Joseph Sheridan Le Fanu - THE SCREAM - 60 Horror Tales in One Edition

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Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era.
Table of Contents:
Novels & Novellas:
Uncle Silas
The Cock and Anchor
The House by the Church-Yard
Wylder's Hand
Guy Deverell
The Tenants of Malory
Haunted Lives
The Wyvern Mystery
Checkmate
Willing to Die
The Haunted Baronet
Spalatro
Short Story Collections:
In a Glass Darkly:
Green Tea
The Familiar
Mr Justice Harbottle
The Room in the Dragon Volant
Carmilla
The Purcell Papers:
The Ghost and the Bone-Setter
The Fortunes of Sir Robert Ardagh
The Last Heir of Castle Connor
The Drunkard's Dream
Passage in the Secret History of an Irish Countess
The Bridal of Carrigvarah
Strange Event in the Life of Schalken the Painter
Scraps of Hibernian Ballads
Jim Sulivan's Adventures in the Great Snow
A Chapter in the History of a Tyrone Family
An Adventure of Hardress Fitzgerald
The Quare Gander
Billy Maloney's Taste of Love and Glory
Other Tales:
Madam Crowl's Ghost
Squire Toby's Will
Dickon the Devil
The Child That Went with the Fairies
The White Cat of Drumgunniol
An Account of Some Strange Distrubances in Aungier Street
Ghost Stories of Chapelizod
Wicked Captain Walshawe, of Wauling
Sir Dominick's Bargain
Ultor de Lacy
The Vision of Tom Chuff
Stories of Lough Guir
The Evil Guest
The Watcher
Laura Silver Bell
The Murdered Cousin
The Mysterious Lodger
An Authentic Narrative of a Haunted House
The Dead Sexton
A Debt of Honor
Devereux's Dream
Catherine's Quest
Haunted
Pichon and Sons
The Phantom Fourth
The Spirit's Whisper
Dr. Feversham's Story…

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‘That’s very plain, Sir, but I don’t see your drift,’ he replied.

‘I want to tell you, Puddock, dear, if you’ll only have a minute’s patience. The door can’t fasten, divil bother it; come into the next room;’ and toppling a little in his walk, he led him solemnly into his bed-room — the door of which he locked — somewhat to Puddock’s disquietude, who began to think him insane. Here having informed Puddock that Nutter was driving at the one point the whole evening, as any one that knew the secret would have seen; and having solemnly imposed the seal of secrecy upon his second, and essayed a wild and broken discourse upon the difference between total baldness and partial loss of hair, he disclosed to him the grand mystery of his existence, by lifting from the summit of his head a circular piece of wig, which in those days they called I believe, a ‘topping,’ leaving a bare shining disc exposed, about the size of a large pat of butter.

‘Upon my life, Thir, it’th a very fine piethe of work,’ says Puddock, who viewed the wiglet with the eye of a stage-property man, and held it by a top lock near the candle. ‘The very finetht piethe of work of the kind I ever thaw. ‘Tith thertainly French. Oh, yeth — we can’t do such thingth here. By Jove, Thir, what a wig that man would make for Cato!’

‘An’ he must be a mane crature — I say, a mane crature,’ pursued O’Flaherty, ‘for there was not a soul in the town but Jerome, the — the treacherous ape, that knew it. It’s he that dhresses my head every morning behind the bed-curtain there, with the door locked. And Nutter could never have found it out — who was to tell him, unless that ojus French damon, that’s never done talkin’ about it;’ and O’Flaherty strode heavily up and down the room with his hands in his breeches’ pockets, muttering savage invectives, pitching his head from side to side, and whisking round at the turns in a way to show how strongly he was wrought upon.

‘Come in, Sorr!’ thundered O’Flaherty, unlocking the door, in reply to a knock, and expecting to see his ‘ojus French damon.’ But it was a tall fattish stranger, rather flashily dressed, but a little soiled, with a black wig, and a rollicking red face, showing a good deal of chin and jaw.

O’Flaherty made his grandest bow, quite forgetting the exposure at the top of his head; and Puddock stood rather shocked, with the candle in one hand and O’Flaherty’s scalp in the other.

