E. F. Benson - The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition

Здесь есть возможность читать онлайн «E. F. Benson - The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. He achieved the big success with his first novel, the fashionably controversial Dodo, and also with its sequels, but the greatest success came relatively late in his career with The Mapp and Lucia series. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of contents:
The Male Impersonator
Desirable Residences
The Room in the Tower
Gavon's Eve
The Dust-Cloud
The Confession of Charles Linkworth
At Abdul Ali's Grave
The Shootings of Achnaleish
How Fear Departed from the Long Gallery
Caterpillars
The Cat
The Bus-Conductor
The Man Who Went Too Far
Between the Lights
Outside the Door
The Other Bed
The Thing in the Hall
The House with the Brick-Kiln
The Terror by Night
The Countess of Lowndes Square
The Blackmailer of Park Lane
The Dance on the Beefsteak
The Oriolist
In the Dark
The False Step
"Puss-cat"
There Arose a King
The Tragedy of Oliver Bowman
Philip's Safety Razor
The Case of Frank Hampden
Mrs. Andrews's Control
The Ape
"Through"
"And the Dead Spake–"
The Outcast
The Horror-Horn
Machaon
Negotium Perambulans
At the Farmhouse
Inscrutable Dacrees
The Gardener
Mr. Tilly's Seance
Mrs. Amworth
In the Tube
Roderick's Story
Reconciliation
The Face
Spinach
Bagnell Terrace
A Tale of an Empty House
Naboth's Vineyard
Expiation
Home Sweet Home
"And no Birds Sings"
The Corner House
Corstophine
The Temple
The Step
The Bed by the Window
James Lamp
The Dance
The Hanging of Alfred Wadham
Pirates
The Wishing-Well
The Bath-Chair
Monkeys
Christopher Comes Back
The Sanctuary
Thursday Evenings
The Psychical Mallards
The Death Warrant
The China Bowl

The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The Bus-Conductor

Table of Contents

My friend, Hugh Grainger, and I had just returned from a two days’ visit in the country, where we had been staying in a house of sinister repute which was supposed to be haunted by ghosts of a peculiarly fearsome and truculent sort. The house itself was all that such a house should be, Jacobean and oak-panelled, with long dark passages and high vaulted rooms. It stood, also, very remote, and was encompassed by a wood of sombre pines that muttered and whispered in the dark, and all the time that we were there a southwesterly gale with torrents of scolding rain had prevailed, so that by day and night weird voices moaned and fluted in the chimneys, a company of uneasy spirits held colloquy among the trees, and sudden tattoos and tappings beckoned from the window-panes. But in spite of these surroundings, which were sufficient in themselves, one would almost say, to spontaneously generate occult phenomena, nothing of any description had occurred. I am bound to add, also, that my own state of mind was peculiarly well adapted to receive or even to invent the sights and sounds we had gone to seek, for I was, I confess, during the whole time that we were there, in a state of abject apprehension, and lay awake both nights through hours of terrified unrest, afraid of the dark, yet more afraid of what a lighted candle might show me.

Hugh Grainger, on the evening after our return to town, had dined with me, and after dinner our conversation, as was natural, soon came back to these entrancing topics.

“But why you go ghost-seeking I cannot imagine,” he said, “because your teeth were chattering and your eyes starting out of your head all the rime you were there, from sheer fright.”

“Or do you like being frightened?”

Hugh, though generally intelligent, is dense in certain ways; this is one of them.

“Why, of course, I like being frightened,” I said. “I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid.”

“Well, the fact that neither of us saw anything,” he said, “confirms what I have always believed.”

“And what have you always believed?”

“That these phenomena are purely objective, not subjective, and that one’s state of mind has nothing to do with the perception that perceives them, nor have circumstances or surroundings anything to do with them either. Look at Osburton. It has had the reputation of being a haunted house for years, and it certainly has all the accessories of one. Look at yourself, too, with all your nerves on edge, afraid to look ’round or light a candle for fear of seeing something! Surely there was the right man in the right place then, if ghosts are subjective.”

