Samuel Coleridge - The Complete Works of Samuel Taylor Coleridge (Illustrated Edition)

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This carefully edited collection of «THE COMPLETE WORKS OF SAMUEL TAYLOR COLERIDGE (Illustrated Edition)» has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Samuel Taylor Coleridge (1772-1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets.
Content:
Introduction:
The Spirit of the Age: Mr. Coleridge by William Hazlitt
A Day With Samuel Taylor Coleridge by May Byron
The Life of Samuel Taylor Coleridge by James Gillman
Poetry:
Notable Works:
The Rime of the Ancient Mariner
Kubla Khan; or, A Vision in a Dream: A Fragment
Christabel
France: An Ode
LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798)
LYRICAL BALLADS, WITH OTHER POEMS (1800)
THE CONVERSATION POEMS
The Complete Poems in Chronological Order
Plays:
OSORIO
REMORSE
THE FALL OF ROBESPIERRE
ZAPOLYA: A CHRISTMAS TALE IN TWO PARTS
THE PICCOLOMINI
THE DEATH OF WALLENSTEIN
Literary Essays, Lectures and Memoirs:
BIOGRAPHIA LITERARIA
ANIMA POETAE
SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA AND THE STAGE
AIDS TO REFLECTION
CONFESSIONS OF AN INQUIRING SPIRIT AND MISCELLANEOUS ESSAYS FROM «THE FRIEND»
HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE
OMNIANA. 1812
A COURSE OF LECTURES
LITERARY NOTES
SPECIMENS OF THE TABLE TALK OF SAMUEL TAYLOR COLERIDGE
LITERARY REMAINS OF S.T. COLERIDGE
Complete Letters:
LETTERS OF SAMUEL TAYLOR COLERIDGE
BIBLIOGRAPHIA EPISTOLARIS

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And any man who pass’d her door,

Might see how poor a hut she had.

All day she spun in her poor dwelling,

And then her three hours’ work at night!

Alas! ‘twas hardly worth the telling,

It would not pay for candlelight.

— This woman dwelt in Dorsetshire,

Her hut was on a cold hill-side,

And in that country coals are dear,

For they come far by wind and tide.

By the same fire to boil their pottage,

Two poor old dames as I have known,

Will often live in one small cottage,

But she, poor woman, dwelt alone.

’Twas well enough when summer came,

The long, warm, lightsome summer-day,

Then at her door the canty dame

Would sit, as any linnet gay.

But when the ice our streams did fetter,

Oh! then how her old bones would shake!

You would have said, if you had met her,

’Twas a hard time for Goody Blake.

Her evenings then were dull and dead;

Sad case it was, as you may think,

For very cold to go to bed,

And then for cold not sleep a wink.

Oh joy for her! whene’er in winter

The winds at night had made a rout,

And scatter’d many a lusty splinter,

And many a rotten bough about.

Yet never had she, well or sick,

As every man who knew her says,

A pile before hand, wood or stick,

Enough to warm her for three days.

Now when the frost was past enduring,

And made her poor old bones to ache,

Could any thing be more alluring,

Than an old hedge to Goody Blake?

And now and then, it must be said,

When her old bones were cold and chill,

She left her fire, or left her bed,

To seek the hedge of Harry Gill.

Now Harry he had long suspected

This trespass of old Goody Blake,

And vow’d that she should be detected,

And he on her would vengeance take.

And oft from his warm fire he’d go,

And to the fields his road would take,

And there, at night, in frost and snow,

He watch’d to seize old Goody Blake.

And once, behind a rick of barley,

Thus looking out did Harry stand;

The moon was full and shining clearly,

And crisp with frost the stubble land.

— He hears a noise — he’s all awake —

Again? — on tip-toe down the hill

He softly creeps—’Tis Goody Blake,

She’s at the hedge of Harry Gill.

Right glad was he when he beheld her;

Stick after stick did Goody pull,

He stood behind a bush of elder,

Till she had filled her apron full.

When with her load she turned about,

The bye-road back again to take,

He started forward with a shout,

And sprang upon poor Goody Blake.

And fiercely by the arm he took her,

And by the arm he held her fast,

And fiercely by the arm he shook her,

And cried, “I’ve caught you then at last!”

