E. F. Benson - The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. He achieved the big success with his first novel, the fashionably controversial Dodo, and also with its sequels, but the greatest success came relatively late in his career with The Mapp and Lucia series. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of contents:
The Male Impersonator
Desirable Residences
The Room in the Tower
Gavon's Eve
The Dust-Cloud
The Confession of Charles Linkworth
At Abdul Ali's Grave
The Shootings of Achnaleish
How Fear Departed from the Long Gallery
Caterpillars
The Cat
The Bus-Conductor
The Man Who Went Too Far
Between the Lights
Outside the Door
The Other Bed
The Thing in the Hall
The House with the Brick-Kiln
The Terror by Night
The Countess of Lowndes Square
The Blackmailer of Park Lane
The Dance on the Beefsteak
The Oriolist
In the Dark
The False Step
"Puss-cat"
There Arose a King
The Tragedy of Oliver Bowman
Philip's Safety Razor
The Case of Frank Hampden
Mrs. Andrews's Control
The Ape
"Through"
"And the Dead Spake–"
The Outcast
The Horror-Horn
Machaon
Negotium Perambulans
At the Farmhouse
Inscrutable Dacrees
The Gardener
Mr. Tilly's Seance
Mrs. Amworth
In the Tube
Roderick's Story
Reconciliation
The Face
Spinach
Bagnell Terrace
A Tale of an Empty House
Naboth's Vineyard
Expiation
Home Sweet Home
"And no Birds Sings"
The Corner House
Corstophine
The Temple
The Step
The Bed by the Window
James Lamp
The Dance
The Hanging of Alfred Wadham
Pirates
The Wishing-Well
The Bath-Chair
Monkeys
Christopher Comes Back
The Sanctuary
Thursday Evenings
The Psychical Mallards
The Death Warrant
The China Bowl

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“Table-turning, for instance?” I asked.

“That is one instance of how some force, out of that innumerable cohort of obscure mysterious forces with which we human beings are garrisoned, can pass, as it is constantly doing, into material things. The laws of its passing we do not know; sometimes we wish it to pass and it does not. Just now, for instance, when you and I tried to turn the table, there was some impediment in the path, though I put down that rap which followed as an effect of our efforts. But nothing seems more natural to my mind than that these forces should be transmissible to inanimate things. Of the manner of its passing we know next to nothing, any more than we know the manner of the actual process by which fear accelerates the beating of the heart, but as surely as a Marconi message leaps along the air by no visible or tangible bridge, so through some subtle gateway of the body these forces can march from the citadel of the spirit into material forms, whether that material is a living part of ourselves or that which we choose to call inanimate nature.” She paused a moment.

“Under certain circumstances,” she went on, “it seems that the force which has passed from us into inanimate things can manifest its presence there. The force that passes into a table can show itself in movements or in noises coming from the table. The table has been charged with physical energy. Often and often I have seen a table or a chair move apparently of its own accord, but only when some outpouring of force, animal magnetism—call it what you will—has been received by it. A parallel phenomenon to my mind is exhibited in what we know as haunted houses, houses in which, as a rule, some crime or act of extreme emotion or passion has been committed, and in which some echo or re-enactment of the deed is periodically made visible or audible. A murder has been committed, let us say, and the room where it took place is haunted. The figure of the murdered, or less commonly of the murderer, is seen there by sensitives, and cries are heard, or steps run to and fro. The atmosphere has somehow been charged with the scene, and the scene in whole or part repeats itself, though under what laws we do not know, just as a phonograph will repeat, when properly handled, what has been said into it.”

“This is all theory,” I remarked.

“But it appears to me to cover a curious set of facts, which is all we ask of a theory.

“Otherwise, we must frankly state our disbelief in haunted houses altogether, or suppose that the spirit of the murdered, poor, wretch, is bound under certain circumstances to re-enact the horror of its body’s tragedy. It was not enough that its body was killed there, its soul has to be dragged back and live through it all again with such vividness that its anguish becomes visible or audible to the eyes or ears of the sensitive. That to me is unthinkable, whereas my theory is not. Do I make it at all clear?”

