Ernest Haycox - Ernest Haycox - Ultimate Collection - Western Classics & Historical Novels

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Ernest Haycox is among the most successful writers of American western fiction. He is credited for raising western fiction up from the pulp fiction into the mainstream. His works influenced other writers of western fiction to the point of no return.
Novels and Novellas
A Rider of the High Mesa
Free Grass
The Octopus of Pilgrim Valley
Chaffee of Roaring Hors
Son of the West
Whispering Range
The Feudists
The Kid From River Red
The Roaring Hour
Starlight Rider
Riders West
The Silver Desert
Trail Smoke
Trouble Shooter
Sundown Jim
Man in the Saddle
The Border Trumpet
Saddle and Ride
Rim of the Desert
Trail Town
Alder Gulch
Action by Night
The Wild Bunch
Bugles in the Afternoon
Canyon Passage
Long Storm
Head of the Mountain
The Earthbreakers
The Adventurers
Stories From the American Revolution
Red Knives
A Battle Piece
Drums Roll
Burnt Creek Stories
A Burnt Creek Yuletide
Budd Dabbles in Homesteads
When Money Went to His Head
Stubborn People
Prairie Yule
False Face
Rockbound Honesty
Murder on the Frontier
Mcquestion Rides
Court Day
Officer's Choice
The Colonel's Daughter
Dispatch to the General
On Texas Street
In Bullhide Canyon
Wild Enough
When You Carry the Star
Other Short Stories
At Wolf Creek Tavern
Blizzard Camp
Born to Conquer
Breed of the Frontier
Custom of the Country
Dead-Man Trail
Dolorosa, Here I Come
Fourth Son
The Last Rodeo
The Silver Saddle
Things Remembered

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Powder sweltered under the baking, midday heat; Powder shivered with the midnight cold. It was a town of violent extremes, living in a state of suspended animation for long periods of time until the cowboy and his money rode furiously in to spill the red paint. Life here was indolent and easy until the slumbering passions flared up; then it became cruel, raw, unjust. Such was Powder as it appeared to Tom as he surveyed it from the second floor of the sheriff's office during the two days of his confinement.

There was nothing much to divert him, save his own thoughts and these were not of a kind to guarantee peace. He was never the man to play possum; he had no easy-going philosophy to console him when things went wrong. Rather his quick temper fed upon his injuries and the injuries done to others, growing greater, more volcanic. So it flickered and flared under pressure, ready to burst forth at the first opportunity, making of him an extremely dangerous character. The sheriff, visiting now and then, saw this and in an easy-going way tried to humor him.

"Now it don't ever help a man to hold his breath until his lungs cave in," he warned. "That's what yore doin'. You'll bust yore G string and be plumb out of harmony if you don't just float with the tide a while. Sing yoreself a sweet little ditty an' pretend yore takin' the rest cure."

"That," muttered Tom Lilly, "is what Joe Breedlove would say. Yeh, 'Take it easy' is his fav'rite motto."

"Yore friend has got plenty of sense," said the sheriff. "An oiled wheel lasts longer than a dry one."

"Hell! I'm not built that way. Yore a fine fellow to come round here talkin' like Santy Claus. It ain't no skin off yore nose that they's a bunch of wild men up in the hills pickin' the JIB to pieces."

He couldn't quite understand the sheriff. The man draped himself against the door, smiling down his pipestem. There was apparent honesty in his eyes and a certain stubborn fearlessness in the cut of the grizzled, middle-aged face. "Seems to me you didn't have any friendly notions to'rds the JIB when you went into Pilgrim Valley," said he. "Why all the concern now?"

"I hate a double crosser," said Tom. "It natcherlly makes me riled."

"Well, you're buckin' some powerful gents, my son. Take the advice of an old campaigner. Slick does it in this country. Don't go around announcin' your intentions. Just sing low until you're ready to slam in with the artillery."

"Fine to say," grunted Tom. "But do you realize they's a girl bein' held somewhere in those hills? By the Lord Harry, it ain't nothin' to smile about! That's what gripes me. I'd kill somebody for that."

The sheriff stared long and intently at Tom Lilly. His forehead wrinkled thoughtfully and he removed his pipe, tapping it against the grating. "Wherever she is, nobody's treatin' her too bad. Them boys ain't forgot they're gentlemen—of a sort."

"What boys?" demanded Lilly.

The sheriff merely grinned. Lilly stood up. "Say, you seem to know a powerful lot. When do I get tried for this awful crime I didn't commit?"

