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This unique eBook edition of H. C. McNeile's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Herman Cyril McNeile (1888-1937) commonly known as H. C. McNeile or Sapper, was a British soldier and author. Drawing on his experiences in the trenches during the First World War, he started writing short stories and getting them published in the Daily Mail. After the war McNeile left the army and continued writing, although he changed from war stories to thrillers. In 1920 he published Bulldog Drummond, whose eponymous hero became his best-known creation. The character was based on McNeile himself, on his friend Gerard Fairlie and on English gentlemen generally. His stories are either directly about the war, or contain people whose lives have been shaped by it. His thrillers are a continuation of his war stories, with upper class Englishmen defending England from foreigners plotting against it.
Contents:
Novels:
Mufti
Bulldog Drummond
The Black Gang
Jim Maitland
The Third Round
The Final Count
The Female of the Species
Temple Tower
Tiny Carteret
The Island of Terror
The Return of Bulldog Drummond
Knock-Out
Bulldog Drummond at Bay
Challenge
Short Story Collections:
The Lieutenant and Others
Sergeant Michael Cassidy, R.E.
Men, Women and Guns
No Man's Land
The Human Touch
The Man in Ratcatcher and Other Stories
The Dinner Club
Out of the Blue
Jim Brent
Word of Honour
Shorty Bill
The Saving Clause
When Carruthers Laughed
John Walters
The Finger of Fate
Ronald Standish
The Creaking Door
The Missing Chauffeur
The Haunted Rectory
A Matter of Tar
The House with the Kennels
The Third Message
Mystery of the Slip Coach
The Second Dog
The Men in Yellow
The Men with Samples
The Empty House
The Tidal River…

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"Splendid!" said Lakington slowly. "Splendid! Young Laidley comes of age in about a week, doesn't he?"

"Monday, to be exact, and so I go down with my dear aunt on Saturday."

Lakington nodded his head as if satisfied, and then glanced at his watch.

"What about bed?" he remarked.

"Not yet," said Peterson, halting suddenly in his walk. "I must see the Yank before I go to Paris. We'll have him down here now."

"My dear Carl, at this hour?" Lakington stifled a yawn.

"Yes. Give him an injection, Henry—and, by God, we'll make the fool sign. Then I can actually take it over to the meeting with me."

He strode to the door, followed by Lakington; and the girl in the chair stood up and stretched her arms above her head. For a moment or two Hugh watched her; then he too stood upright and eased his cramped limbs.

"Make the fool sign." The words echoed through his brain, and he stared thoughtfully at the grey light which showed the approach of dawn. What was the best thing to do? "Make" with Peterson generally implied torture if other means failed, and Hugh had no intention of watching any man tortured. At the same time something of the nature of the diabolical plot conceived by Peterson was beginning to take a definite shape in his mind, though many of the most important links were still missing. And with this knowledge had come the realisation that he was no longer a free agent. The thing had ceased to be a mere sporting gamble with himself and a few other chosen spirits matched against a gang of criminals; it had become—if his surmise was correct—a national affair. England herself—her very existence—was threatened by one of the vilest plots ever dreamed of in the brain of man. And then, with a sudden rage at his own impotence, he realised that even now he had nothing definite to go on. He must know more; somehow or other he must get to Paris; he must attend that meeting at the Ritz. How he was going to do it he hadn't the faintest idea; the farthest he could get as he stood on the roof, watching the first faint streaks of orange in the east, was the definite decision that if Peterson went to Paris, he would go too. And then a sound from the room below brought him back to his vantage point. The American was sitting in a chair, and Lakington, with a hypodermic syringe in his hand, was holding his arm.

He made the injection, and Hugh watched the millionaire. He was still undecided as to how to act, but for the moment, at anyrate, there was nothing to be done. And he was very curious to hear what Peterson had to say to the wretched man, who, up to date, had figured so largely in every round.

After a while the American ceased staring vacantly in front of him, and passed his hand dazedly over his forehead. Then he half rose from his chair and stared at the two men sitting facing him. His eyes came round to the girl, and with a groan he sank back again, plucking feebly with his hands at his dressing-gown.