“It is clear enough,” said I, “but I want support for it, the full-sized illustration.”

“I promised you that, a ghost-story of my own experience.”

Mrs. Aldwych paused again, and then began the story which was to illustrate her theory.

“It is just a year,” she said, “since Jack bought this house from old Mrs. Denison. We had both heard, both he and I, that it was supposed to be haunted, but neither of us knew any particulars of the haunt whatever. A month ago I heard what I believe to have been the ghost, and, when Mrs. Denison was staying with us last week, I asked her exactly what it was, and found it tallied completely with my experience. I will tell you my experience first, and give her account of the haunt afterwards.

“A month ago Jack was away for a few days and I remained here alone. One Sunday evening I, in my usual health and spirits, as far as I am aware, both of which are serenely excellent, went up to bed about eleven. My room is on the first floor, just at the foot of the staircase that leads to the floor above. There are four more rooms on my passage, all of which that night were empty, and at the far end of it a door leads into the landing at the top of the front staircase. On the other side of that, as you know, are more bedrooms, all of which that night were also unoccupied; I, in fact, was the only sleeper on the first floor.

“The head of my bed is close behind my door, and there is an electric light over it. This is controlled by a switch at the bed-head, and another switch there turns on a light in the passage just outside my room. That was Jack’s plan: if by chance you want to leave your room when the house is dark, you can light up the passage before you go out, and not grope blindly for a switch outside.

“Usually I sleep solidly: it is very rarely indeed that I wake, when once I have gone to sleep, before I am called. But that night I woke, which was rare; what was rarer was that I woke in a state of shuddering and unaccountable terror; I tried to localise my panic, to run it to earth and reason it away, but without any success. Terror of something I could not guess at stared me in the face, white, shaking terror. So, as there was no use in lying quaking in the dark, I lit my lamp, and, with the view of composing this strange disorder of my fear, began to read again in the book I had brought up with me. The volume happened to be ‘The Green Carnation,’ a work one would have thought to be full of tonic to twittering nerves. But it failed of success, even as my reasoning had done, and after reading a few pages, and finding that the heart-hammer in my throat grew no quieter, and that the grip of terror was in no way relaxed, I put out my light and lay down again. I looked at my watch, however, before doing this, and remember that the time was ten minutes to two.

“Still matters did not mend: terror, that was slowly becoming a little more definite, terror of some dark and violent deed that was momently drawing nearer to me held me in its vice.

“Something was coming, the advent of which was perceived by the sub-conscious sense, and was already conveyed to my conscious mind. And then the clock struck two jingling chimes, and the stable-clock outside clanged the hour more sonorously.

“I still lay there, abject and palpitating. Then I heard a sound just outside my room on the stairs that lead, as I have said, to the second story, a sound which was perfectly commonplace and unmistakable. Feet feeling their way in the dark were coming downstairs to my passage: I could hear also the groping hand slip and slide along the bannisters. The footfalls came along the few yards of passage between the bottom of the stairs and my door, and then against my door itself came the brush of drapery, and on the panels the blind groping of fingers. The handle rattled as they passed over it, and my terror nearly rose to screaming point.

“Then a sensible hope struck me. The midnight wanderer might be one of the servants, ill or in want of something, and yet—why the shuffling feet and the groping hand? But on the instant of the dawning of that hope (for I knew that it was of the step and that which was moving in the dark passage of which I was afraid) I turned on both the light at my bed-head, and the light of the passage outside, and, opening the door, looked out. The passage was quite bright from end to end, but it was perfectly empty. Yet as I looked, seeing nothing of the walker, I still heard. Down the bright boards I heard the shuffle growing fainter as it receded, until, judging by the ear, it turned into the gallery at the end and died away. And with it there died also all my sense of terror. It was It of which I had been afraid: now It and my terror had passed. And I went back to bed and slept till morning.”

Again Mrs. Aldwych paused, and I was silent. Somehow it was in the extreme simplicity of her experience that the horror lay. She went on almost immediately.

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