Rafael Sabatini - The Collected Works of Rafael Sabatini

Such root did this thought take in her mind that soon thereafter—and without having waited for that riper acquaintance which at first she had held necessary—she sought to lead their talk into the channels of this delicate subject. But he as sedulously confined it to trivial matter whenever she approached him in this mood, fencing himself about with a wall of cold reserve that was not lightly to be overthrown. In this his conscience was at work. Cynthia was the flaw in the satisfaction he might have drawn from the contemplation of the vengeance he was there to wreak. He beheld her so pure, so sweet and fresh, that he marvelled how she came to be the daughter of Gregory Ashburn. His heart smote him at the thought of how she—the innocent—must suffer with the guilty, and at the contemplation of the sorrow which he must visit upon her. Out of this sprang a constraint when in her company, for other than stiff and formal he dared not be lest he should deem himself no better than the Iscariot.

During the first days he had spent at Marleigh, he had been impatient for Joseph Ashburn's return. Now he found himself hoping each morning that Joseph might not come that day.

A courier reached Gregory from Windsor with a letter wherein his brother told him that the Lord General, not being at the castle, he was gone on to London in quest of him. And Gregory, lacking the means to inform him that the missing Kenneth was already returned, was forced to possess his soul in patience until his brother, having learnt what was to be learnt of Cromwell, should journey home.

And so the days sped on, and a week wore itself out in peace at Castle Marleigh, none dreaming of the volcano on which they stood. Each night Crispin and Gregory sat together at the board after Kenneth and Cynthia had withdrawn, and both drank deep—the one for the vice of it, the other (as he had always done) to seek forgetfulness.

He needed it now more than ever, for he feared that the consideration of Cynthia might yet unman him. Had she scorned and avoided him and having such evidences of his ways of life he marvelled that she did not—he might have allowed his considerations of her to weigh less heavily. As it was, she sought him out, nor seemed rebuffed at his efforts to evade her, and in every way she manifested a kindliness that drove him almost to the point of despair, and well-nigh to hating her.

Kenneth, knowing naught of the womanly purpose that actuated her, and seeing but the outward signs, which, with ready jealousy, he misconstrued and magnified, grew sullen and churlish to her, to Galliard, and even to Gregory.

For hours he would mope alone, nursing his jealous mood, as though in this clownish fashion matters were to be mended. Did Cynthia but speak to Crispin, he scowled; did Crispin answer her, he grit his teeth at the covert meaning wherewith his fancy invested Crispin's tones; whilst did they chance to laugh together—a contingency that fortunately for his sanity was rare—he writhed in fury. He was a man transformed, and at times there was murder in his heart. Had he been a swordsman of more than moderate skill and dared to pit himself against the Tavern Knight, blood would have been shed in Marleigh Park betwixt them.

It seemed at last as if with his insensate jealousy all the evil humours that had lain dormant in the boy were brought to the surface, to overwhelm his erstwhile virtues—if qualities that have bigotry for a parent may truly be accounted virtues.

He cast off, not abruptly, but piecemeal, those outward symbols—his sombre clothes. First 'twas his hat he exchanged for a feather-trimmed beaver of more sightly hue; then those stiff white bands that reeked of sanctity and cant for a collar of fine point; next it was his coat that took on a worldly edge of silver lace. And so, little by little, step by step, was the metamorphosis effected, until by the end of the week he came forth a very butterfly of fashion—a gallant, dazzling Cavalier. Out of a stern, forbidding Covenanter he was transformed in a few days into a most outrageous fop. He walked in an atmosphere of musk that he himself exhaled; his fair hair—that a while ago had hung so straight and limp—was now twisted into monstrous curls, a bunch of which were gathered by his right ear in a ribbon of pale blue silk.

Galliard noted the change in amazement, yet, knowing to what follies youth is driven when it woos, he accounted Cynthia responsible for it, and laughed in his sardonic way, whereat the boy would blush and scowl in one. Gregory, too, looked on and laughed, setting it down to the same cause. Even Cynthia smiled, whereat the Tavern Knight was driven to ponder.

With a courtier's raiment Kenneth put on, too, a courtier's ways; he grew mincing and affected in his speech, and he—whose utterance a while ago had been marked by a scriptural flavour—now set it off with some of Galliard's less unseemly oaths.

Since it was a ruffling gallant Cynthia required, he swore that a ruffling gallant should she find him; nor had he wit enough to see that his ribbons, his fopperies, and his capers served but to make him ridiculous in her eyes. He did indeed perceive, however, that in spite of this wondrous transformation, he made no progress in her favour.

“What signify these fripperies?” she asked him, one day, “any more than did your coat of decent black? Are these also outward symbols?”

“You may take them for such, madam,” he answered sulkily. “You liked me not as I was—”

“And I like you less as you are,” she broke in.

“Cynthia, you mock me,” he cried angrily.

“Now, Heaven forbid! I do but mark the change,” she answered airily. “These scented clothes are but a masquerade, even as your coat of black and your cant were a masquerade. Then you simulated godliness; now you simulate Heaven knows what. But now, as then, it is no more than a simulation, a pretence of something that you are not.”

He left her in a pet, and went in search of Gregory, into whose ear he poured the story of his woes that had their source in Cynthia's unkindness. From this resulted a stormy interview 'twixt Cynthia and her father, in which Cynthia at last declared that she would not be wedded to a fop.

Gregory shrugged his shoulders and laughed cynically, replying that it was the way of young men to be fools, and that through folly lay the road to wisdom.

“Be that as it may,” she answered him with spirit, “this folly transcends all bounds. Master Stewart may return to his Scottish heather; at Castle Marleigh he is wasting time.”

“Cynthia!” he cried.

“Father,” she pleaded, “why be angry? You would not have me marry against the inclinations of my heart? You would not have me wedded to a man whom I despise?”

“By what right do you despise him?” he demanded, his brow dark.

“By the right of the freedom of my thoughts—the only freedom that a woman knows. For the rest it seems she is but a chattel; of no more consideration to a man than his ox or his ass with which the Scriptures rank her—a thing to be given or taken, bought or sold, as others shall decree.”

“Child, child, what know you of these things?” he cried. “You are overwrought, sweetheart.” And with the promise to wait until a calmer frame of mind in her should be more propitious to what he wished to say further on this score, he left her.

She went out of doors in quest of solitude among the naked trees of the park; instead she found Sir Crispin, seated deep in thought upon a fallen trunk.

Through the trees she espied him as she approached, whilst the rustle of her gown announced to him her coming. He rose as she drew nigh, and, doffing his hat, made shift to pass on.

“Sir Crispin,” she called, detaining him. He turned.

“Your servant, Mistress Cynthia.”