Rafael Sabatini - The Collected Works of Rafael Sabatini

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e-artnow presents to you this unique Rafael Sabatini collection, formatted for your eReader with a functional and detailed table of contents:
Novels:
Scaramouche
Captain Blood
The Lovers of Yvonne
The Tavern Knight
Bardelys the Magnificent
The Trampling of the Lilies
Love-at-Arms
The Shame of Motley
St. Martin's Summer
Mistress Wilding
The Lion's Skin
The Strolling Saint
The Gates of Doom
The Sea Hawk
The Snare
Fortune's Fool
The Carolinian
Short Stories:
The Justice of the Duke:
The Honour of Varano
The Test
Ferrante's jest
Gismondi's wage
The Snare
The Lust of Conquest
The pasquinade
The Banner of the Bull:
The Urbinian
The Perugian
The Venetian
Other Stories:
The Red Mask
The Curate and the Actress
The Fool's Love Story
The Sacrifice
The Spiritualist
Mr. Dewbury's Consent
The Baker of Rousillon
Wirgman's Theory
The Abduction
Monsieur Delamort
The Foster Lover
The Blackmailer
The Justice of the Duke
The Ordeal
The Tapestried Room
The Wedding Gift
The Camisade
In Destiny's Clutch
The Vicomte's Wager
Sword and Mitre
The Dupes
The Malediction
The Red Owl
Out of the Dice Box
The Marquis' Coach
Tommy
The Lottery Ticket
The Duellist's Wife
The Ducal Rival
The Siege of Savigny
The Locket
The Devourer of Hearts
The Matamorphasis of Colin
Annabel's Wager
The Act of The Captain of the Guard
The Copy Hunter
Sequestration
Gismondi's Wage
Playing with Fire
The Scourge
Intelligence
The Night of Doom
The Driver of the Hearse
The Plague of Ghosts
The Risen Dead
The Bargain
Kynaston's Reckoning
Duroc
The Poachers
The Opportunist
The Sentimentalist
Casanova's Alibi
The Augmentation of Mercury
The Priest of Mars
The Oracle
Under the Leads
The Rooks and the Hawk
The Polish Duel
Casanova in Madrid
The Outlaw of Falkensteig
D'Aubeville's Enterprise
The Nuptials of Lindenstein
The Outlaw and the Lady
The Jealousy of Delventhal
The Shriving of Felsheim
Loaded Dice
Of What Befel at Bailienochy
After Worcester Field
The Chancellor's Daughter…
Historical Works:
The Life of Cesare Borgia
Torquemada and the Spanish Inquisition
The Historical Nights' Entertainment – 1st and 2nd Series

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Andre–Louis hesitated a moment. “Andre–Louis,” he said.

The dark, keen eyes conned him more searchingly.

“Well? Andre–Louis what?”

“Just Andre–Louis. Louis is my surname.”

“Oh! An odd surname. You come from Brittany by your accent. Why did you leave it?”

“To save my skin,” he answered, without reflecting. And then made haste to cover the blunder. “I have an enemy,” he explained.

M. des Amis frowned, stroking his square chin. “You ran away?”

“You may say so.

“A coward, eh?”

“I don’t think so.” And then he lied romantically. Surely a man who lived by the sword should have a weakness for the romantic. “You see, my enemy is a swordsman of great strength — the best blade in the province, if not the best blade in France. That is his repute. I thought I would come to Paris to learn something of the art, and then go back and kill him. That, to be frank, is why your notice attracted me. You see, I have not the means to take lessons otherwise. I thought to find work here in the law. But I have failed. There are too many lawyers in Paris as it is, and whilst waiting I have consumed the little money that I had, so that . . . so that, enfin, your notice seemed to me something to which a special providence had directed me.”

M. des Amis gripped him by the shoulders, and looked into his face.

“Is this true, my friend?” he asked.

“Not a word of it,” said Andre–Louis, wrecking his chances on an irresistible impulse to say the unexpected. But he didn’t wreck them. M. des Amis burst into laughter; and having laughed his fill, confessed himself charmed by his applicant’s fundamental honesty.

“Take off your coat,” he said, “and let us see what you can do. Nature, at least, designed you for a swordsman. You are light, active, and supple, with a good length of arm, and you seem intelligent. I may make something of you, teach you enough for my purpose, which is that you should give the elements of the art to new pupils before I take them in hand to finish them. Let us try. Take that mask and foil, and come over here.”

He led him to the end of the room, where the bare floor was scored with lines of chalk to guide the beginner in the management of his feet.

At the end of a ten minutes’ bout, M. des Amis offered him the situation, and explained it. In addition to imparting the rudiments of the art to beginners, he was to brush out the fencing-room every morning, keep the foils furbished, assist the gentlemen who came for lessons to dress and undress, and make himself generally useful. His wages for the present were to be forty livres a month, and he might sleep in an alcove behind the fencing-room if he had no other lodging.

