Stephen Crane - The Complete Works of Stephen Crane

A girl of the painted cohorts of the city went along the street. She threw changing glances at men who passed her, giving smiling invitations to men of rural or untaught pattern and usually seeming sedately unconscious of the men with a metropolitan seal upon their faces.

Crossing glittering avenues, she went into the throng emerging from the places of forgetfulness. She hurried forward through the crowd as if intent upon reaching a distant home, bending forward in her handsome cloak, daintily lifting her skirts and picking for her well-shod feet the dryer spots upon the pavements.

The restless doors of saloons, clashing to and fro, disclosed animated rows of men before bars and hurrying barkeepers.

A concert hall gave to the street faint sounds of swift, machine-like music, as if a group of phantom musicians were hastening.

A tall young man, smoking a cigarette with a sublime air, strolled near the girl. He had on evening dress, a moustache, a chrysanthemum, and a look of ennui, all of which he kept carefully under his eye. Seeing the girl walk on as if such a young man as he was not in existence, he looked back transfixed with interest. He stared glassily for a moment, but gave a slight convulsive start when he discerned that she was neither new, Parisian, nor theatrical. He wheeled about hastily and turned his stare into the air, like a sailor with a search-light.

A stout gentleman, with pompous and philanthropic whiskers, went stolidly by, the broad of his back sneering at the girl.

A belated man in business clothes, and in haste to catch a car, bounced against her shoulder. "Hi, there, Mary, I beg your pardon! Brace up, old girl." He grasped her arm to steady her, and then was away running down the middle of the street.

The girl walked on out of the realm of restaurants and saloons. She passed more glittering avenues and went into darker blocks than those where the crowd travelled.

A young man in light overcoat and derby hat received a glance shot keenly from the eyes of the girl. He stopped and looked at her, thrusting his hands in his pockets and making a mocking smile curl his lips. "Come, now, old lady," he said, "you don't mean to tel me that you sized me up for a farmer?"

A labouring man marched along; with bundles under his arms. To her remarks, he replied, "It's a fine evenin', ain't it?"

She smiled squarely into the face of a boy who was hurrying by with his hands buried in his overcoat pockets, his blonde locks bobbing on his youthful temples, and a cheery smile of unconcern upon his lips. He turned his head and smiled back at her, waving his hands.

"Not this eve—some other eve!"

A drunken man, reeling in her pathway, began to roar at her. "I ain' ga no money!" he shouted, in a dismal voice. He lurched on up the street, wailing to himself: "I ain' ga no money. Ba' luck. Ain' ga no more money."

The girl went into gloomy districts near the river, where the tall black factories shut in the street and only occasional broad beams of light fell across the pavements from saloons. In front of one of these places, whence came the sound of a violin vigorously scraped, the patter of feet on boards and the ring of loud laughter, there stood a man with blotched features.

Further on in the darkness she met a ragged being with shifting, bloodshot eyes and grimy hands.

She went into the blackness of the final block. The shutters of the tall buildings were closed like grim lips. The structures seemed to have eyes that looked over them, beyond them, at other things. Afar off the lights of the avenues glittered as if from an impossible distance. Street-car bells jingled with a sound of merriment.

At the feet of the tall buildings appeared the deathly black hue of the river. Some hidden factory sent up a yellow glare, that lit for a moment the waters lapping oilily against timbers. The varied sounds of life, made joyous by distance and seeming unapproachableness, came faintly and died away to a silence.

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In a partitioned-off section of a saloon sat a man with a half dozen women, gleefully laughing, hovering about him. The man had arrived at that stage of drunkenness where affection is felt for the universe.

"I'm good f'ler, girls," he said, convincingly. "I'm damn good f'ler. An'body treats me right, I allus trea's zem right! See?"

The women nodded their heads approvingly. "To be sure," they cried out in hearty chorus. "You're the kind of a man we like, Pete. You're outa sight! What yeh goin' to buy this time, dear?"

"An't'ing yehs wants, damn it," said the man in an abandonment of good will. His countenance shone with the true spirit of benevolence. He was in the proper mode of missionaries. He would have fraternized with obscure Hottentots. And above all, he was overwhelmed in tenderness for his friends, who were all illustrious.

"An't'ing yehs wants, damn it," repeated he, waving his hands with beneficent recklessness. "I'm good f'ler, girls, an' if an'body treats me right I—here," called he through an open door to a waiter, "bring girls drinks, damn it. What 'ill yehs have, girls? An't'ing yehs wants, damn it!"

The waiter glanced in with the disgusted look of the man who serves intoxicants for the man who takes too much of them. He nodded his head shortly at the order from each individual, and went.

"Damn it," said the man, "we're havin' heluva time. I like you girls! Damn'd if I don't! Yer right sort! See?"

He spoke at length and with feeling, concerning the excellencies of his assembled friends.

"Don' try pull man's leg, but have a heluva time! Das right! Das way teh do! Now, if I sawght yehs tryin' work me fer drinks, wouldn' buy damn t'ing! But yer right sort, damn it! Yehs know how ter treat a f'ler, an' I stays by yehs 'til spen' las' cent! Das right! I'm good f'ler an' I knows when an'body treats me right!"

Between the times of the arrival and departure of the waiter, the man discoursed to the women on the tender regard he felt for all living things. He laid stress upon the purity of his motives in all dealings with men in the world and spoke of the fervor of his friendship for those who were amiable. Tears welled slowly from his eyes. His voice quavered when he spoke to them.

Once when the waiter was about to depart with an empty tray, the man drew a coin from his pocket and held it forth.

"Here," said he, quite magnificently, "here's quar'."

The waiter kept his hands on his tray.

"I don' want yer money," he said.

The other put forth the coin with tearful insistence.

"Here, damn it," cried he, "tak't! Yer damn goo' f'ler an' I wan' yehs tak't!"

"Come, come, now," said the waiter, with the sullen air of a man who is forced into giving advice. "Put yer mon in yer pocket! Yer loaded an' yehs on'y makes a damn fool of yerself."

As the latter passed out of the door the man turned pathetically to the women.

"He don' know I'm damn goo' f'ler," cried he, dismally.

"Never you mind, Pete, dear," said a woman of brilliance and audacity, laying her hand with great affection upon his arm. "Never you mind, old boy! We'll stay by you, dear!"

"Das ri'," cried the man, his face lighting up at the soothing tones of the woman's voice. "Das ri', I'm damn goo' f'ler an' w'en anyone trea's me ri', I treats zem ri'! Shee!"

"Sure!" cried the women. "And we're not goin' back on you, old man."

The man turned appealing eyes to the woman of brilliance and audacity. He felt that if he could be convicted of a contemptible action he would die.

"Shay, Nell, damn it, I allus trea's yehs shquare, didn' I? I allus been goo' f'ler wi' yehs, ain't I, Nell?"

"Sure you have, Pete," assented the woman. She delivered an oration to her companions. "Yessir, that's a fact. Pete's a square fellah, he is. He never goes back on a friend. He's the right kind an' we stay by him, don't we, girls?"