"Soon enough," said the sheriff. "As for knowin' things, I'll admit it. That's why I hold my job. You have to mingle politics with duty in this country, Red."

Lilly heard him creaking down the stairs and call to somebody in the street. A short while after a rider cantered southward from the town—Lilly saw him go from the back window of his cubicle. The sheriff, too, got aboard his sorrel and ambled leisurely away from the smothering heap that was Powder. The day droned along; night came and with it the sounds of reviving pleasure. Supper came. The piano in Jake Miner's place sent forth its stuttering off-key harmony. Boots clumped across the sheriff's office below him. Evidently that worthy was back from his ride. Lilly rolled an after supper cigarette and reflected on many things. Considering the seriousness of the charge placed against him, it seemed the sheriff maintained a mighty friendly attitude toward him; nor did he seem greatly exercised at the thought of Jill Breck having disappeared. There was mystery behind this. Was the man in league with Trono? On the surface it appeared so, but Lilly could not imagine double-dealing behind the sheriffs square, frank face.

Darkness had long since fallen. Below, there was a murmuring of voices, two or three of them. Then the stairway squealed under a heavy body and a vague shadow appeared beyond the grating. A key scraped the lock and a soft voice—a voice that had a sweet and laughing timber to it—floated inward.

"Yeh. The sheriff said this was where he kept his star boarder. Iron bars do not a prison make! Shore enough. Mister Lilly would you be so kind as to step forth where I c'n shock myself with yore unholy mug oncet more?"

Lilly sprang up, checking a shout of delight. Joe Breedlove! Pattipaws then, had delivered his message. He shoved the door open and with an effort spoke casually. "You old wampus cat."

"Yeh. Same to yuh an' many of them. It shorely seems natcheral—me gittin' yuh outa jail oncet more. I'm allus giftin' yuh outa some mess." A firm hand closed on his shoulder. Breedlove's tall, square body stooped toward him. "I'm a man o' peace. I hate to fight. But here I am, now who do I shoot?"

"Easy, boy. What'd you do with the sheriff?"

"Oh, Moses an' I sorter sauntered in like we wanted to converse with him an' gits the drop. He's down talkin' religion to Moses now. Only it's hard fer a gent to talk with his hands tied."

"You brought the boys along?"

"Eight simple-minded men o' the open spaces. We rolled our blankets five minutes after yore telegram come. Hopped a freight at the water tank an' had a right nice journey. Railroad men c'n be awful accommodatin', when they got to be. The Injun was at the Junction waitin' fer us. Guess he knew all about yuh, fer he leads us thisaway. I left the boys outside so nobody'd get excited."

Lilly groped down the stairway and opened a door into a side room. A lantern emitted feeble rays through its smudgy shield, revealing the sheriff neatly tied to a chair and a sad-faced, loose-jointed person standing near him, speaking in polite solemnity about the weather. The sheriff seemed not to mind his position; he grinned with cheerful humor when Tom Lilly entered.

"I was wonderin' when your party would arrive," said he. "Better turn down that lantern a little. Somebody might peek in that door."

"Huh?" asked Lilly. "How did you know I asked for help?"

"Shucks, man, give me a little credit. Ever' time a sparrow ketches a worm in Robey County I know it. How? That's my own business. What's your next move?"

"Now look here," interrupted Lilly. "Explain yoreself. I don't arrive at you atall. Are you for me or agin me? If yore for me, why did you put me in the jug? If yore agin me, what's the idea o' actin' as if you'd found yore long lost brother?"

"I'm for justice. Red. That's a-plenty. But sometimes I've got to use devious means to arrive at it. Now, I pinched you to keep Trono and his fine assassins from tyin' you to a tree, which they honed to do. As for lookin' proud in these close-embracin' folds of rope, what good would it do me to cuss? You got me. Now go on an' peddle your papers. Though I'm more'n half glad you rustled up some good men."

"Don't it beat hell?" grunted Lilly. Joe Breedlove was smiling, his tall, husky frame slightly bent over. His was the countenance of a man well disposed toward the world; from his sandy yellow hair downward he made a picture of an easy-going, shrcwdly-observant character. Sadness had touched Joe Breedlove; he had never had a home. Once, he had seen himself double-hitched and running his own small ranch. But that was only a memory now. Out of all this he could still smile that sweet, charitable smile, looking at the world with eyes that were sometimes thoughtful, but never embittered.

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