Then Goody, who had nothing said,

Her bundle from her lap let fall;

And kneeling on the sticks, she pray’d

To God that is the judge of all.

She pray’d, her wither’d hand uprearing,

While Harry held her by the arm —

”God! who art never out of hearing,

O may he never more be warm!”

The cold, cold moon above her head,

Thus on her knees did Goody pray,

Young Harry heard what she had said;

And icy-cold he turned away.

He went complaining all the morrow

That he was cold and very chill:

His face was gloom, his heart was sorrow,

Alas! that day for Harry Gill!

That day he wore a riding-coat,

But not a whit the warmer he:

Another was on Thursday brought,

And ere the Sabbath he had three.

’Twas all in vain, a useless matter,

And blankets were about him pinn’d;

Yet still his jaws and teeth they clatter,

Like a loose casement in the wind.

And Harry’s flesh it fell away;

And all who see him say ‘tis plain,

That, live as long as live he may,

He never will be warm again.

No word to any man he utters,

A-bed or up, to young or old;

But ever to himself he mutters,

”Poor Harry Gill is very cold.”

A-bed or up, by night or day;

His teeth they chatter, chatter still.

Now think, ye farmers all, I pray,

Of Goody Blake and Harry Gill.

THE THORN.

Table of Contents

I.

There is a thorn; it looks so old,

In truth you’d find it hard to say,

How it could ever have been young,

It looks so old and grey.

Not higher than a two years’ child

It stands erect this aged thorn;

No leaves it has, no thorny points;

It is a mass of knotted joints,

A wretched thing forlorn.

It stands erect, and like a stone

With lichens it is overgrown.

II.

Like rock or stone, it is o’ergrown

With lichens to the very top,

And hung with heavy tufts of moss,

A melancholy crop:

Up from the earth these mosses creep,

And this poor thorn! they clasp it round

So close, you’d say that they were bent

With plain and manifest intent,

To drag it to the ground;

And all had join’d in one endeavour

To bury this poor thorn for ever.

III.

High on a mountain’s highest ridge,

Where oft the stormy winter gale

Cuts like a scythe, while through the clouds

It sweeps from vale to vale;

Not five yards from the mountain-path,

This thorn you on your left espy;

And to the left, three yards beyond,

You see a little muddy pond

Of water, never dry;

I’ve measured it from side to side:

’Tis three feet long, and two feet wide.

IV.

And close beside this aged thorn,

There is a fresh and lovely sight,

A beauteous heap, a hill of moss,

Just half a foot in height.

All lovely colours there you see,

All colours that were ever seen,

And mossy network too is there,

As if by hand of lady fair

The work had woven been,

And cups, the darlings of the eye,

So deep is their vermillion dye.

V.

Ah me! what lovely tints are there!

Of olive green and scarlet bright,

In spikes, in branches, and in stars,

Green, red, and pearly white.

This heap of earth o’ergrown with moss,

Which close beside the thorn you see,

So fresh in all its beauteous dyes,

Is like an infant’s grave in size

As like as like can be:

But never, never any where,

An infant’s grave was half so fair.

VI.

Now would you see this aged thorn,

This pond and beauteous hill of moss,

You must take care and chuse your time

The mountain when to cross.

For oft there sits, between the heap

That’s like an infant’s grave in size

And that same pond of which I spoke,

A woman in a scarlet cloak,

And to herself she cries,

”Oh misery! oh misery!

Oh woe is me! oh misery!”

VII.

At all times of the day and night

This wretched woman thither goes,

And she is known to every star,

And every wind that blows;

And there beside the thorn she sits

When the blue daylight’s in the skies,

And when the whirlwind’s on the hill,

Or frosty air is keen and still,

And to herself she cries,

”Oh misery! oh misery!

Oh woe is me! oh misery;”

VIII.

”Now wherefore thus, by day and night,

In rain, in tempest, and in snow

Thus to the dreary mountain-top

Does this poor woman go?

And why sits she beside the thorn

When the blue daylight’s in the sky,

Or when the whirlwind’s on the hill,

Or frosty air is keen and still,

And wherefore does she cry? —

Oh wherefore? wherefore? tell me why

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