Samuel Coleridge - The Complete Poems of Samuel Taylor Coleridge (Illustrated Edition)

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Musaicum Books presents to you this carefully created volume of «The Complete Poems of Samuel Taylor Coleridge (Illustrated Edition)». This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Samuel Taylor Coleridge (1772-1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture.
Content:
Introduction:
The Spirit of the Age: Mr. Coleridge by William Hazlitt
A Day With Samuel Taylor Coleridge by May Byron
The Life of Samuel Taylor Coleridge by James Gillman
Poetry:
Notable Works:
The Rime of the Ancient Mariner
Kubla Khan; or, A Vision in a Dream: A Fragment
Christabel
France: An Ode
LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798)
LYRICAL BALLADS, WITH OTHER POEMS (1800)
THE CONVERSATION POEMS
The Complete Poems in Chronological Order

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BULLS OF ACTION

There are bulls of action equally as of thought, [for] (not to allude to the story of the Irish labourer who laid his comrade all his wages that he would not carry him down in his hod from the top to the bottom of a high house, down the ladder) the feeling of vindictive honour in duelling, and the feudal revenges anterior to duelling, formed a true bull; for they were superstitious Christians, knew it was wrong, and yet knew it was right—they would be damned deservedly if they did, and, if they did not, they thought themselves deserving of being damned.

PSEUDO-POETS

The pseudo-poets Campbell, Rogers, etc., both by their writings and moral character tend to bring poetry into disgrace, and, but that men in general are the slaves of the same wretched infirmities, they would [set their seal on this disgrace,] and it would be well. The true poet could not smother the sacred fire ("his heart burnt within him and he spake"), and wisdom would be justified by her children. But the false poet—that is, the no-poet—finding poetry in contempt among the many, of whose praise, whatever he may affirm, he is alone ambitious, would be prevented from scribbling.

LANDING PLACES

The progress of human intellect from earth to heaven is not a Jacob's ladder, but a geometrical staircase with five or more landing-places. That on which we stand enables us to see clearly and count all below us, while that or those above us are so transparent for our eyes that they appear the canopy of heaven. We do not see them, and believe ourselves on the highest.

["Among my earliest impressions I still distinctly remember that of my first entrance into the mansion of a neighbouring baronet, awefully known to me by the name of the Great House [Escot, near Ottery St. Mary, Devon].... Beyond all other objects I was most struck with the magnificent staircase, relieved at well-proportioned intervals by spacious landing-places.... My readers will find no difficulty in translating these forms of the outward senses into their intellectual analogies, so as to understand the purport of The Friend's Landing-Places." The Friend , "The Landing-Place," Essay iv. Coleridge's Works , Harper & Brothers, 1853, ii. 137, 138.]

WILLIAM BROWNE OF OTTERY

In the Threnæ or funeral songs and elegies of our old poets, I am often impressed with the idea of their resemblance to hired weepers in Rome and among the Irish, where he who howled the loudest and most wildly was the most capital mourner and was at the head of his trade. So [too] see William Browne's elegy on Prince Henry ( Britt. Past. Songs v.), whom, perhaps, he never spoke to. Yet he is a dear fellow, and I love him, that W. Browne who died at Ottery, and with whose family my own is united, or, rather, connected and acquainted.

[Colonel James Coleridge, the poet's eldest surviving brother and Henry Langford Browne of Combe-Satchfield married sisters, Frances and Dorothy Taylor, whose mother was one of five co-heiresses of Richard Duke of Otterton.

It is uncertain whether a William Browne of Ottery St. Mary, who died in 1645, was the author of The Shepherd's Pipe and Britannia's Pastorals . Two beautiful inscriptions on a tomb in St. Stephen's Chapel in the collegiate church of St. Mary Ottery, were, in Southey's opinion (doubtless at Coleridge's suggestion), composed by the poet William Browne.]

"ASCEND A STEP IN CHOOSING A FRIEND" TALMUD

God knows! that at times I derive a comfort even from my infirmities, my sins of omission and commission, in the joy of the deep feeling of the opposite virtues in the two or three whom I love in my heart of hearts. Sharp, therefore, is the pain when I find faults in these friends opposite to my virtues. I find no comfort in the notion of average, for I wish to love even more than to be beloved, and am so haunted by the conscience of my many failings that I find an unmixed pleasure in esteeming and admiring, but, as the recipient of esteem or admiration, I feel as a man, whose good dispositions are still alive, feels in the enjoyment of a darling property on a doubtful title. My instincts are so far dog-like that I love beings superior to myself better than my equals. But the notion of inferiority is so painful to me that I never, in common life, feel a man my inferior except by after-reflection. What seems vanity in me is in great part attributable to this feeling. But of this hereafter. I will cross-examine myself.

A CAUTION TO POSTERITY

There are actions which left undone mark the greater man; but to have done them does not imply a bad or mean man. Such, for instance, are Martial's compliments of Domitian. So may we praise Milton without condemning Dryden. By-the-bye, we are all too apt to forget that contemporaries have not the same wholeness , and fixedness in their notions of persons' characters, that we their posterity have. They can hope and fear and believe and disbelieve . We make up an ideal which, like the fox or lion in the fable, never changes.

FOR THE "SOOTHER IN ABSENCE"

I have several times seen the stiletto and the rosary come out of the same pocket.

A man who marries for love is like a frog who leaps into a well. He has plenty of water but then he cannot get out.

[Not until national ruin is imminent will Ministers contemplate the approach of national danger]; as if Judgment were overwhelmed like Belgic towns in the sea, and showed its towers only at dead low water.

The superiority of the genus to the particular may be illustrated by music. How infinitely more perfect in passion and its transition than even poetry, and poetry again than painting! And yet how marvellous is genius in all its implements!

[Compare Table Talk , July 6, 1833. H. N. C. foot-note . Bell & Co., 1884, p. 240.]

Those only who feel no originality, no consciousness of having received their thoughts and opinions from immediate inspiration are anxious to be thought original. The certainty, the feeling that he is right, is enough for the man of genius, and he rejoices to find his opinions plumed and winged with the authority of several forefathers.

The water-lily in the midst of the lake is equally refreshed by the rain, as the sponge on the sandy sea-shore.

In the next world the souls of dull good men serve for bodies to the souls of the Shaksperes and Miltons, and in the course of a few centuries, when the soul can do without its vehicle, the bodies will by advantage of good company have refined themselves into souls fit to be clothed with like bodies.

How much better it would be, in the House of Commons, to have everything that is, and by the spirit of English freedom must be legal, legal and open! The reporting, for instance, should be done by shorthandists appointed by Government. There are, I see, weighty arguments on the other side, but are they not to be got over?

Co-arctation is not a bad phrase for that narrowing in of breadth on both sides as in my interpolation of Schiller.

"And soon

The narrowing line of day-light that ran after

The closing door was gone."

Piccolomini , ii. sc. 4, P.W. , p. 257.

THE DEVIL WITH A MEMORY THE FIRST SINNER

In order not to be baffled by the infinite ascent of the heavenly angels, the devil feigned that all (the ταγαθου, that is, God himself included) sprang from nothing. And now he has a pretty task to multiply, without paper or slate, the exact number of all the animalcules, and the eggs and embryos of each planet, by some other, and the product by a third and that product by a fourth, and he is not to stop till he has gone through the planets of half the universe, the number of which being infinite, it is considered by the devils in general a great puzzle. A dream in a doze.

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