E. F. Benson - The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. He achieved the big success with his first novel, the fashionably controversial Dodo, and also with its sequels, but the greatest success came relatively late in his career with The Mapp and Lucia series. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of contents:
The Male Impersonator
Desirable Residences
The Room in the Tower
Gavon's Eve
The Dust-Cloud
The Confession of Charles Linkworth
At Abdul Ali's Grave
The Shootings of Achnaleish
How Fear Departed from the Long Gallery
Caterpillars
The Cat
The Bus-Conductor
The Man Who Went Too Far
Between the Lights
Outside the Door
The Other Bed
The Thing in the Hall
The House with the Brick-Kiln
The Terror by Night
The Countess of Lowndes Square
The Blackmailer of Park Lane
The Dance on the Beefsteak
The Oriolist
In the Dark
The False Step
"Puss-cat"
There Arose a King
The Tragedy of Oliver Bowman
Philip's Safety Razor
The Case of Frank Hampden
Mrs. Andrews's Control
The Ape
"Through"
"And the Dead Spake–"
The Outcast
The Horror-Horn
Machaon
Negotium Perambulans
At the Farmhouse
Inscrutable Dacrees
The Gardener
Mr. Tilly's Seance
Mrs. Amworth
In the Tube
Roderick's Story
Reconciliation
The Face
Spinach
Bagnell Terrace
A Tale of an Empty House
Naboth's Vineyard
Expiation
Home Sweet Home
"And no Birds Sings"
The Corner House
Corstophine
The Temple
The Step
The Bed by the Window
James Lamp
The Dance
The Hanging of Alfred Wadham
Pirates
The Wishing-Well
The Bath-Chair
Monkeys
Christopher Comes Back
The Sanctuary
Thursday Evenings
The Psychical Mallards
The Death Warrant
The China Bowl

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Though the other bed stood in shadow I could still see dimly, but sufficiently, what was there. The shape of a head lay on the pillow, the shape of an arm lifted its hand to the electric bell that was close by on the wall, and I fancied I could hear it distantly ringing. Then a moment later came hurrying feet up the stairs and along the passage outside, and a quick rapping at my door.

“Monsieur’s whisky, monsieur’s whisky,” said a voice just outside. “Pardon, monsieur, I brought it as quickly as I could.”

The impotent paralysis of cold terror was still on me. Once I tried to speak and failed, and still the gentle tapping went on at the door, and the voice telling some one that his whisky was there. Then at a second attempt, I heard a voice which was mine saying hoarsely:

“For God’s sake come in; I am alone with it.”

There was the click of a turned door-handle, and as suddenly as it had gone out a few seconds before, the electric light came back again, and the room was in full illumination. I saw a face peer ’round the corner of the door, but it was at another face I looked, the face of a man sallow and shrunken, who lay in the other bed, staring at me with glazed eyes. He lay high in bed, and his throat was cut from ear to ear; and the lower part of the pillow was soaked in blood, and the sheet streamed with it.

Then suddenly that hideous vision vanished, and there was only a sleepy-eyed waiter looking into the room. But below the sleepiness terror was awake, and his voice shook when he spoke.

“Monsieur rang?” he asked.

No, monsieur had not rung. But monsieur made himself a couch in the billiard-room.

The Thing in the Hall

Table of Contents

The following pages are the account given me by Dr. Assheton of the Thing in the Hall. I took notes, as copious as my quickness of hand allowed me, from his dictation, and subsequently read to him this narrative in its transcribed and connected form. This was on the day before his death, which indeed probably occurred within an hour after I had left him, and, as readers of inquests and such atrocious literature may remember, I had to give evidence before the coroner’s jury.

Only a week before Dr. Assheton had to give similar evidence, but as a medical expert, with regard to the death of his friend, Louis Fielder, which occurred in a manner identical with his own. As a specialist, he said he believed that his friend had committed suicide while of unsound mind, and the verdict was brought in accordingly. But in the inquest held over Dr. Assheton’s body, though the verdict eventually returned was the same, there was more room for doubt.

