E. F. Benson - The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. He achieved the big success with his first novel, the fashionably controversial Dodo, and also with its sequels, but the greatest success came relatively late in his career with The Mapp and Lucia series. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of contents:
The Male Impersonator
Desirable Residences
The Room in the Tower
Gavon's Eve
The Dust-Cloud
The Confession of Charles Linkworth
At Abdul Ali's Grave
The Shootings of Achnaleish
How Fear Departed from the Long Gallery
Caterpillars
The Cat
The Bus-Conductor
The Man Who Went Too Far
Between the Lights
Outside the Door
The Other Bed
The Thing in the Hall
The House with the Brick-Kiln
The Terror by Night
The Countess of Lowndes Square
The Blackmailer of Park Lane
The Dance on the Beefsteak
The Oriolist
In the Dark
The False Step
"Puss-cat"
There Arose a King
The Tragedy of Oliver Bowman
Philip's Safety Razor
The Case of Frank Hampden
Mrs. Andrews's Control
The Ape
"Through"
"And the Dead Spake–"
The Outcast
The Horror-Horn
Machaon
Negotium Perambulans
At the Farmhouse
Inscrutable Dacrees
The Gardener
Mr. Tilly's Seance
Mrs. Amworth
In the Tube
Roderick's Story
Reconciliation
The Face
Spinach
Bagnell Terrace
A Tale of an Empty House
Naboth's Vineyard
Expiation
Home Sweet Home
"And no Birds Sings"
The Corner House
Corstophine
The Temple
The Step
The Bed by the Window
James Lamp
The Dance
The Hanging of Alfred Wadham
Pirates
The Wishing-Well
The Bath-Chair
Monkeys
Christopher Comes Back
The Sanctuary
Thursday Evenings
The Psychical Mallards
The Death Warrant
The China Bowl

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“He’s been here again,” he said. “I was standing just here, a minute ago, when I found him close by me. He came out of the inner room, I think. Did you see what he had in his hand?”

“I saw nothing.”

“It was a knife; a great long carving knife. Do you mind my sleeping on the sofa in your room tonight? I got an awful turn then. There was another thing too. All ’round the edge of his clothes, at his collar and at his wrists, there were little flames playing, little white licking flames.” But next day, again, we neither heard nor saw anything, nor that night did the sense of that dreadful presence in the house come to us. And then came the last day. We had been out till it was dark, and as I said, had a wonderful day among the fish. On reaching home we sat together in the sitting-room, when suddenly from overhead came a tread of feet, a violent pealing of the bell, and the moment after yell after yell as of someone in mortal agony. The thought occurred to both of us that this might be Mrs. Franklyn in terror of some fearful sight, and together we rushed up and sprang into Jack’s bedroom.

The doorway into the room beyond was open, and just inside it we saw the man bending over some dark huddled object. Though the room was dark we could see him perfectly, for a light stale and impure seemed to come from him. He had again a long knife in his hand, and as we entered he was wiping it on the mass that lay at his feet. Then he took it up, and we saw what it was, a woman with head nearly severed. But it was not Mrs. Franklyn.

And then the whole thing vanished, and we were standing looking into a dark and empty room. We went downstairs without a word, and it was not till we were both in the sitting-room below that Jack spoke.

“And he takes her to the brick-kiln,” he said rather unsteadily.

“I say, have you had enough of this house? I have. There is hell in it.”

About a week later Jack put into my hand a guide-book to Sussex open at the description of Trevor Major, and I read:

“Just outside the village stands the picturesque manor house, once the home of the artist and notorious murderer, Francis Adam. It was here he killed his wife, in a fit, it is believed, of groundless jealousy, cutting her throat and disposing of her remains by burning them in a brick-kiln.”

“Certain charred fragments found six months afterwards led to his arrest and execution.”

So I prefer to leave the house with the brick-kiln and the pictures signed F. A. to others.

