Array Sapper - The Complete Works of H. C. McNeile Sapper

Vane slipped the book in his pocket. "I'm afraid," he remarked, "that I should not be able to bring that undivided attention to bear on the subject which is so essential for my education. Besides—perhaps you'll have a few minutes to spare after you have dealt with the Colonials. . . ." He parted the branches for her.

"My dear man," she retorted, "You've had far more than your fair official share already. . . ." She scrambled on to the path and Vane fell into step beside her. "And don't forget that you've only just been forgiven. . . ."

"Which makes it all the more essential for me to have continual evidence of the fact," retorted Vane.

"It strikes me," she looked at him suddenly, "that you're not quite as serious as you make out. You've got all the makings of a very pretty frivoller in you anyway."

"I bow to your superior judgment," said Vane gravely. "But I've been commissioned to—er—go and find myself, so to speak, by one who must be obeyed. And in the intervals between periods of cold asceticism when I deal with the highbrows, and other periods when I tackle subjects of national importance first hand, I feel that I shall want relaxation. . . ."

"And so you think you'd like me to fill the role of comic relief," she said sweetly. "Thanks a thousand times for the charming compliment."

"It doesn't sound very flattering put that way, I must admit," conceded Vane with a grin. "And yet the pleasures of life fill a very important part. I want to find myself in them too. . . ."

"I'm glad to see traces of comparative sanity returning," she said, as they turned into the Lodge Gates. "Do you think it's safe to trust yourself to such an abandoned character as I am? What would She who must be obeyed say?"

She looked at him mockingly, and involuntarily Vane frowned slightly. At the moment he felt singularly unwilling to be reminded of Margaret. And he was far too old a stager not to realise that he was heading directly for waters which, though they ran amongst charming scenery, contained quite a number of hidden rocks.

She saw the sudden frown, and laughed very gently. "Poor young man," she murmured; "poor serious young man. Dare you risk it?"

Then Vane laughed too. They had come to the lawn, and her three Colonial patients were approaching. "Put that way," he said, "I feel that it is my bounden duty to take a prolonged course of those pleasures."

"Splendid," she cried, and her eyes were dancing merrily. "Come over and lunch to-morrow. You can have Father and Aunt Jane first. You'll like Aunt Jane, she's as deaf as a post and very bloodthirsty—and then you can begin the course afterwards. One o'clock, and it's about half an hour's walk. . . ."

With a nod she turned and left him. And if those of her friends who knew Joan Devereux well had seen the look in her eyes as she turned to her three Canadians, they would have hazarded a guess that there was trouble brewing. They would further have hazarded a second guess as to the form it was likely to take. And both guesses would have been right. A young man, remarked Joan to herself, who would be all the better for a fall; a young man who seemed very much too sure of himself. Joan Devereux was quite capable of dealing with such cases as they deserved, and she was a young woman of much experience.

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It was the following morning that Vane received a second letter from Margaret. He had written her once—a letter in which he had made no allusion to their last meeting—and she had answered it. Cases were still pouring in and she was very busy. When she did have a moment to herself she was generally so tired that she lay down and went to sleep. It was the letter of a girl obsessed with her work to the exclusion of all outside things.

Of course he admired her for it—admired her intensely. It was so characteristic of her, and she had such a wonderful character. But—somehow . . . he had wished for something a little more basely material. And so with this second one. He read it through once at breakfast, and then, with a thoughtful look in his eyes, he took it with him to a chair on the big verandah which ran along the whole of the front of Rumfold Hall. The awning above it had been specially erected for the benefit of the patients and Vane pulled one of the lounge chairs back from the stone balustrade, so that his face was shaded from the sun. It was a favourite spot of his, and now, with Margaret's letter outspread beside him, and his pipe held between his knees, he commenced to fill the bowl. He was becoming fairly quick at the operation, but long after it was well alight he was still staring at the misty line of distant hills. Away, out there, beyond, the thing called war was in full swing—the game was at its height. And the letter beside him had taken him back in spirit. . . . After a while he picked it up again and commenced to re-read the firm, clear handwriting. . . .

No. 24, STATIONARY HOSPITAL.

Derek, dear, I've been moved as you see from No. 13. I'm with the men now, and though I hated going at first—yet, now, I think I almost prefer it. With the officers there must always be a little constraint—at least, I have never been able to get rid of the feeling. Perhaps with more experience it would vanish je ne sais pas . . . but with the men it's never there. They're just children, Derek, just dear helpless kiddies; and so wonderfully grateful for any little thing one does. Never a whimper; never the slightest impatience. . . . they're just wonderful. One expects it from the officers; but somehow it strikes one with a feeling almost of surprise when one meets it in the men. There's one of them, a boy of eighteen, with both his legs blown off above the knee. He just lies there silently, trying to understand. He never worries or frets—but there's a look in his eyes—a puzzled, questioning look sometimes—which asks as clearly as if he spoke—"Why has this thing happened to me ?" He comes from a little Devonshire fishing village, he tells me; and until the war he'd never been away from it! Can you imagine the pitiful, chaotic, helplessness in his mind? Oh! doesn't it all seem too insensately brutal? . . . It's not even as if there was any sport in it; it's all so utterly ugly and bestial. . . . One feels so helpless, so bewildered, and the look in some of their eyes makes one want to scream, with the horror of it. . . .

But, old man, the object of this letter is not to inflict on you my ideas on war. It is in a sense a continuation, and a development, of our talk on the beach at Paris Plage. I have been thinking a good deal lately about that conversation, and now that I have almost definitely made up my mind as to what I propose to do myself after the war, I consider it only fair to let you know. I said to you then that perhaps my job might only be to help you to fulfil your own destiny, and nothing which I have decided since alters that in any way. If you still want me after the war—if we find that neither of us has made a mistake—I can still help you, Derek, I hope. But, my dear, it won't be quite a passive help, if you understand what I mean. I've got to be up and doing myself—actively; to be merely any man's echo—his complement—however much I loved him, would not be enough. I've come to that, you see.

And so I've decided—not quite definitely as I said, but almost so—to read for Medicine. I'm a little old, perhaps, though I'm only twenty-four: but these years in France have at any rate not been wasted. The question of money does not come in luckily, and the work attracts me immensely. Somehow I feel that I might be helping to repair a tiny bit of the hideous destruction and mutilation which we're suffering from now.

And that's enough about myself. I want to suggest something to you. You may laugh, old boy—but I'm in earnest. I remember you're telling me once that, when you were up at the 'Varsity, you used to scribble a bit. I didn't pay much attention; in those days one didn't pay attention—ever. But now your words have come back to me once or twice, during the night, when I've been seeing dream pictures in my reading lamp and the ward has been asleep. Have you thought that possibly that is the line along which you might develop? Don't you think it's worth trying, Derek? And then, perhaps—this is my wildest dream, the raving of a fevered brain—the day will come when you and I can stand together and realise that each of us in our own way has made good—has done something to help on— les autres . Oh! Derek—it's worth trying, old man—surely it's worth trying. We've just got to do something that's worth while, before we come to the end—if only to balance a little of the hideous mass of worthlessness that's being piled up to-day. . . .