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This unique eBook edition of H. C. McNeile's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Herman Cyril McNeile (1888-1937) commonly known as H. C. McNeile or Sapper, was a British soldier and author. Drawing on his experiences in the trenches during the First World War, he started writing short stories and getting them published in the Daily Mail. After the war McNeile left the army and continued writing, although he changed from war stories to thrillers. In 1920 he published Bulldog Drummond, whose eponymous hero became his best-known creation. The character was based on McNeile himself, on his friend Gerard Fairlie and on English gentlemen generally. His stories are either directly about the war, or contain people whose lives have been shaped by it. His thrillers are a continuation of his war stories, with upper class Englishmen defending England from foreigners plotting against it.
Contents:
Novels:
Mufti
Bulldog Drummond
The Black Gang
Jim Maitland
The Third Round
The Final Count
The Female of the Species
Temple Tower
Tiny Carteret
The Island of Terror
The Return of Bulldog Drummond
Knock-Out
Bulldog Drummond at Bay
Challenge
Short Story Collections:
The Lieutenant and Others
Sergeant Michael Cassidy, R.E.
Men, Women and Guns
No Man's Land
The Human Touch
The Man in Ratcatcher and Other Stories
The Dinner Club
Out of the Blue
Jim Brent
Word of Honour
Shorty Bill
The Saving Clause
When Carruthers Laughed
John Walters
The Finger of Fate
Ronald Standish
The Creaking Door
The Missing Chauffeur
The Haunted Rectory
A Matter of Tar
The House with the Kennels
The Third Message
Mystery of the Slip Coach
The Second Dog
The Men in Yellow
The Men with Samples
The Empty House
The Tidal River…

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"To resume," continued Hugh. "I regret to state that they've got Potts."

The girl sat up quickly and stared at him.

"Got him? Oh, Hugh! how did they manage it?"

"I'm damned if I know," he answered grimly. "They found out that he was in my bungalow at Goring during the afternoon by sending round a man to see about the water. Somehow or other he must have doped the drink or the food, because after dinner we all fell asleep. I can just remember seeing Lakington's face outside in the garden, pressed against the window, and then everything went out. I don't remember anything more till I woke this morning with the most appalling head. Of course, Potts had gone."

"I heard the car drive up in the middle of the night," said the girl thoughtfully. "Do you think he's at The Elms now?"

"That is what I propose to find out to-night," answered Hugh. "We have staged a little comedy for Peterson's especial benefit, and we are hoping for the best.'"

"Oh, boy, do be careful!" She looked at him anxiously. "I'd never forgive myself if anything happened to you. I'd feel it was all due to me, and I just couldn't bear it."

"Dear little girl," he whispered tenderly, "you're simply adorable when you look like that. But not even for you would I back out of this show now." His mouth set in a grim line. "It's gone altogether too far, and they've shown themselves to be so completely beyond the pale that it's got to be fought out. And when it has been," he caught both her hands in his ... "and we've won ... why, then girl o' mine, we'll get Peter Darrell to be best man."

Which was the cue for the commencement of the last and longest interlude, terminated only by the sudden and unwelcome appearance of a motor-'bus covered within and without by unromantic sightseers, and paper-bags containing bananas.

They drove slowly back to Guildford, and on the way he told her briefly of the murder of the American's secretary in Belfast, and his interview the preceding afternoon with the impostor at the Carlton.

"It's a tough proposition," he remarked quietly. "They're absolutely without scruple, and their power seems unlimited. I know they are after the Duchess of Lampshire's pearls: I found the beautiful Irma consuming tea with young Laidley yesterday—you know, the Duke's eldest son. But there's something more in the wind than that, Phyllis—something which, unless I'm a mug of the first water, is an infinitely larger proposition than that."

The car drew up at the station, and he strolled with her on to the platform. Trivialities were once more banished: vital questions concerning when it had first happened—by both; whether he was quite sure it would last for ever—by her; what she could possibly see in him—by him; and wasn't everything just too wonderful for words—mutual and carried nem. con .

