced was dull and uninspired. It brought small prices in the shop below. The results were different when Basil had learned the tricks of the trade, for then everything he did glowed with beauty. Using the sketches he had made on the aliyyah, he produced busts and figurines that began to satisfy him in an increasing degree; but never completely, for he remained fiercely self-critical. They pleased the customers of the shop. Everything he made was sold, quickly and at good prices.

He never went out. This was due to a disinclination to meet old friends while wearing the cloth of servitude, but as time went on a more tangible reason had developed for remaining out of sight. He realized that his safety depended on not being seen. Linus knew that public opinion had been against him and that all Antioch was convinced he had robbed his brother’s rightful heir. It required no special knowledge of the way that evil mind worked to be sure he would never be at rest as long as Basil remained a reproach to his possession.

Linus was not only increasing the wealth Ignatius had left but he was already a force in politics. He was hand in glove with the Roman authorities. It was being told around that he had great plans; that he was buying ships and organizing more and more camel trains; that he was setting up his personal agents everywhere. He would soon be in a position to enforce his desires.

Basil lived in fear of Linus from the day that a note reached him in the Street of the Silversmiths. A stranger slipped it into the hand of Agnes, the small Jewish girl, a slave like himself, who did such household work as was needed. The stranger had said in a hasty whisper, “Put this into the hand of Basil, son of Ignatius.” Agnes had willingly risked the beating she would have received had her part in the transaction become known. She was a tiny wisp of a girl, flat-chested and thin, with unnatural spots of color in her cheeks. She waited until the time came to sweep out his room at the end of the working day. It was dark then and Basil was sitting at the open window. He was in a mood of the deepest dejection and paid no attention to her until she said in a whisper, holding out her broom of sturdy willow withes, “See, it is for you.”

A piece of parchment was stuck in the osiers. He reached down quickly and took it. It proved to be an unsigned note, written in Koine, and in an unfamiliar hand.

The head of the usurper lies uneasy on the pillow and he dreams of means to rid himself of the one he has wronged. Go not out on the streets. Have no speech with strangers. You will not be safe as long as you remain in Antioch.

Basil did not know who had sent him the warning. He was certain it had not come from his adopted mother. It was reported that her health was increasingly bad and, in any event, she lacked the energy for a step of such daring. He concluded finally that the note had come from Quintus Annius, who would be in the best position to know the designs of Linus. Perhaps the young Roman’s conscience had prompted him to this one effort in his behalf. Whatever the motive had been, Basil believed the danger to be real. If he desired to live (sometimes he did not care), he must find some means of getting away.

Sosthene’s wife brought him his meals. She was called Eulalia, which means fair of speech and was, therefore, the least suitable of all names for the double-tongued woman who bore it. She was the real head of the household, ruling her husband as rigidly as she did the two slaves. She never failed to be in the shop when a customer called, and it required an iron will to get away from her without making a purchase. All money went immediately into her hands, and it was one of the jokes in the Ward of the Trades that Sosthene never had as much as a half shekel or even a mite in his possession from one year’s end to another.

There were two meals in this household of extreme frugality, the first at ten in the morning, the second at five in the evening. Eulalia would carry a battered tray up to Basil to save the time he would waste in walking up and down the stairs that were on the outside of the house. She would stand by and watch while he finished his meal, her eyes following each morsel of food from the dish to his mouth as though begrudging it. The fare was always of the plainest kind. Meat was provided twice a week only, and the usual dishes were vegetables, cheese, fruit, and coarse black bread. The wine was thin and sour, and of this he was allowed no more in a week than three and a half pints.

“The reward of diligence,” she would invariably say as she picked up the tray. “Such bounteous meals will be forthcoming only if you stay close to your work.”

On the day after the receipt of the warning he stopped her with a question before she reached the door with the empty tray.

“Do you sell all the things I make?”

Eulalia had stretched out an arm, so thin and withered that it resembled the stalk of a sunflower when the frosts are ready to cut it down, to open the door. She drew back at once.

“Is it concern of yours?” she demanded harshly.

Basil nodded. He had never been afraid of her and had won on that account a grudging measure of respect. “It is concern of mine. Would you like to make much more money out of the work I do?” He waited a moment before adding, “There is a way.”

She placed the tray on the floor with a jolt that spilled what was left of the goat’s milk, and walked back to confront him, hands on hips, her black eyes fixed as implacably on his as those of a hawk that sights below the slow beating of a victim’s wings.

“What do you mean by that?” she demanded. “You are a slave. Everything you do belongs to us—to me, because I am the holder of the purse. Have you not been doing your best work? Is that what you are telling me?”