Dorothy Fielding - Chief Inspector Pointer's Cases - 12 Golden Age Murder Mysteries

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Chief Inspector Pointer is on a mission to catch the biggest and the baddest of criminals. Aided by his side-kicks, Pointer is a master of observation and daring. e-artnow presents to you the meticulously edited Boxed Set of his myriad adventures and intriguing cases for your absolute reading pleasure. Contents:
The Eames-Erskine Case
The Charteris Mystery
The Footsteps That Stopped
The Clifford Affair
The Cluny Problem
The Wedding Chest Mystery
The Craig Poisoning Mystery
The Tall House Mystery
Tragedy atBeechcroft
The Case of the Two Pearl Necklaces
Scarecrow
Mystery at the Rectory

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CHAPTER SEVEN

Table of Contents

DRIVING to New Scotland Yard at once, Pointer learnt that the memo was of no value, though it was connected, as he had surmised, with the manufacture of emeralds.

This was a blow. He had expected something from those algebraical formulae. What, he himself hardly knew. But something big.

He dropped in at his Bayswater rooms and found O'Connor waiting for him with lunch. Over the cheese, and a pile of the curly toast beloved of the Chief Inspector, thin, and brown, and crisp, as birch leaves in a frost, he told his friend of the latest developments.

"So the letter isn't the clue after all!"

"Why not? I seem to've been misled as to its contents. Suppose some one else was mistaken, too? Suppose I wasn't the only one who hoped for something different from what was there? A hunt after letters, or papers, runs through this case. There was the search among the professor's rooms shortly after his daughter was found dead. Then there's the theft of Miss Charteris's own letters from the chief constable's house."

"And there's the Odyssey of this enclosed letter itself. The one just sent back from Milan. Though, faith, it doesn't look the sort of thing to interest the count," mused O'Connor. "But it might some of the others. How about getting him back again, by the way?"

"It'll only be a matter of days before the Yard learns of his whereabouts, unless he intends to go permanently into hiding."

"But when you've got him," O'Connor went on, "you've still to find the motive for all the rest of that Thursday night show. The moving of the body, and what happened on those flags. D'ye think the colonel could help you to a short cut?"

"I told the superintendent that Scarlett's a difficult man to read, and so he is. At first he acted as though a weight were lifting off him. Yet every hour that passes without disclosing the criminal in a case of this kind usually gets on people's nerves. And now lately, he's just opposite. He looks to me like a man ridden by some ever-growing fear. He's all on the qui vive every time any one approaches him suddenly."

"Perhaps he's afraid for himself, or his daughter?"

"Neither. He never carries even a stout stick. There isn't a fire-arm handy in the house. He takes no precautions. But he does take two Italian papers since about a week ago. About the time of the murder."

"I wonder if he's in this," O'Connor speculated, "with di Monti and that Mrs. Lane. Of course, we know di Monti struck the blow, but who else was there?"

"The funny thing is," Pointer reached up for a Chinese ball-puzzle on the mantelpiece above him, "that I've a perfectly unsound idea, which I wouldn't mention to any one but you, connecting Mrs. Lane with—not di Monti nor the colonel—but with Thornton."

"How's that?"

"Difficult to explain. He's never natural when her name comes up. Either too indifferent, or changes the subject, or something—I can't put a name to it. But I've had from the first a very strong feeling that she moves him, touches him in some quite peculiar way."

"In love with her?"

"Why not be so openly? All our accounts show that he rarely talked much to her, nor she to him. Yet he kept his eyes on Mrs. Lane, and on Mrs. Lane alone, at the inquest, once the doctor began to stir things up. As she went out she looked at him. Odd look. One I haven't a label for."

"You'd expect that she and di Monti would be standing in together—"

"Then that won't be what we'll find," Pointer said dryly.

"And how's the pencil getting along?" asked the Irishman.

"It's feeling a bit lonely, but still hopeful. So far, it's only led us into cul-de-sacs , but as it's my best find, I mustn't decry it."

