Array MyBooks Classics - The Complete Works of William Shakespeare - Illustrated edition (37 plays, 160 sonnets and 5 Poetry Books With Active Table of Contents)

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This collection gathers together the works by William Shakespeare in a single, convenient, high quality, and extremely low priced Kindle volume! It comes with 150 original illustrations which are the engravings John Boydell commissioned for his Boydell Shakespeare Gallery
This book contains now several HTML tables of contents that will make reading a real pleasure!
The Comedies of William Shakespeare
A Midsummer Night's Dream
All's Well That Ends Well
As You Like It
Love's Labour 's Lost
Measure for Measure
Much Ado About Nothing
The Comedy of Errors
The Merchant of Venice
The Merry Wives of Windsor
The Taming of the Shrew
The Two Gentlemen of Verona
Twelfth Night; or, What you will
The Romances of William Shakespeare
Cymbeline
Pericles, Prince of Tyre
The Tempest
The Winter's Tale
The Tragedies of William Shakespeare
King Lear
Romeo and Juliet
The History of Troilus and Cressida
The Life and Death of Julius Caesar
The Life of Timon of Athens
The Tragedy of Antony and Cleopatra
The Tragedy of Coriolanus
The Tragedy of Hamlet, Prince of Denmark
The Tragedy of Macbeth
The Tragedy of Othello, the Moor of Venice
Titus Andronicus
The Histories of William Shakespeare
The Life and Death of King John
The Life and Death of King Richard the Second
The Tragedy of King Richard the Third
The first part of King Henry the Fourth
The second part of King Henry the Fourth
The Life of King Henry V
The first part of King Henry the Sixth
The second part of King Henry the Sixth
The third part of King Henry the Sixth
The Life of King Henry the Eighth
The Poetical Works of William Shakespeare
The Sonnets
Sonnets to Sundry Notes of Music
A Lover's Complaint
The Rape of Lucrece
Venus and Adonis
The Phoenix and the Turtle
The Passionate Pilgrim

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Ant. [To Hero.] Well, niece, I trust you will be rul’d by your father.

Beat. Yes, faith, it is my cousin’s duty to make cur’sy and say, “Father, as it please you.” But yet for all that, cousin, let him be a handsome fellow, or else make another cur’sy and say, “Father, as it please me.”

Leon. Well, niece, I hope to see you one day fitted with a husband.

Beat. Not till God make men of some other mettle than earth. Would it not grieve a woman to be overmaster’d with a piece of valiant dust? to make an account of her life to a clod of wayward marl? No, uncle, I’ll none. Adam’s sons are my brethren, and truly I hold it a sin to match in my kinred.

Leon. Daughter, remember what I told you. If the Prince do solicit you in that kind, you know your answer.

Beat. The fault will be in the music, cousin, if you be not woo’d in good time. If the Prince be too important, tell him there is measure in every thing, and so dance out the answer. For hear me, Hero: wooing, wedding, and repenting, is as a Scotch jig, a measure, and a cinquepace; the first suit is hot and hasty, like a Scotch jig, and full as fantastical; the wedding, mannerly-modest, as a measure, full of state and ancientry; and then comes repentance, and with his bad legs falls into the cinquepace faster and faster, till he sink into his grave.

Leon. Cousin, you apprehend passing shrewdly.

Beat. I have a good eye, uncle, I can see a church by daylight.

Leon. The revellers are ent’ring, brother, make good room.

[They put on their masks.]

Enter Prince [Don] Pedro, Claudio, and Benedick, and [Don] John, [and Borachio as maskers, with a Drum].

D. Pedro. Lady, will you walk about with your friend?

Hero. So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away.

D. Pedro. With me in your company?

Hero. I may say so when I please.

D. Pedro. And when please you to say so?

Hero. When I like your favor, for God defend the lute should be like the case!

D. Pedro. My visor is Philemon’s roof, within the house is Jove.

Hero. Why then your visor should be thatch’d.

D. Pedro. Speak low if you speak love.

[They move aside.]

[Bora.] Well, I would you did like me.

Marg. So would not I for your own sake, for I have many ill qualities.

[Bora.] Which is one?

Marg. I say my prayers aloud.

[Bora.] I love you the better; the hearers may cry amen.

Marg. God match me with a good dancer!