For I was bound to state that only shortly before his death, I read what follows to him; that he corrected me with extreme precision on a few points of detail, that he seemed perfectly himself, and that at the end he used these words:

“I am quite certain as a brain specialist that I am completely sane, and that these things happened not merely in my imagination, but in the external world. If I had to give evidence again about poor Louis, I should be compelled to take a different line. Please put that down at the end of your account, or at the beginning, if it arranges itself better so.”

There will be a few words I must add at the end of this story, and a few words of explanation must precede it. Briefly, they are these.

Francis Assheton and Louis Fielder were up at Cambridge together, and there formed the friendship that lasted nearly till their deaths. In general attributes no two men could have been less alike, for while Dr. Assheton had become at the age of thirty-five the first and final authority on his subject, which was the functions and diseases of the brain, Louis Fielder at the same age was still on the threshold of achievement. Assheton, apparently without any brilliance at all, had by careful and incessant work arrived at the top of his profession, while Fielder, brilliant at school, brilliant at college and brilliant ever afterwards, had never done anything. He was too eager, so it seemed to his friends, to set about the dreary work of patient investigation and logical deductions; he was for ever guessing and prying, and striking out luminous ideas, which he left burning, so to speak, to illumine the work of others. But at bottom, the two men had this compelling interest in common, namely, an insatiable curiosity after the unknown, perhaps the most potent bond vet devised between the solitary units that make up the race of man. Both—till the end—were absolutely fearless, and Dr. Assheton would sit by the bedside of the man stricken with bubonic plague to note the gradual surge of the tide of disease to the reasoning faculty with the same absorption as Fielder would study X-rays one week, flying machines the next, and spiritualism the third. The rest of the story, I think, explains itself—or does not quite do so. This, anyhow, is what I read to Dr. Assheton, being the connected narrative of what he had himself told me. It is he, of course, who speaks.

** * * *

After I returned from Paris, where I had studied under Charcot, I set up practice at home. The general doctrine of hypnotism, suggestion, and cure by such means had been accepted even in London by this time, and, owing to a few papers I had written on the subject, together with my foreign diplomas, I found that I was a busy man almost as soon as I had arrived in town. Louis Fielder had his ideas about how I should make my debut (for he had ideas on every subject, and all of them original), and entreated me to come and live, not in the stronghold of doctors, ‘Chloroform Square,’ as he called it, but down in Chelsea, where there was a house vacant next his own.

“Who cares where a doctor lives,” he said, “so long as he cures people? Besides you don’t believe in old methods; why believe in old localities? Oh, there is an atmosphere of painless death in Chloroform Square! Come and make people live instead! And on most evenings I shall have so much to tell you; I can’t ‘drop in’ across half London.”

Now if you have been abroad for five years, it is a great deal to know that you have any intimate friend at all still left in the metropolis, and, as Louis said, to have that intimate friend next door is an excellent reason for going next door. Above all, I remembered from Cambridge days, what Louis’s “dropping in” meant. Towards bedtime, when work was over, there would come a rapid step on the landing, and for an hour, or two hours, he would gush with ideas. He simply diffused life, which is ideas, wherever he went. He fed one’s brain, which is the one thing which matters. Most people who are ill, are ill because their brain is starving, and the body rebels, and gets lumbago or cancer. That is the chief doctrine of my work such as it has been. All bodily disease springs from the brain. It is merely the brain that has to be fed and rested and exercised properly to make the body absolutely healthy and immune from all disease. But when the brain is affected, it is as useful to pour medicines down the sink, as make your patient swallow them, unless—and this is a paramount limitation—unless he believes in them.

I said something of the kind to Louis one night, when, at the end of a busy day, I had dined with him. We were sitting over coffee in the hall, or so it is called, where he takes his meals.

Outside, his house is just like mine and ten thousand other small houses in London, but on entering, instead of finding a narrow passage with a door on one side, leading into the dining room, which again communicates with a small back room called “the study,” he has had the sense to eliminate all unnecessary walls, and consequently the whole ground floor of his house is one room, with stairs leading up to the first floor. Study, dining-room and passage have been knocked into one; you enter a big room from the front door. The only drawback is that the postman makes loud noises close to you, as you dine, and just as I made these commonplace observations to him about the effect of the brain on the body and the senses, there came a loud rap, somewhere close to me, that was startling.

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