There was a long silence while the two old friends smoked on.

"Could that formula be more valuable than you think?" O'Connor asked at length.

"Our expert is quite certain. It's not possible for him to be mistaken."

"True. One never did hear of a policeman making a mistake," O'Connor murmured pensively.

"But unless the owner of the pencil turns up, I'm running over to Italy the day after to-morrow to see if I can't find Charteris."

"You are, eh?" O'Connor eyed him gravely, speculatively.

"And," Pointer returned his look, "I feel, like you, by no means certain that I shall find him."

"Looks that way to me. If his daughter was killed for anything to do with a letter which he might have written or sent. And what's the artist doing all this time?"

"Bellairs? He comes back from Windsor Castle tonight But I'm going to leave him alone for the moment He's watched, of course, but I'm trying to unwind the affair from the other end."

"And the chief constable down there. How's he getting along?" O'Connor liked to keep count of all the cast.

Pointer laughed. "I may be doing a most zealous officer a bitter injustice. But I suspect him of being exceedingly glad that he's out of it all. The colonel and his friends are all friends of Major Vaughan's, too. We'll see a marked improvement when this case is settled one way or another, I fancy. And it's going to take some stiff routine work before it's settled. It's the most extraordinary affair for one reason. You'd expect a gang of apaches to hang together, whatever the crimes, but the Stillwater crowd are all well-to-do, well-behaved, wellborn. They're not like a tenement house of starving east-enders."

"Me noble father having been Court Chamberlain, and talking as I am to the belted son of a duke," O'Connor murmured lackadaisically, "it's natural we should look on tenement-house dwellers with proper scorn."

Pointer grunted. "You know what I mean," he said impertinently. "Of all that Stillwater circle, there's not one, not one, mind you, of whom I can say with absolute certainty, 'Whoever's in it, it isn't he!'"

"Him!" retorted O'Connor, "don't be a prig, Alf. You wouldn't say 'It isn't he under any circumstances,' and you know it."

"It isn't he," Pointer repeated unmoved. Not to him had the English grammar come unprized, as a birthright. Son of a coast-guard, it was with many an hour's work that he had bought freedom in it, and he valued that ease accordingly.

"And yet all of them should be above suspicion by their positions, you'd think. But they're all in it, in the most baffling way. There's the colonel—apart from everything else, why did he cut down that blackthorn tree before any one was up on Friday morning? But his record is quite all right. Late of the 10th Hussars. No shady relations. Only son's a Commissioner in Uganda. The last Tanganyka Times is full of some exploration of his around in the interior. Then there's Mr. Thornton—"

"He called you down, didn't he? Ungrateful bobby!"

"I allow him due credit, for, without his having done that, the threads of this case would have been impossible to pick up—from this end. There're always two ways of reaching any goal. But he's an odd fish. He's not straight with me. His hand, mind you, was practically forced by two young men from the Foreign Office."

"But who is he?"

"Took high honours at New College. Member of the bar. Councillor to various embassies abroad for some years. Travelled a bit in Persia. Knows everybody, and yet hasn't an intimate friend, unless it be Professor Charteris.

"Then take Mr. Cockburn and Mr. Bond. We know all about them, too. Blameless pasts, promising futures. Yet I found them breaking into the colonel's study on Friday evening."

"In order to help the case forward," put in O'Connor.

"So they say! Then the women. Mrs. Lane's, of course, the dark horse of the outfit, so far. There's only one thing I can prove for certain against her, whatever we may think, and that is that it was from her silk cloak that the piece is missing which I found in the clutch of Thornton's car. As she wore the same cloak driving in to town on Friday, and made no complaint about it, and told the maid that she had just stepped on it while getting out, I take it that she tore it herself. Then there's Lady Maxwell. It's her frock that's bloodstained, and the colonel backs off at sight of her. Then Miss Scarlett—she's too much shaken by her cousin's death. She looks like a ghost."

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