"Better, Mr. Potts?" said Peterson suavely.

"I—I——" stammered the other. "Where am I?"

"At The Elms, Godalming, if you wish to know."

"I thought—I thought——" He rose swaying. "What do you want with me? Damn you!"

"Tush, tush," murmured Peterson. "There is a lady present, Mr. Potts. And our wants are so simple. Just your signature to a little agreement, by which in return for certain services you promise to join us in our—er—labours, in the near future."

"I remember," cried the millionaire. "Now I remember. You swine—you filthy swine, I refuse ... absolutely."

"The trouble is, my friend, that you are altogether too big an employer of labour to be allowed to refuse, as I pointed out to you before. You must be in with us, otherwise you might wreck the scheme. Therefore I require your signature. I lost it once, unfortunately—but it wasn't a very good signature; so perhaps it was all for the best."

"And when you've got it," cried the American, "what good will it be to you? I shall repudiate it."

"Oh no! Mr. Potts," said Peterson with a thoughtful smile; "I can assure you, you won't. The distressing malady from which you have recently been suffering will again have you in its grip. My friend Mr. Lakington is an expert on that particular illness. It renders you quite unfit for business."

For a while there was silence, and the millionaire stared round the room like a trapped animal.

"I refuse!" he cried at last. "It's an outrage against humanity. You can do what you like."

"Then we'll start with a little more thumbscrew," remarked Peterson, strolling over to the desk and opening a drawer. "An astonishingly effective implement, as you can see if you look at your thumb." He stood in front of the quivering man, balancing the instrument in his hands. "It was under its influence you gave us the first signature, which we so regrettably lost. I think we'll try it again...."

The American gave a strangled cry of terror, and then the unexpected happened. There was a crash as a pane of glass splintered and fell to the floor close beside Lakington; and with an oath he sprang aside and looked up.

"Peep-bo," came a well-known voice from the skylight. "Clip him one over the jaw, Potts, my boy, but don't you sign."

CHAPTER VIII

IN WHICH HE GOES TO PARIS FOR A NIGHT

Table of Content

I

Drummond had acted on the spur of the moment. It would have been manifestly impossible for any man, certainly one of his calibre, to have watched the American being tortured without doing something to try to help him. At the same time the last thing he had wanted to do was to give away his presence on the roof. The information he had obtained that night was of such vital importance that it was absolutely essential for him to get away with it somehow; and, at the moment, his chances of so doing did not appear particularly bright. It looked as if it was only a question of time before they must get him.

But as usual with Drummond, the tighter the corner, the cooler his head. He watched Lakington dart from the room, followed more slowly by Peterson, and then occurred one of those strokes of luck on which the incorrigible soldier always depended. The girl left the room as well.

She kissed her hand towards him, and then she smiled.

"You intrigue me, ugly one," she remarked, looking up, "intrigue me vastly. I am now going out to get a really good view of the Kill."

And the next moment Potts was alone. He was staring up at the skylight, apparently bewildered by the sudden turn of events, and then he heard the voice of the man above speaking clearly and insistently.

"Go out of the room. Turn to the right. Open the front door. You'll see a house through some trees. Go to it. When you get there, stand on the lawn and call 'Phyllis.' Do you get me?"

The American nodded dazedly; then he made a great effort to pull himself together, as the voice continued:

"Go at once. It's your only chance. Tell her I'm on the roof here."

With a sigh of relief he saw the millionaire leave the room; then he straightened himself up, and proceeded to reconnoitre his own position. There was a bare chance that the American would get through, and if he did, everything might yet be well. If he didn't—Hugh shrugged his shoulders grimly and laughed.

It had become quite light, and after a moment's indecision Drummond took a running jump, and caught the ridge of the sloping roof on the side nearest the road. To stop by the skylight was to be caught like a rat in a trap, and he would have to take his chance of being shot. After all, there was a considerable risk in using firearms so near a main road, where at any time some labourer or other early riser might pass along. Notoriety was the last thing which Peterson desired, and if it got about that one of the pastimes at The Elms was potting stray human beings on the roof, the inquiries might become somewhat embarrassing.

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