Then the train came in, and he put her into a carriage. And two minutes later, with the touch of her lips warm on his, and her anxious little cry, "Take care, my darling!—take care!" still ringing in his ears, he got into his car and drove off to an hotel to get an early dinner. Love for the time was over; the next round of the other game was due. And it struck Drummond that it was going to be a round where a mistake would not be advisable.

IV

At a quarter to ten he backed his car into the shadow of some trees not far from the gate of The Elms. The sky was overcast, which suited his purpose, and through the gloom of the bushes he dodged rapidly towards the house. Save for a light in the sitting-room and one in a bedroom upstairs, the front of the house was in darkness, and, treading noiselessly on the turf, he explored all round it. From a downstairs room on one side came the hoarse sound of men's voices, and he placed that as the smoking-room of the gang of ex-convicts and blackguards who formed Peterson's staff. There was one bedroom light at the back of the house, and thrown on the blind he could see the shadow of a man. As he watched, the man got up and moved away, only to return in a moment or two and take up his old position.

"It's one of those two bedrooms," he muttered to himself, "if he's here at all."

Then he crouched in the shadow of some shrubs and waited. Through the trees to his right he could see The Larches, and once, with a sudden quickening of his heart, he thought he saw the outline of the girl show up in the light from the drawing-room. But it was only for a second, and then it was gone....

He peered at his watch: it was just ten o'clock. The trees were creaking gently in the faint wind; all around him the strange night noises—noises which play pranks with a man's nerves—were whispering and muttering. Bushes seemed suddenly to come to life, and move; eerie shapes crawled over the ground towards him—figures which existed only in his imagination. And once again the thrill of the night stalker gripped him.

He remembered the German who had lain motionless for an hour in a little gully by Hebuterne, while he from behind a stunted bush had tried to locate him. And then that one creak as the Boche had moved his leg. And then ... the end. On that night, too, the little hummocks had moved and taken to themselves strange shapes: fifty times he had imagined he saw him; fifty times he knew he was wrong—in time. He was used to it; the night held no terrors for him, only a fierce excitement. And thus it was that as he crouched in the bushes, waiting for the game to start, his pulse was as normal, and his nerves as steady, as if he had been sitting down to supper. The only difference was that in his hand he held something tight-gripped.

At last faintly in the distance he heard the hum of a car. Rapidly it grew louder, and he smiled grimly to himself as the sound of five unmelodious voices singing lustily struck his ear. They passed along the road in front of the house. There was a sudden crash—then silence; but only for a moment.

Peter's voice came first:

"You priceless old ass, you've rammed the blinking gate."

It was Jerry Seymour who then took up the ball. His voice was intensely solemn—also extremely loud.

"Preposhterous. Perfectly preposhterous. We must go and apologise to the owner.... I ... I ... absholutely ... musht apologise.... Quite unpardonable.... You can't go about country ... knocking down gates.... Out of queshtion...."

Half-consciously Hugh listened, but, now that the moment for action had come, every faculty was concentrated on his own job. He saw half a dozen men go rushing out into the garden through a side door, and then two more ran out and came straight towards him. They crashed past him and went on into the darkness, and for an instant he wondered what they were doing. A little later he was destined to find out....

Then came a peal at the front-door bell, and he determined to wait no longer. He darted through the garden door, to find a flight of back stairs in front of him, and in another moment he was on the first floor. He walked rapidly along the landing, trying to find his bearings, and, turning a corner, he found himself at the top of the main staircase—the spot where he had fought Peterson two nights previously.

From below Jerry Seymour's voice came clearly.

"Are you the pro-propri-tor, ole friend? Because there's been ... acchident...."

He waited to hear no more, but walked quickly on to the room which he calculated was the one where he had seen the shadow on the blind. Without a second's hesitation he flung the door open and walked in. There, lying in the bed, was the American, while crouched beside him, with a revolver in his hand, was a man....

For a few seconds they watched one another in silence, and then the man straightened up.

"The soldier!" he snarled. "You young pup!"

Deliberately, almost casually, he raised his revolver, and then the unexpected happened. A jet of liquid ammonia struck him full in the face, and with a short laugh Hugh dropped his water-pistol in his pocket, and turned his attention to the bed. Wrapping the millionaire in a blanket, he picked him up, and, paying no more attention to the man gasping and choking in a corner, he raced for the back stairs.

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