Samuel Coleridge - The Complete Works of Samuel Taylor Coleridge (Illustrated Edition)

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This carefully edited collection of «THE COMPLETE WORKS OF SAMUEL TAYLOR COLERIDGE (Illustrated Edition)» has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Samuel Taylor Coleridge (1772-1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets.
Content:
Introduction:
The Spirit of the Age: Mr. Coleridge by William Hazlitt
A Day With Samuel Taylor Coleridge by May Byron
The Life of Samuel Taylor Coleridge by James Gillman
Poetry:
Notable Works:
The Rime of the Ancient Mariner
Kubla Khan; or, A Vision in a Dream: A Fragment
Christabel
France: An Ode
LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798)
LYRICAL BALLADS, WITH OTHER POEMS (1800)
THE CONVERSATION POEMS
The Complete Poems in Chronological Order
Plays:
OSORIO
REMORSE
THE FALL OF ROBESPIERRE
ZAPOLYA: A CHRISTMAS TALE IN TWO PARTS
THE PICCOLOMINI
THE DEATH OF WALLENSTEIN
Literary Essays, Lectures and Memoirs:
BIOGRAPHIA LITERARIA
ANIMA POETAE
SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA AND THE STAGE
AIDS TO REFLECTION
CONFESSIONS OF AN INQUIRING SPIRIT AND MISCELLANEOUS ESSAYS FROM «THE FRIEND»
HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE
OMNIANA. 1812
A COURSE OF LECTURES
LITERARY NOTES
SPECIMENS OF THE TABLE TALK OF SAMUEL TAYLOR COLERIDGE
LITERARY REMAINS OF S.T. COLERIDGE
Complete Letters:
LETTERS OF SAMUEL TAYLOR COLERIDGE
BIBLIOGRAPHIA EPISTOLARIS

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And underneath the spreading tree

We two will live in honesty.

If his sweet boy he could forsake,

With me he never would have stay’d:

From him no harm my babe can take,

But he, poor man! is wretched made,

And every day we two will pray

For him that’s gone and far away.

I’ll teach my boy the sweetest things;

I’ll teach him how the owlet sings.

My little babe! thy lips are still,

And thou hast almost suck’d thy fill.

— Where art thou gone my own dear child?

What wicked looks are those I see?

Alas! alas! that look so wild,

It never, never came from me:

If thou art mad, my pretty lad,

Then I must be for ever sad.

Oh! smile on me, my little lamb!

For I thy own dear mother am.

My love for thee has well been tried:

I’ve sought thy father far and wide.

I know the poisons of the shade,

I know the earth-nuts fit for food;

Then, pretty dear, be not afraid;

We’ll find thy father in the wood.

Now laugh and be gay, to the woods away!

And there, my babe; we’ll live for aye.

THE IDIOT BOY

Table of Contents

Tis eight o’clock, — a clear March night,

The moon is up — the sky is blue,

The owlet in the moonlight air,

He shouts from nobody knows where;

He lengthens out his lonely shout,

Halloo! halloo! a long halloo!

— Why bustle thus about your door,

What means this bustle, Betty Foy?

Why are you in this mighty fret?

And why on horseback have you set

Him whom you love, your idiot boy?

Beneath the moon that shines so bright,

Till she is tired, let Betty Foy

With girt and stirrup fiddle-faddle;

But wherefore set upon a saddle

Him whom she loves, her idiot boy?

There’s scarce a soul that’s out of bed;

Good Betty! put him down again;

His lips with joy they burr at you,

But, Betty! what has he to do

With stirrup, saddle, or with rein?

The world will say ‘tis very idle,

Bethink you of the time of night;

There’s not a mother, no not one,

But when she hears what you have done,

Oh! Betty she’ll be in a fright.

But Betty’s bent on her intent,

For her good neighbour, Susan Gale,

Old Susan, she who dwells alone,

Is sick, and makes a piteous moan,

As if her very life would fail.

There’s not a house within a mile.

No hand to help them in distress:

Old Susan lies a bed in pain,

And sorely puzzled are the twain,

For what she ails they cannot guess.

And Betty’s husband’s at the wood,

Where by the week he doth abide,

A woodman in the distant vale;

There’s none to help poor Susan Gale,

What must be done? what will betide?

