Array The griffin classics - Jack London - The Complete Novels

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This book, contains now several HTML tables of contents that will make reading a real pleasure!
The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.
Here you will find the complete novels of Jack London in the alphabetical order.
– A Daughter of the Snows
– A Son of the Sun
– Adventure
– Before Adam
– Burning Daylight
– Children of the Frost
– Dutch Courage and Other Stories
– Hearts of Three
– Jerry of the Islands
– Lost Face
– Love of Life & Other Stories
– Martin Eden
– Michael, Brother of Jerry
– Moon-Face & Other Stories
– On the Makaloa Mat
– South Sea Tales
– Tales of the Fish Patrol
– The Abysmal Brute
– The Call of the Wild
– The Faith of Men & Other Stories
– The Game
– The God of his Fathers & Other Stories
– The House of Pride
– The Iron Heel
– The Little Lady of the Big House
– The Mutiny of the Elsinore
– The Night-Born
– The Red One
– The Road
– The Scarlet Plague
– The Sea Wolf
– The Son of the Wolf
– The Star Rover
– The Strength of the Strong
– The Turtles of Tasman
– The Valley of the Moon
– When God Laughs & Other Stories
– White Fang

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"Think so?"

"Think so! I guess yes. Between we three, confidential, I'm startin' a couple of lads down into the Lower Country next week to buy up five hundred of the best huskies they kin spot. Think so! I've limbered my jints too long in the land to git caught nappin'."

Frona burst out laughing. "But you got pinched on the sugar, Dave."

"Oh, I dunno," he responded, complacently. "Which reminds me. I've got a noospaper, an' only four weeks' old, the Seattle Post-Intelligencer ."

"Has the United States and Spain—"

"Not so fast, not so fast!" The long Yankee waved his arms for silence, cutting off Frona's question which was following fast on that of Corliss.

"But have you read it?" they both demanded.

"Unh huh, every line, advertisements an' all."

"Then do tell me," Frona began. "Has—"

"Now you keep quiet, Miss Frona, till I tell you about it reg'lar. That noospaper cost me fifty dollars—caught the man comin' in round the bend above Klondike City, an' bought it on the spot. The dummy could a-got a hundred fer it, easy, if he'd held on till he made town—"

"But what does it say? Has—"

"Ez I was sayin', that noospaper cost me fifty dollars. It's the only one that come in. Everybody's jest dyin' to hear the noos. So I invited a select number of 'em to come here to yer parlors to-night, Miss Frona, ez the only likely place, an' they kin read it out loud, by shifts, ez long ez they want or till they're tired—that is, if you'll let 'em have the use of the place."

"Why, of course, they are welcome. And you are very kind to—"

He waved her praise away. "Jest ez I kalkilated. Now it so happens, ez you said, that I was pinched on sugar. So every mother's son and daughter that gits a squint at that paper to-night got to pony up five cups of sugar. Savve? Five cups,—big cups, white, or brown, or cube,—an' I'll take their IOU's, an' send a boy round to their shacks the day followin' to collect."

Frona's face went blank at the telling, then the laughter came back into it. "Won't it be jolly? I'll do it if it raises a scandal. To-night, Dave? Sure to-night?"

"Sure. An' you git a complimentary, you know, fer the loan of yer parlor."

"But papa must pay his five cups. You must insist upon it, Dave."

Dave's eyes twinkled appreciatively. "I'll git it back on him, you bet!"

"And I'll make him come," she promised, "at the tail of Dave Harney's chariot."

"Sugar cart," Dave suggested. "An' to-morrow night I'll take the paper down to the Opery House. Won't be fresh, then, so they kin git in cheap; a cup'll be about the right thing, I reckon." He sat up and cracked his huge knuckles boastfully. "I ain't ben a-burnin' daylight sence navigation closed; an' if they set up all night they won't be up early enough in the mornin' to git ahead of Dave Harney—even on a sugar proposition."

Chapter 11

Over in the corner Vance Corliss leaned against the piano, deep in conversation with Colonel Trethaway. The latter, keen and sharp and wiry, for all his white hair and sixty-odd years, was as young in appearance as a man of thirty. A veteran mining engineer, with a record which put him at the head of his profession, he represented as large American interests as Corliss did British. Not only had a cordial friendship sprung up between them, but in a business way they had already been of large assistance to each other. And it was well that they should stand together,—a pair who held in grip and could direct at will the potent capital which two nations had contributed to the development of the land under the Pole.