[Bora.] Amen.

Marg. And God keep him out of my sight when the dance is done! Answer, clerk.

[Bora.] No more words; the clerk is answer’d.

[They move aside.]

Urs. I know you well enough, you are Signior Antonio.

Ant. At a word, I am not.

Urs. I know you by the waggling of your head.

Ant. To tell you true, I counterfeit him.

Urs. You could never do him so ill-well, unless you were the very man. Here’s his dry hand up and down. You are he, you are he.

Ant. At a word, I am not.

Urs. Come, come, do you think I do not know you by your excellent wit? Can virtue hide itself? Go to, mum, you are he. Graces will appear, and there’s an end.

[They move aside.]

Beat. Will you not tell me who told you so?

Bene. No, you shall pardon me.

Beat. Nor will you not tell me who you are?

Bene. Not now.

Beat. That I was disdainful, and that I had my good wit out of the “Hundred Merry Tales”—well, this was Signior Benedick that said so.

Bene. What’s he?

Beat. I am sure you know him well enough.

Bene. Not I, believe me.

Beat. Did he never make you laugh?

Bene. I pray you, what is he?

Beat. Why, he is the Prince’s jester, a very dull fool; only his gift is in devising impossible slanders. None but libertines delight in him, and the commendation is not in his wit, but in his villainy, for he both pleases men and angers them, and then they laugh at him and beat him. I am sure he is in the fleet; I would he had boarded me.

Bene. When I know the gentleman, I’ll tell him what you say.

Beat. Do, do, he’ll but break a comparison or two on me, which peradventure, not mark’d, or not laugh’d at, strikes him into melancholy, and then there’s a partridge wing sav’d, for the fool will eat no supper that night. [Music for the dance begins.] We must follow the leaders.

Bene. In every good thing.

Beat. Nay, if they lead to any ill, I will leave them at the next turning.

Dance. [Then] exeunt [all but Don John, Borachio, and Claudio].

D. John. Sure my brother is amorous on Hero, and hath withdrawn her father to break with him about it. The ladies follow her, and but one visor remains.

Bora. And that is Claudio. I know him by his bearing.

D. John. Are not you Signior Benedick?

Claud. You know me well, I am he.

D. John. Signior, you are very near my brother in his love. He is enamor’d on Hero. I pray you dissuade him from her, she is no equal for his birth. You may do the part of an honest man in it.

Claud. How know you he loves her?

D. John. I heard him swear his affection.

Bora. So did I too, and he swore he would marry her to-night.

D. John. Come let us to the banquet.

Exeunt. Manet Claudio.

Claud.

Thus answer I in name of Benedick,

But hear these ill news with the ears of Claudio.

’Tis certain so, the Prince woos for himself.

Friendship is constant in all other things

Save in the office and affairs of love;

Therefore all hearts in love use their own tongues.

Let every eye negotiate for itself,

And trust no agent; for beauty is a witch

Against whose charms faith melteth into blood.

This is an accident of hourly proof,

Which I mistrusted not. Farewell therefore Hero!

Enter Benedick.

Bene. Count Claudio?

Claud. Yea, the same.

Bene. Come, will you go with me?

Claud. Whither?

Bene. Even to the next willow, about your own business, County. What fashion will you wear the garland of? about your neck, like an usurer’s chain? or under your arm, like a lieutenant’s scarf? You must wear it one way, for the Prince hath got your Hero.

Claud. I wish him joy of her.

Bene. Why, that’s spoken like an honest drovier; so they sell bullocks. But did you think the Prince would have serv’d you thus?

Claud. I pray you leave me.

Bene. Ho, now you strike like the blind man. ’Twas the boy that stole your meat, and you’ll beat the post.

Claud. If it will not be, I’ll leave you.

Exit.

Bene. Alas, poor hurt fowl, now will he creep into sedges. But that my Lady Beatrice should know me, and not know me! The Prince’s fool! hah, it may be I go under that title because I am merry. Yea, but so I am apt to do myself wrong. I am not so reputed. It is the base (though bitter) disposition of Beatrice that puts the world into her person, and so gives me out. Well, I’ll be reveng’d as I may.

Enter the Prince [Don Pedro].

D. Pedro. Now, signior, where’s the Count? Did you see him?

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