Joseph Sheridan Le Fanu - THE SCREAM - 60 Horror Tales in One Edition

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Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era.
Table of Contents:
Novels & Novellas:
Uncle Silas
The Cock and Anchor
The House by the Church-Yard
Wylder's Hand
Guy Deverell
The Tenants of Malory
Haunted Lives
The Wyvern Mystery
Checkmate
Willing to Die
The Haunted Baronet
Spalatro
Short Story Collections:
In a Glass Darkly:
Green Tea
The Familiar
Mr Justice Harbottle
The Room in the Dragon Volant
Carmilla
The Purcell Papers:
The Ghost and the Bone-Setter
The Fortunes of Sir Robert Ardagh
The Last Heir of Castle Connor
The Drunkard's Dream
Passage in the Secret History of an Irish Countess
The Bridal of Carrigvarah
Strange Event in the Life of Schalken the Painter
Scraps of Hibernian Ballads
Jim Sulivan's Adventures in the Great Snow
A Chapter in the History of a Tyrone Family
An Adventure of Hardress Fitzgerald
The Quare Gander
Billy Maloney's Taste of Love and Glory
Other Tales:
Madam Crowl's Ghost
Squire Toby's Will
Dickon the Devil
The Child That Went with the Fairies
The White Cat of Drumgunniol
An Account of Some Strange Distrubances in Aungier Street
Ghost Stories of Chapelizod
Wicked Captain Walshawe, of Wauling
Sir Dominick's Bargain
Ultor de Lacy
The Vision of Tom Chuff
Stories of Lough Guir
The Evil Guest
The Watcher
Laura Silver Bell
The Murdered Cousin
The Mysterious Lodger
An Authentic Narrative of a Haunted House
The Dead Sexton
A Debt of Honor
Devereux's Dream
Catherine's Quest
Haunted
Pichon and Sons
The Phantom Fourth
The Spirit's Whisper
Dr. Feversham's Story…

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So we descended the steps at the right, and side by side walked along the grass lane between tall trim walls of evergreens. The way was in deep shadow, for the sun was near the horizon; but suddenly we turned to the left, and there we stood in rich sunlight, among the many objects he had described.

“Is this your house, my little men?” he asked of the children — pretty little rosy boys — who assented; and he leaned with his open hand against the stem of one of the trees, and with a grave smile he nodded down to me, saying —

“You see now, and hear, and feel for yourself that both the vision and the story were quite true; but come on, my dear, we have further to go.”

And relapsing into silence we had a long ramble through the wood, the same on which I was now looking in the distance. Every now and then he made me sit down to rest, and he in a musing solemn sort of way would relate some little story, reflecting, even to my childish mind, a strange suspicion of a spiritual meaning, but different from what honest Mrs. Rusk used to expound to me from the Parables, and, somehow, startling in its very vagueness.

Thus entertained, though a little awfully, I accompanied the dark mysterious little “whipper-snapper” through the woodland glades. We came, to me quite unexpectedly, in the deep sylvan shadows, upon the grey, pillared temple, four-fronted, with a slanting pedestal of lichen-stained steps, the lonely sepulchre in which I had the morning before seen poor mamma laid. At the sight the fountains of my grief reopened, and I cried bitterly, repeating, “Oh! mamma, mamma, little mamma!” and so went on weeping and calling wildly on the deaf and the silent. There was a stone bench some ten steps away from the tomb.

“Sit down beside me, child!” said the grave man with the black eyes, very kindly and gently. “Now, what do you see there?” he asked, pointing horizontally with his stick towards the centre of the opposite structure.

“Oh, that — that place where poor mamma is?”

“Yes, a stone wall with pillars, too high for either you or me to see over. But ——”

Here he mentioned a name which I think must have been Swedenborg, from what I afterwards learnt of his tenets and revelations; I only know that it sounded to me like the name of a magician in a fairy tale; I fancied he lived in the wood which surrounded us, and I began to grow frightened as he proceeded.

“But Swedenborg sees beyond it, over, and through it, and has told me all that concerns us to know. He says your mamma is not there.”

“She is taken away!” I cried, starting up, and with streaming eyes, gazing on the building which, though I stamped my feet in my distraction, I was afraid to approach. “Oh, is mamma taken away? Where is she? Where have they brought her to?”