The crowded room was thick with tobacco smoke. A hundred men or so, garbed in furs and warm-colored wools, lined the walls and looked on. But the mumble of their general conversation destroyed the spectacular feature of the scene and gave to it the geniality of common comradeship. For all its bizarre appearance, it was very like the living-room of the home when the members of the household come together after the work of the day. Kerosene lamps and tallow candles glimmered feebly in the murky atmosphere, while large stoves roared their red-hot and white-hot cheer.

On the floor a score of couples pulsed rhythmically to the swinging waltz-time music. Starched shirts and frock coats were not. The men wore their wolf- and beaver-skin caps, with the gay-tasselled ear-flaps flying free, while on their feet were the moose-skin moccasins and walrus-hide muclucs of the north. Here and there a woman was in moccasins, though the majority danced in frail ball-room slippers of silk and satin. At one end of the hall a great open doorway gave glimpse of another large room where the crowd was even denser. From this room, in the lulls in the music, came the pop of corks and the clink of glasses, and as an undertone the steady click and clatter of chips and roulette balls.

The small door at the rear opened, and a woman, befurred and muffled, came in on a wave of frost. The cold rushed in with her to the warmth, taking form in a misty cloud which hung close to the floor, hiding the feet of the dancers, and writhing and twisting until vanquished by the heat.

"A veritable frost queen, my Lucile," Colonel Trethaway addressed her.

She tossed her head and laughed, and, as she removed her capes and street-moccasins, chatted with him gayly. But of Corliss, though he stood within a yard of her, she took no notice. Half a dozen dancing men were waiting patiently at a little distance till she should have done with the colonel. The piano and violin played the opening bars of a schottische, and she turned to go; but a sudden impulse made Corliss step up to her. It was wholly unpremeditated; he had not dreamed of doing it.

"I am very sorry," he said.

Her eyes flashed angrily as she turned upon him.

"I mean it," he repeated, holding out his hand. "I am very sorry. I was a brute and a coward. Will you forgive me?"

She hesitated, and, with the wisdom bought of experience, searched him for the ulterior motive. Then, her face softened, and she took his hand. A warm mist dimmed her eyes.

"Thank you," she said.

But the waiting men had grown impatient, and she was whirled away in the arms of a handsome young fellow, conspicuous in a cap of yellow Siberian wolf-skin. Corliss came back to his companion, feeling unaccountably good and marvelling at what he had done.

"It's a damned shame." The colonel's eye still followed Lucile, and Vance understood. "Corliss, I've lived my threescore, and lived them well, and do you know, woman is a greater mystery than ever. Look at them, look at them all!" He embraced the whole scene with his eyes. "Butterflies, bits of light and song and laughter, dancing, dancing down the last tail-reach of hell. Not only Lucile, but the rest of them. Look at May, there, with the brow of a Madonna and the tongue of a gutter-devil. And Myrtle—for all the world one of Gainsborough's old English beauties stepped down from the canvas to riot out the century in Dawson's dance-halls. And Laura, there, wouldn't she make a mother? Can't you see the child in the curve of her arm against her breast! They're the best of the boiling, I know,—a new country always gathers the best,—but there's something wrong, Corliss, something wrong. The heats of life have passed with me, and my vision is truer, surer. It seems a new Christ must arise and preach a new salvation—economic or sociologic—in these latter days, it matters not, so long as it is preached. The world has need of it."

The room was wont to be swept by sudden tides, and notably between the dances, when the revellers ebbed through the great doorway to where corks popped and glasses tinkled. Colonel Trethaway and Corliss followed out on the next ebb to the bar, where fifty men and women were lined up. They found themselves next to Lucile and the fellow in the yellow wolf-skin cap. He was undeniably handsome, and his looks were enhanced by a warm overplus of blood in the cheeks and a certain mellow fire in the eyes. He was not technically drunk, for he had himself in perfect physical control; but his was the soul-exhilaration which comes of the juice of the grape. His voice was raised the least bit and joyous, and his tongue made quick and witty—just in the unstable condition when vices and virtues are prone to extravagant expression.

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