He got up and lit a cigarette, and looking at him—Hugh is about six feet high, and as broad as he is long—I felt a retort on my lips, for I could not help my mind going back to a certain period in his life, when, from some cause which, as far as I knew, he had never told anybody, he had become a mere quivering mass of disordered nerves. Oddly enough, at the same moment and for the first time, he began to speak of it himself.

“You may reply that it was not worth my while to go either,” he said, “because I was so clearly the wrong man in the wrong place. But I wasn’t. You for all your apprehensions and expectancy have never seen a ghost. But I have, though I am the last person in the world you would have thought likely to do so, and, though my nerves are steady enough again now, it knocked me all to bits.”

He sat down again in his chair.

“No doubt you remember my going to bits,” he said, “and since I believe that I am sound again now, I should rather like to tell you about it. But before I couldn’t; I couldn’t speak of it at all to anybody. Yet there ought to have been nothing frightening about it; what I saw was certainly a most useful and friendly ghost. But it came from the shaded side of things; it looked suddenly out of the night and the mystery with which life is surrounded.

“I want first to tell you quite shortly my theory about ghost-seeing,” he continued, “and I can explain it best by a simile, an image. Imagine then that you and I and everybody in the world are like people whose eye is directly opposite a little tiny hole in a sheet of cardboard which is continually shifting and revolving and moving about. Back to back with that sheet of cardboard is another, which also, by laws of its own, is in perpetual but independent motion. In it too there is another hole, and when, fortuitously it would seem, these two holes, the one through which we are always looking, and the other in the spiritual plane, come opposite one another, we see through, and then only do the sights and sounds of the spiritual world become visible or audible to us. With most people these holes never come opposite each other during their life. But at the hour of death they do, and then they remain stationary. That, I fancy, is how we ‘pass over.’

“Now, in some natures, these holes are comparatively large, and are constantly coming into opposition. Clairvoyants, mediums are like that. But, as far as I knew, I had no clairvoyant or mediumistic powers at all. I therefore am the sort of person who long ago made up his mind that he never would see a ghost. It was, so to speak, an incalculable chance that my minute spy-hole should come into opposition with the other. But it did: and it knocked me out of time.”

I had heard some such theory before, and though Hugh put it rather picturesquely, there was nothing in the least convincing or practical about it. It might be so, or again it might not.

“I hope your ghost was more original than your theory,” said I, in order to bring him to the point.

“Yes, I think it was. You shall judge.”

I put on more coal and poked up the fire. Hugh has got, so I have always considered, a great talent for telling stories, and that sense of drama which is so necessary for the narrator. Indeed, before now, I have suggested to him that he should take this up as a profession, sit by the fountain in Piccadilly Circus, when times are, as usual, bad, and tell stories to the passers-by in the street, Arabian fashion, for reward. The most part of mankind, I am aware, do not like long stories, but to the few, among whom I number myself, who really like to listen to lengthy accounts of experiences, Hugh is an ideal narrator. I do not care for his theories, or for his similes, but when it comes to facts, to things that happened, I like him to be lengthy.

“Go on, please, and slowly,” I said. “Brevity may be the soul of wit, but it is the ruin of story-telling. I want to hear when and where and how it all was, and what you had for lunch and where you had dined and what—Hugh began:

“It was the 24th of June, just eighteen months ago,” he said. “I had let my flat, you may remember, and came up from the country to stay with you for a week. We had dined alone here—”

I could not help interrupting.

“Did you see the ghost here?” I asked. “In this square little box of a house in a modern street?”

“I was in the house when I saw it.” I hugged myself in silence.

“We had dined alone here in Graeme Street,” he said, “and after dinner I went out to some party, and you stopped at home. At dinner your man did not wait, and when I asked where he was, you told me he was ill, and, I thought, changed the subject rather abruptly.

“You gave me your latch-key when I went out, and on coming back, I found you had gone to bed. There were, however, several letters for me, which required answers. I wrote them there and then, and posted them at the pillar-box opposite. So I suppose it was rather late when I went upstairs.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition»

Представляем Вашему вниманию похожие книги на «The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition»

Обсуждение, отзывы о книге «The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x