I was uttering unconsciously very nearly the question with which Mary, in the grey of that wondrous morning on which she stood by the empty sepulchre, accosted the figure standing near.

“Your mamma is alive, but too far away to see or hear us; but Swedenborg, standing here, can see and hear her, and tells me all he sees, just as I told you in the garden about the little boys and the cottage, and the trees and flowers which you could not see, but believed in when I told you. So I can tell you now as I did then; and as we are both, I hope, walking on to the same place, just as we did to the trees and cottage, you will surely see with your own eyes how true is the description which I give you.”

I was very frightened, for I feared that when he had done his narrative we were to walk on through the wood into that place of wonders and of shadows where the dead are visible.

He leaned his elbow on his knee, and his forehead on his hand, which shaded his downcast eyes, and in that attitude described to me a beautiful landscape, radiant with a wondrous light, in which, rejoicing, my mother moved along an airy path, ascending among mountains of fantastic height, and peaks, melting in celestial colouring into the air, and peopled with human beings translated into the same image, beauty, and splendour. And when he had ended his relation, he rose, took my hand, and smiling gently down on my pale, wondering face, he said in the same words he had spoken before —

“Come, dear, let us be going.”

“Oh! no, no, no — not now,” I said, resisting, and very much frightened.

“Home, I mean, dear. We cannot walk to the place I have described. We can only reach it through the gate of death, to which we are all tending, young and old, with sure steps.”

“And where is the gate of death?” I asked in a sort of whisper, as we walked together, holding his hand very fast, and looking stealthily. He smiled sadly and said —

“When, sooner or later, the time comes, as Hagar’s eyes were opened in the wilderness, and she beheld a fountain of water, so shall each of us see the door open before us, and enter in and be refreshed.”

For a long time after this walk I was very nervous; the more so for the awful manner in which Mrs. Rusk received my statement — with stern lips and upturned hands and eyes, and an angry expostulation: “I do wonder at you, Mary Quince, letting the child walk into the wood with that limb of darkness. It is a mercy he did not show her the devil, or frighten her out of her senses, in that lonely place!”

Of these Swedenborgians, indeed, I know no more than I might learn from good Mrs. Rusk’s very inaccurate talk. Two or three of them crossed in the course of my early life, like magic-lantern figures, the disk of my very circumscribed observation. All outside was and is darkness. I once tried to read one of their books upon the future state — heaven and hell; but I grew after a day or two so nervous that I laid it aside. It is enough for me to know that their founder either saw or fancied he saw amazing visions, which, so far from superseding, confirmed and interpreted the language of the Bible; and as dear papa accepted their ideas, I am happy in thinking that they did not conflict with the supreme authority of holy writ.

Leaning on my hand, I was now looking upon that solemn wood, white and shadowy in the moonlight, where, for a long time after that ramble with the visionary, I fancied the gate of death, hidden only by a strange glamour, and the dazzling land of ghosts, were situate; and I suppose these earlier associations gave to my reverie about my father’s coming visitor a wilder and a sadder tinge.

Chapter 4.

Madame De La Rougierre

Table of Contents

ON A SUDDEN, on the grass before me, stood an odd figure — a very tall woman in grey draperies, nearly white under the moon, courtesying extraordinarily low, and rather fantastically.

I stared in something like a horror upon the large and rather hollow features which I did not know, smiling very unpleasantly on me; and the moment it was plain that I saw her, the grey woman began gobbling and cackling shrilly — I could not distinctly hear what through the window — and gesticulating oddly with her long hands and arms.

“There’s a woman at the window!” I gasped; “turn her away, please.”

If I had said a man, I suppose fat Branston would have summoned and sent forward a detachment of footmen. As it was, he bowed gravely, with a —

“Yes,‘m — shall’m.”

And with an air of authority approached the window.

I don’t think that he was pleasantly impressed himself by the first sight of our visitor, for he stopped short some steps of the window, and demanded rather sternly —

“What ye doin’ there, woman?”

To this summons, her answer, which occupied a little time, was inaudible to me. But Branston replied —

“I wasn’t aware, ma’am; I heerd nothin’; if you’ll go round that way, you’ll see the hall-door steps, and I’ll speak to the master, and do as he shall order.”

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