Array Sapper - The Complete Works of H. C. McNeile Sapper

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This unique eBook edition of H. C. McNeile's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Herman Cyril McNeile (1888-1937) commonly known as H. C. McNeile or Sapper, was a British soldier and author. Drawing on his experiences in the trenches during the First World War, he started writing short stories and getting them published in the Daily Mail. After the war McNeile left the army and continued writing, although he changed from war stories to thrillers. In 1920 he published Bulldog Drummond, whose eponymous hero became his best-known creation. The character was based on McNeile himself, on his friend Gerard Fairlie and on English gentlemen generally. His stories are either directly about the war, or contain people whose lives have been shaped by it. His thrillers are a continuation of his war stories, with upper class Englishmen defending England from foreigners plotting against it.
Contents:
Novels:
Mufti
Bulldog Drummond
The Black Gang
Jim Maitland
The Third Round
The Final Count
The Female of the Species
Temple Tower
Tiny Carteret
The Island of Terror
The Return of Bulldog Drummond
Knock-Out
Bulldog Drummond at Bay
Challenge
Short Story Collections:
The Lieutenant and Others
Sergeant Michael Cassidy, R.E.
Men, Women and Guns
No Man's Land
The Human Touch
The Man in Ratcatcher and Other Stories
The Dinner Club
Out of the Blue
Jim Brent
Word of Honour
Shorty Bill
The Saving Clause
When Carruthers Laughed
John Walters
The Finger of Fate
Ronald Standish
The Creaking Door
The Missing Chauffeur
The Haunted Rectory
A Matter of Tar
The House with the Kennels
The Third Message
Mystery of the Slip Coach
The Second Dog
The Men in Yellow
The Men with Samples
The Empty House
The Tidal River…

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"But you didn't go to the Duke's this spring, sir," gasped Denny.

"I know that, you ass—but no more did she. To be exact, the place was being done up, only she won't know. Go on, I'm going to overflow again."

"'I certainly have not forgotten the kind invitation you gave to my cousin Staveley and myself to come and stop with you. He, at the moment, is killing beasts in Africa: whereas I am condemned to this unpleasant country. To- morrow I have to go to Sheffield...'"

He paused. "Why, Denny—why do I have to go to Sheffield? Why in Heaven's name does anyone ever go to Sheffield?"

"They make knives there, sir."

"Do they? But you needn't go there to buy them. And anyway, I don't want knives."

"You might just say on business, sir," remarked his servant.

"Gad! you're a genius, Denny. Put that in. 'Sheffield on business, and I wondered if I might take you at your word and come to...' Where's the bally woman live? Look it up in Who's Who."

"Drayton House, sir," announced Denny.

"'To Drayton House for a day or two. Yours very sincerely.' That'll do the trick, Denny. Give it to me, and I'll write it out. A piece of the best paper with the crest and telephone number embossed in blue, and the victory is ours."

"Aren't you giving her rather short notice, sir?" said Denny doubtfully.

Drummond laid down his pen and stared at him sadly.

"Sometimes, Denny, I despair of you," he answered. "Even after four years of communion with me there are moments when you relapse into your pristine brain wallow. If I gave her any longer it is just conceivable—though I admit not likely—that I might get my answer from her stating that she was completely unaware of my existence, and that she'd sent my letter to the police. And where should we be then, my faithful varlet? As it is, I shall arrive at Drayton House just after the letter, discover with horror that I have made a mistake, and be gracefully forgiven by my charming hostess as befits a man with such exalted friends. Now run away and get me a taxi."

"Will you be in to dinner, sir?"

"Perhaps—perhaps not. In case I'm not, I shall go up to Sheffield in the Rolls to-morrow. See that everything is packed."

"Will you want me to come with you, sir?"

"No, Denny—not this time. I have a sort of premonition that I'm going to enjoy myself at Drayton House, and you're too young for that sort of thing."

With a resigned look on his face, Denny left the room, closing the door gently behind him. But Drummond, left to himself, did not at once continue his letter to Lady Manton. With his pen held loosely in his hand he sat at his desk staring thoughtfully at the wall opposite. Gone completely was his customary inane look of good humour: in its place was an expression of quiet, almost grim, determination. He had the air of a man faced with big decisions, and to whom, moreover, such an experience was no novelty. For some five minutes he sat there motionless; then with a short laugh he came out of his reverie.

"We're getting near the motto, my son," he muttered—"deuced near. If we don't draw the badger in a few weeks, I'll eat my hat."