And Betty from the lane has fetched

Her pony, that is mild and good,

Whether he be in joy or pain,

Feeding at will along the lane,

Or bringing faggots from the wood.

And he is all in travelling trim,

And by the moonlight, Betty Foy

Has up upon the saddle set,

The like was never heard of yet,

Him whom she loves, her idiot boy.

And he must post without delay

Across the bridge that’s in the dale,

And by the church, and o’er the down,

To bring a doctor from the town,

Or she will die, old Susan Gale.

There is no need of boot or spur,

There is no need of whip or wand,

For Johnny has his holly-bough,

And with a hurly-burly now

He shakes the green bough in his hand.

And Betty o’er and o’er has told

The boy who is her best delight,

Both what to follow, what to shun,

What do, and what to leave undone,

How turn to left, and how to right.

And Betty’s most especial charge,

Was, “Johnny! Johnny! mind that you

“Come home again, nor stop at all,

“Come home again, whate’er befal,

“My Johnny do, I pray you do.”

To this did Johnny answer make,

Both with his head, and with his hand,

And proudly shook the bridle too,

And then! his words were not a few,

Which Betty well could understand.

And now that Johnny is just going,

Though Betty’s in a mighty flurry,

She gently pats the pony’s side,

On which her idiot boy must ride,

And seems no longer in a hurry.

But when the pony moved his legs,

Oh! then for the poor idiot boy!

For joy he cannot hold the bridle,

For joy his head and heels are idle,

He’s idle all for very joy.

And while the pony moves his legs,

In Johnny’s left-hand you may see,

The green bough’s motionless and dead;

The moon that shines above his head

Is not more still and mute than he.

His heart it was so full of glee,

That till full fifty yards were gone,

He quite forgot his holly whip,

And all his skill in horsemanship,

Oh! happy, happy, happy John.

And Betty’s standing at the door,

And Betty’s face with joy o’erflows,

Proud of herself, and proud of him,

She sees him in his travelling trim;

How quietly her Johnny goes.

The silence of her idiot boy,

What hopes it sends to Betty’s heart!

He’s at the guide-post — he turns right,

She watches till he’s out of sight,

And Betty will not then depart.

Burr, burr — now Johnny’s lips they burr,

As loud as any mill, or near it,

Meek as a lamb the pony moves,

And Johnny makes the noise he loves,

And Betty listens, glad to hear it.

Away she hies to Susan Gale:

And Johnny’s in a merry tune,

The owlets hoot, the owlets curr,

And Johnny’s lips they burr, burr, burr,

And on he goes beneath the moon.

His steed and he right well agree,

For of this pony there’s a rumour,

That should he lose his eyes and ears,

And should he live a thousand years,

He never will be out of humour.

But then he is a horse that thinks!

And when he thinks his pace is slack;

Now, though he knows poor Johnny well,

Yet for his life he cannot tell

What he has got upon his back.

So through the moonlight lanes they go,

And far into the moonlight dale,

And by the church, and o’er the down,

To bring a doctor from the town,

To comfort poor old Susan Gale.

And Betty, now at Susan’s side,

Is in the middle of her story,

What comfort Johnny soon will bring,

With many a most diverting thing,

Of Johnny’s wit and Johnny’s glory.

And Betty’s still at Susan’s side:

By this time she’s not quite so flurried;

Demure with porringer and plate

She sits, as if in Susan’s fate

Her life and soul were buried.

But Betty, poor good woman! she,

You plainly in her face may read it,

Could lend out of that moment’s store

Five years of happiness or more,

To any that might need it.

But yet I guess that now and then

With Betty all was not so well,

And to the road she turns her ears,

And thence full many a sound she hears,

Which she to Susan will not tell.

Poor Susan moans, poor Susan groans,

“As sure as there’s a moon in heaven,”

Cries Betty, “he’ll be back again;

“They’ll both be here, ‘tis almost ten,

“They’ll both be here before eleven.”

Poor Susan moans, poor Susan groans,

The clock gives warning for eleven;

‘Tis on the stroke—”If Johnny’s near,”

Quoth Betty “he will soon be here,

“As sure as there’s a moon in heaven.”

The clock is on the stroke of twelve,

And Johnny is not yet in sight,

The moon’s in heaven, as Betty sees,

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