The Terror by Night

Table of Contents

The transference of emotion is a phenomenon so common, so constantly witnessed, that mankind in general have long ceased to be conscious of its existence, as a thing worth our wonder or consideration, regarding it as being as natural and commonplace as the transference of things that act by the ascertained laws of matter. Nobody, for instance, is surprised, if when the room is too hot, the opening of a window causes the cold fresh air of outside to be transferred into the room, and in the same way no one is surprised when into the same room, perhaps, which we will imagine as being peopled with dull and gloomy persons, there enters some one of fresh and sunny mind, who instantly brings into the stuffy mental atmosphere a change analogous to that of the opened windows. Exactly how this infection is conveyed we do not know; considering the wireless wonders (that act by material laws) which are already beginning to lose their wonder now that we have our newspaper brought as a matter of course every morning in mid-Atlantic, it would not perhaps be rash to conjecture that in some subtle and occult way the transference of emotion is in reality material too. Certainly (to take another instance) the sight of definitely material things, like writing on a page, conveys emotion apparently direct to our minds, as when our pleasure or pity is stirred by a book, and it is therefore possible that mind may act on mind by means as material as that.

Occasionally, however, we come across phenomena which, though they may easily be as material as any of these things, are rarer, and therefore more astounding. Some people call them ghosts, some conjuring tricks, and some nonsense. It seems simpler to group them under the head of transferred emotions, and they may appeal to any of the senses. Some ghosts are seen, some heard, some felt, and though I know of no instance of a ghost being tasted, yet it will seem in the following pages that these occult phenomena may appeal at any rate to the senses that perceive heat, cold, or smell. For, to take the analogy of wireless telegraphy, we are all of us probably “receivers” to some extent, and catch now and then a message or part of a message that the eternal waves of emotion are ceaselessly shouting aloud to those who have ears to hear, and materialising themselves for those who have eyes to see. Not being, as a rule, perfectly tuned, we grasp but pieces and fragments of such messages, a few coherent words it may be, or a few words which seem to have no sense. The following story, however, to my mind, is interesting, because it shows how different pieces of what no doubt was one message were received and recorded by several different people simultaneously. Ten years have elapsed since the events recorded took place, but they were written down at the time.

Jack Lorimer and I were very old friends before he married, and his marriage to a first cousin of mine did not make, as so often happens, a slackening in our intimacy. Within a few months after, it was found out that his wife had consumption, and, without any loss of time, she was sent off to Davos, with her sister to look after her. The disease had evidently been detected at a very early stage, and there was excellent ground for hoping that with proper care and strict regime she would be cured by the life-giving frosts of that wonderful valley.

The two had gone out in the November of which I am speaking, and Jack and I joined them for a month at Christmas, and found that week after week she was steadily and quickly gaining ground. We had to be back in town by the end of January, but it was settled that Ida should remain out with her sister for a week or two more. They both, I remember, came down to the station to see us off, and I am not likely to forget the last words that passed:

“Oh, don’t look so woebegone, Jack,” his wife had said; “you’ll see me again before long.”

Then the fussy little mountain engine squeaked, as a puppy squeaks when its toe is trodden on, and we puffed our way up the pass.

London was in its usual desperate February plight when we got back, full of fogs and still-born frosts that seemed to produce a cold far more bitter than the piercing temperature of those sunny altitudes from which we had come. We both, I think, felt rather lonely, and even before we had got to our journey’s end we had settled that for the present it was ridiculous that we should keep open two houses when one would suffice, and would also be far more cheerful for us both.

So, as we both lived in almost identical houses in the same street in Chelsea, we decided to “toss,” live in the house which the coin indicated (heads mine, tails his), share expenses, attempt to let the other house, and, if successful, share the proceeds. A French five-franc piece of the Second Empire told us it was “heads.”

We had been back some ten days, receiving every day the most excellent accounts from Davos, when, first on him, then on me, there descended, like some tropical storm, a feeling of indefinable fear. Very possibly this sense of apprehension (for there is nothing in the world so virulently infectious) reached me through him: on the other hand both these attacks of vague foreboding may have come from the same source. But it is true that it did not attack me till he spoke of it, so the possibility perhaps inclines to my having caught it from him. He spoke of it first, I remember, one evening when we had met for a good-night talk, after having come back from separate houses where we had dined.

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