E. F. Benson - The Complete Short Stories of E. F. Benson - 70+ Titles in One Edition

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. He achieved the big success with his first novel, the fashionably controversial Dodo, and also with its sequels, but the greatest success came relatively late in his career with The Mapp and Lucia series. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of contents:
The Male Impersonator
Desirable Residences
The Room in the Tower
Gavon's Eve
The Dust-Cloud
The Confession of Charles Linkworth
At Abdul Ali's Grave
The Shootings of Achnaleish
How Fear Departed from the Long Gallery
Caterpillars
The Cat
The Bus-Conductor
The Man Who Went Too Far
Between the Lights
Outside the Door
The Other Bed
The Thing in the Hall
The House with the Brick-Kiln
The Terror by Night
The Countess of Lowndes Square
The Blackmailer of Park Lane
The Dance on the Beefsteak
The Oriolist
In the Dark
The False Step
"Puss-cat"
There Arose a King
The Tragedy of Oliver Bowman
Philip's Safety Razor
The Case of Frank Hampden
Mrs. Andrews's Control
The Ape
"Through"
"And the Dead Spake–"
The Outcast
The Horror-Horn
Machaon
Negotium Perambulans
At the Farmhouse
Inscrutable Dacrees
The Gardener
Mr. Tilly's Seance
Mrs. Amworth
In the Tube
Roderick's Story
Reconciliation
The Face
Spinach
Bagnell Terrace
A Tale of an Empty House
Naboth's Vineyard
Expiation
Home Sweet Home
"And no Birds Sings"
The Corner House
Corstophine
The Temple
The Step
The Bed by the Window
James Lamp
The Dance
The Hanging of Alfred Wadham
Pirates
The Wishing-Well
The Bath-Chair
Monkeys
Christopher Comes Back
The Sanctuary
Thursday Evenings
The Psychical Mallards
The Death Warrant
The China Bowl

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Overhead the thunder cracked and roared, and when it ceased and the deathly stillness succeeded, I heard the rustle of movement coming nearer me, and, more horrible yet, perceived an odor of corruption and decay. And then a hand was laid on the side of my neck, and close beside my ear I heard quick-taken, eager breathing. Yet I knew that this thing, though it could be perceived by touch, by smell, by eye and by ear, was still not of this earth, but something that had passed out of the body and had power to make itself manifest. Then a voice, already familiar to me, spoke.

“I knew you would come to the room in the tower,” it said. “I have been long waiting for you. At last you have come. Tonight I shall feast; before long we will feast together.”

And the quick breathing came closer to me; I could feel it on my neck.

At that the terror, which I think had paralyzed me for the moment, gave way to the wild instinct of self-preservation. I hit wildly with both arms, kicking out at the same moment, and heard a little animal-squeal, and something soft dropped with a thud beside me. I took a couple of steps forward, nearly tripping up over whatever it was that lay there, and by the merest good-luck found the handle of the door. In another second I ran out on the landing, and had banged the door behind me. Almost at the same moment I heard a door open somewhere below, and John Clinton, candle in hand, came running upstairs.

“What is it?” he said. “I sleep just below you, and heard a noise as if—Good heavens, there’s blood on your shoulder.”

I stood there, so he told me afterwards, swaying from side to side, white as a sheet, with the mark on my shoulder as if a hand covered with blood had been laid there.

“It’s in there,” I said, pointing. “She, you know. The portrait is in there, too, hanging up on the place we took it from.”

At that he laughed.

“My dear fellow, this is mere nightmare,” he said.

He pushed by me, and opened the door, I standing there simply inert with terror, unable to stop him, unable to move.

“Phew! What an awful smell,” he said.

Then there was silence; he had passed out of my sight behind the open door. Next moment he came out again, as white as myself, and instantly shut it.

“Yes, the portrait’s there,” he said, “and on the floor is a thing—a thing spotted with earth, like what they bury people in. Come away, quick, come away.”

How I got downstairs I hardly know. An awful shuddering and nausea of the spirit rather than of the flesh had seized me, and more than once he had to place my feet upon the steps, while every now and then he cast glances of terror and apprehension up the stairs. But in time we came to his dressing-room on the floor below, and there I told him what I have here described.

