George MacDonald - The Baronet's Song & The Shepherd's Castle (Adventure Classics)

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"Sir Gibbie"– The novel follows Sir Gibbie on his adventures through the moors of Scotland's Highlands. Having no mother and an alcoholic father, Gibbie must survive on the streets as a child unable to read or speak. It is notable for its Doric dialogue, but has been criticized, especially by members of the Scottish Renaissance, for being part of the kailyard movement. Despite this, there are far more who claim the book paints a fair view of urban as well as rural life. The book doesn't seem to dwell as long on physical geography as it does on the spiritual geography of the soul.
"Donal Grant" is the sequel to Sir Gibbie and it follows the steps of Gibbie's friend Donald as he tries to find a place for himself in the world. He manages to become a tutor to the son of an Earl. During his service he solves the mystery of the castle's lost room and, in the meanwhile, gets the interest of the earl's niece, who finds himself a special kind of person.
George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had «made a difference to my whole existence». MacDonald has been credited with founding the «kailyard school» of Scottish writing.

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One principal duty required of Nicie—her parents had named her after the mother of St. Paul's Timothy—was to accompany her mistress every fine day to the manse, a mile and a half from Glashruach. For some time Ginevra had been under the care of Miss Machar, the daughter of the parish clergyman, an old gentleman of sober aspirations, to whom the last century was the Augustan age of English literature. He was genial, gentle, and a lover of his race, with much reverence for, and some faith in, a Scotch God, whose nature was summed up in a series of words beginning with omni. Partly that the living was a poor one, and her father old and infirm, Miss Marchar, herself middle-aged, had undertaken the instruction of the little heiress, never doubting herself mistress of all it was necessary a lady should know. By nature she was romantic, but her romance had faded a good deal. Possibly had she read the new poets of her age, the vital flame of wonder and hope might have kept not a little of its original brightness in her heart; but under her father's guidance, she had never got beyond the Night Thoughts, and the Course of Time. Both intellectually and emotionally, therefore, Miss Machar had withered instead of ripening. As to her spiritual carriage, she thought too much about being a lady to be thoroughly one. The utter graciousness of the ideal lady would blush to regard itself. She was both gentle and dignified; but would have done a nature inferior to Ginevra's injury by the way she talked of things right and wrong as becoming or not becoming in a lady of position such as Ginevra would one day find herself. What lessons she taught her she taught her well. Her music was old-fashioned, of course; but I have a fancy that perhaps the older the music one learns first, the better; for the deeper is thereby the rooting of that which will have the atmosphere of the age to blossom in. But then to every lover of the truth, a true thing is dearer because it is old-fashioned, and dearer because it is new-fashioned: and true music, like true love, like all truth, laughs at the god Fashion, because it knows him to be but an ape.

Every day, then, except Saturday and Sunday, Miss Machar had for two years been in the habit of walking or driving to Glashruach, and there spending the morning hours; but of late her father had been ailing, and as he was so old that she could not without anxiety leave him when suffering from the smallest indisposition, she had found herself compelled either to give up teaching Ginevra, or to ask Mr. Galbraith to allow her to go, when such occasion should render it necessary, to the manse. She did the latter; the laird had consented; and thence arose the duty required of Nicie. Mr. Machar's health did not improve as the spring advanced, and by the time Mr. Galbraith left for London, he was confined to his room, and Ginevra's walk to the manse for lessons had settled into a custom.

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