With another laugh he turned once more to his half-finished letter. And a minute or two later, having stamped and addressed the envelope, he slipped it into his pocket and rose. He crossed the room and unlocked a small safe which stood in the corner. From it he took a small automatic revolver which he dropped into his coat pocket, also a tiny bundle of what looked like fine black silk. Then, having relocked the safe he picked up his hat and stick and went into the hall.

"Denny," he called, pausing by the front door.

"Sir," answered that worthy, appearing from the back premises.

"If Mr. Darrell or any of them ring up I shall be tearing a devilled bone to-night at the Savoy grill at eleven o'clock."

IV. — IN WHICH COUNT ZADOWA GETS A SHOCK

Table of Content

Number 5, Green Street, Hoxton, was not a prepossessing abode. A notice on one of the dingy downstair windows announced that Mr. William Atkinson was prepared to advance money on suitable security: a visit during business hours revealed that this was no more than the truth, even if the appearance of Mr. Atkinson's minion caused the prospective borrower to wonder how he had acquired such an aggressively English name.

The second and third floors were apparently occupied by his staff, which seemed unduly large considering the locality and quality of his business. Hoxton is hardly in that part of London where large sums of money might be expected to change hands, and yet there was no doubt that Mr. William Atkinson's staff was both large and busy. So busy indeed were his clerks that frequently ten and eleven o'clock at night found them still working hard, though the actual business of the day downstairs concluded at six o'clock—eight Saturdays.

It was just before closing time on the day after the strange affair down at Barking that a large, unkempt-looking individual presented himself at Mr. Atkinson's office. His most pressing need would have seemed to the casual observer to be soap and water, but his appearance apparently excited no surprise in the assistant downstairs. Possibly Hoxton is tolerant of such trifles.

The clerk—a pale, anaemic-looking man with an unhealthy skin and a hook nose—rose wearily from his rest.

"What do you want?" he demanded morosely.

"Wot d'yer think!" retorted the other. "Cat's meat?"

The clerk recoiled, and the blood mounted angrily to his sallow face. "Don't you use that tone with me, my man," he said angrily. "I'd have you to know that this is my office."

"Yus," answered the other. "Same as it's your nose sitting there like a lump o' putty stuck on to a suet pudding. And if I 'ave any o' your lip, I'll pull it off—see. Throw it outside, I will, and you after it—you parboiled lump of bad tripe. Nah, then—business." With a blow that shook the office he thumped the desk with a huge fist. "I ain't got no time to waste—even if you 'ave. 'Ow much?" He threw a pair of thick hob- nailed boots on to the counter, and stood glaring at the other.

"Two bob," said the clerk indifferently, throwing down a coin and picking up the boots.

"Two bob!" cried the other wrathfully. "Two bob, you miserable Sheenie." For a moment or two he spluttered inarticulately as if speech was beyond him; then his huge hand shot out and gripped the clerk by the collar. "Think again, Archibald," he continued quietly, "think again and think better."

But the assistant, as might be expected in one of his calling, was prepared for emergencies of this sort. Very gently his right hand slid along the counter towards a concealed electric bell which communicated with the staff upstairs. It fulfilled several purposes, that bell: it acted as a call for help or as a warning, and according to the number of times it was pressed, the urgency of the matter could be interpreted by those who heard it. Just now the clerk decided that two rings would meet the case: he disliked the appearance of the large and angry man in whose grip he felt absolutely powerless, and he felt he would like help—very urgently. And so it was perhaps a little unfortunate for him that he should have allowed an ugly little smirk to adorn his lips a second or two before his hand found the bell. The man facing him across the counter saw that smirk and lost his temper in earnest. With a grunt of rage he hit the other square between the eyes, and the clerk collapsed in a huddled heap behind the counter with the bell still unrung.

For a few moments the big man stood motionless, listening intently. From upstairs came the faint tapping of a typewriter; from outside the usual street noises of London came softly through the two closed doors. Then, with an agility remarkable in one so big, he vaulted the counter and inspected the recumbent assistant with a professional eye. A faint grin spread over his face as he noted that gentleman's condition, but after that he wasted no time. So quickly and methodically in fact did he set about things, that it seemed as if the whole performance must have been cut and dried beforehand, even to the temporary indisposition of the clerk. In half a minute he was bound and gagged and deposited under the counter. Beside him the big man placed the pair of boots, attached to which was a piece of paper which he took from his pocket. On it was scrawled in an illiterate hand—

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