The sequel can be made short; indeed, some of my readers have perhaps already guessed what it was, if they remember that inexplicable affair of the churchyard at West Fawley, some eight years ago, where an attempt was made three times to bury the body of a certain woman who had committed suicide. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was buried was just outside the iron gate of the garden belonging to the house where this woman had lived. She had committed suicide in a room at the top of the tower in that house. Her name was Julia Stone.

Subsequently the body was again secretly dug up, and the coffin was found to be full of blood.

Gavon’s Eve

Table of Contents

It is only the largest kind of ordnance map that records the existence of the village of Gavon, in the shire of Sutherland, and it is perhaps surprising that any map on whatever scale should mark so small and huddled a group of huts, set on a bare, bleak headland between moor and sea, and, so one would have thought, of no import at all to any who did not happen to live there. But the river Gavon, on the right bank of which stand this half-dozen of chimneyless and wind-swept habitations, is a geographical fact of far greater interest to outsiders, for the salmon there are heavy fish, the mouth of the river is clear of nets, and all the way up to Gavon Loch, some six miles inland, the coffee-coloured water lies in pool after deep pool, which verge, if the river is in order and the angler moderately sanguine, on a fishing probability amounting almost to a certainty. In any case, during the first fortnight of September last I had no blank day on those delectable waters, and up till the 15th of that month there was no day on which some one at the lodge in which I was stopping did not land a fish out of the famous Picts’ pool. But after the 15th that pool was not fished again. The reason why is here set forward.

The river at this point, after some hundred yards of rapid, makes a sudden turn ’round a rocky angle, and plunges madly into the pool itself. Very deep water lies at the head of it, but deeper still further down on the east side, where a portion of the stream flicks back again in a swift dark backwater towards the top of the pool again. It is fishable only from the western bank, for to the east, above this backwater, a great wall of black and basaltic rock, heaved up no doubt by some fault in strata, rises sheer from the river to the height of some sixty feet. It is in fact nearly precipitous on both sides, heavily serrated at the top, and of so curious a thinness, that at about the middle of it where a fissure breaks its topmost edge, and some twenty feet from the top, there exists a long hole, a sort of lancet window, one would say, right through the rock, so that a slit of daylight can be seen through it. Since, therefore, no one would care to cast his line standing perched on that razor-edged eminence, the pool must needs be fished from the western bank. A decent fly, however, will cover it all.

It is on the western bank that there stand the remains of that which gave its title to the pool, namely, the ruins of a Pict castle, built out of rough and scarcely hewn masonry, unmortared but on a certain large and impressive scale, and in a very well-preserved condition considering its extreme antiquity. It is circular in shape and measures some twenty yards of diameter in its internal span. A staircase of large blocks with a rise of at least a foot leads up to the main gate, and opposite this on the side towards the river is another smaller postern through which down a rather hazardously steep slope a scrambling path, where progress demands both caution and activity, conducts to the head of the pool which lies immediately beneath it. A gate-chamber still roofed over exists in the solid wall: inside there are foundation indications of three rooms, and in the centre of all a very deep hole, probably a well. Finally, just outside the postern leading to the river is a small artificially levelled platform, some twenty feet across, as if made to support some super-incumbent edifice. Certain stone slabs and blocks are dispersed over it.

Brora, the post-town of Gavon, lies some six miles to the south-west, and from it a track over the moor leads to the rapids immediately above the Picts’ pool, across which by somewhat extravagant striding from boulder to boulder a man can pass dry-foot when the river is low, and make his way up a steep path to the north of the basaltic rock, and so to the village. But this transit demands a steady head, and at the best is a somewhat giddy passage. Otherwise the road between it and Brora lies in a long detour higher up the moor, passing by the gates of Gavon Lodge, where I was stopping. For some vague and ill-defined reason the pool itself and the Picts’ Castle had an uneasy reputation on the countryside, and several times trudging back from a day’s fishing I have known my gillie take a longish circuit, though heavy with fish, rather than make this short cut in the dusk by the castle. On the first occasion when Sandy, a strapping yellow-bearded viking of twenty-five, did this he gave as a reason that the ground ’round about the castle was “mossy,” though as a God-fearing man he must have known he lied. But on another occasion he was more frank, and said that the Picts’ pool was “no canny” after sunset. I am now inclined to agree with him, though, when he lied about it, I think it was because as a God-fearing man he feared the devil also.

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