The position, you see, had its humiliations. But, if Andre–Louis would hope to dine, he must begin by eating his pride as an hors d’oeuvre.

“And so,” he said, controlling a grimace, “the robe yields not only to the sword, but to the broom as well. Be it so. I stay.”

It is characteristic of him that, having made that choice, he should have thrown himself into the work with enthusiasm. It was ever his way to do whatever he did with all the resources of his mind and energies of his body. When he was not instructing very young gentlemen in the elements of the art, showing them the elaborate and intricate salute — which with a few days’ hard practice he had mastered to perfection — and the eight guards, he was himself hard at work on those same guards, exercising eye, wrist, and knees.

Perceiving his enthusiasm, and seeing the obvious possibilities it opened out of turning him into a really effective assistant, M. des Amis presently took him more seriously in hand.

“Your application and zeal, my friend, are deserving of more than forty livres a month,” the master informed him at the end of a week. “For the present, however, I will make up what else I consider due to you by imparting to you secrets of this noble art. Your future depends upon how you profit by your exceptional good fortune in receiving instruction from me.”

Thereafter every morning before the opening of the academy, the master would fence for half an hour with his new assistant. Under this really excellent tuition Andre–Louis improved at a rate that both astounded and flattered M. des Amis. He would have been less flattered and more astounded had he known that at least half the secret of Andre–Louis’ amazing progress lay in the fact that he was devouring the contents of the master’s library, which was made up of a dozen or so treatises on fencing by such great masters as La Bessiere, Danet, and the syndic of the King’s Academy, Augustin Rousseau. To M. des Amis, whose swordsmanship was all based on practice and not at all on theory, who was indeed no theorist or student in any sense, that little library was merely a suitable adjunct to a fencing-academy, a proper piece of decorative furniture. The books themselves meant nothing to him in any other sense. He had not the type of mind that could have read them with profit nor could he understand that another should do so. Andre–Louis, on the contrary, a man with the habit of study, with the acquired faculty of learning from books, read those works with enormous profit, kept their precepts in mind, critically set off those of one master against those of another, and made for himself a choice which he proceeded to put into practice.

At the end of a month it suddenly dawned upon M. des Amis that his assistant had developed into a fencer of very considerable force, a man in a bout with whom it became necessary to exert himself if he were to escape defeat.

“I said from the first,” he told him one day, “that Nature designed you for a swordsman. See how justified I was, and see also how well I have known how to mould the material with which Nature has equipped you.”

“To the master be the glory,” said Andre–Louis.

His relations with M. des Amis had meanwhile become of the friendliest, and he was now beginning to receive from him other pupils than mere beginners. In fact Andre–Louis was becoming an assistant in a much fuller sense of the word. M. des Amis, a chivalrous, open-handed fellow, far from taking advantage of what he had guessed to be the young man’s difficulties, rewarded his zeal by increasing his wages to four louis a month.

From the earnest and thoughtful study of the theories of others, it followed now — as not uncommonly happens — that Andre–Louis came to develop theories of his own. He lay one June morning on his little truckle bed in the alcove behind the academy, considering a passage that he had read last night in Danet on double and triple feints. It had seemed to him when reading it that Danet had stopped short on the threshold of a great discovery in the art of fencing. Essentially a theorist, Andre–Louis perceived the theory suggested, which Danet himself in suggesting it had not perceived. He lay now on his back, surveying the cracks in the ceiling and considering this matter further with the lucidity that early morning often brings to an acute intelligence. You are to remember that for close upon two months now the sword had been Andre–Louis’ daily exercise and almost hourly thought. Protracted concentration upon the subject was giving him an extraordinary penetration of vision. Swordsmanship as he learnt and taught and saw it daily practised consisted of a series of attacks and parries, a series of disengages from one line into another. But always a limited series. A half-dozen disengages on either side was, strictly speaking, usually as far as any engagement went. Then one recommenced. But even so, these disengages were fortuitous. What if from first to last they should be calculated?

That was part of the thought — one of the two legs on which his theory was to stand; the other was: what would happen if one so elaborated Danet’s ideas on the triple feint as to merge them into a series of actual calculated disengages to culminate at the fourth or fifth or even sixth disengage? That is to say, if one were to make a series of attacks inviting ripostes again to be countered, each of which was not intended to go home, but simply to play the opponent’s blade into a line that must open him ultimately, and as predetermined, for an irresistible lunge. Each counter of the opponent’s would have to be preconsidered in this widening of his guard, a widening so gradual that he should himself be unconscious of it, and throughout intent upon getting home his own point on one of those counters.

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