‘You come, Sir, I presume, from Mr. Nutter,’ said O’Flaherty, with lofty courtesy. This, Sir, is my friend, Lieutenant Puddock of the Royal Irish Artillery, who does me the honour to support me with his advice and —’

As he moved his hand towards Puddock, he saw his scalp dangling between that gentleman’s finger and thumb, and became suddenly mute. He clapped his hand upon his bare skull, and made an agitated pluck at that article, but missed, and disappeared, with an imprecation in Irish, behind the bed curtains.

‘If you will be so obliging, Sir, as to precede me into that room,’ lisped Puddock, with grave dignity, and waving O’Flaherty’s scalp slightly towards the door — for Puddock never stooped to hide anything, and being a gentleman, pure and simple, was not ashamed or afraid to avow his deeds, words, and situations; ‘I shall do myself the honour to follow.’

‘Gi’ me that ,’ was heard in a vehement whisper from behind the curtains. Puddock understood it, and restored the treasure.

The secret conference in the drawing-room was not tedious, nor indeed very secret, for anyone acquainted with the diplomatic slang in which such affairs were conducted might have learned in the lobby, or indeed in the hall, so mighty was the voice of the stranger, that there was no chance of any settlement without a meeting which was fixed to take place at twelve o’clock next day on the Fifteen Acres.

Chapter 11.

Some Talk About the Haunted House — Being, as I Suppose, Only Old Woman’s Tales

Table of Contents

Old Sally always attended her young mistress while she prepared for bed — not that Lilias required help, for she had the spirit of neatness and a joyous, gentle alacrity, and only troubled the good old creature enough to prevent her thinking herself grown old and useless.

Sally, in her quiet way, was garrulous, and she had all sorts of old-world tales of wonder and adventure, to which Lilias often went pleasantly to sleep; for there was no danger while old Sally sat knitting there by the fire, and the sound of the rector’s mounting upon his chairs, as was his wont, and taking down and putting up his books in the study beneath, though muffled and faint, gave evidence that that good and loving influence was awake and busy.

Old Sally was telling her young mistress, who sometimes listened with a smile, and sometimes lost a good five minutes together of her gentle prattle, how the young gentleman, Mr. Mervyn, had taken that awful old haunted habitation, the Tiled House ‘beyant at Ballyfermot,’ and was going to stay there, and wondered no one had told him of the mysterious dangers of that desolate mansion.

It stood by a lonely bend of the narrow road. Lilias had often looked upon the short, straight, grass-grown avenue with an awful curiosity at the old house which she had learned in childhood to fear as the abode of shadowy tenants and unearthly dangers.

‘There are people, Sally, nowadays, who call themselves free-thinkers, and don’t believe in anything — even in ghosts,’ said Lilias.

‘A then the place he’s stopping in now, Miss Lily, ‘ill soon cure him of free-thinking, if the half they say about it’s true,’ answered Sally.

‘But I don’t say, mind, he’s a free-thinker, for I don’t know anything of Mr. Mervyn; but if he be not, he must be very brave, or very good, indeed. I know, Sally, I should be horribly afraid, indeed, to sleep in it myself,’ answered Lilias, with a cosy little shudder, as the aërial image of the old house for a moment stood before her, with its peculiar malign, sacred, and skulking aspect, as if it had drawn back in shame and guilt under the melancholy old elms among the tall hemlock and nettles.

‘And now, Sally, I’m safe in bed. Stir the fire, my old darling.’ For although it was the first week in May, the night was frosty. ‘And tell me all about the Tiled House again, and frighten me out of my wits.’

So good old Sally, whose faith in such matters was a religion, went off over the well-known ground in a gentle little amble — sometimes subsiding into a walk as she approached some special horror, and pulling up altogether — that is to say, suspending her knitting, and looking with a mysterious nod at her young mistress in the four-poster, or lowering her voice to a sort of whisper when the crisis came.

So she told her how when the neighbours hired the orchard that ran up to the windows at the back of the house, the dogs they kept there used to howl so wildly and wolfishly all night among the trees, and prowl under the walls of the house so dejectedly, that they were fain to open the door and let them in at last; and, indeed, small need was there for dogs; for no one, young or old, dared go near the orchard after night-fall. No, the burnished golden pippins that peeped through the leaves in the western rays of evening, and made the mouths of the Ballyfermot school-boys water, glowed undisturbed in the morning sunbeams, and secure in the mysterious tutelage of the night smiled coyly on their predatory longings. And this was no fanciful reserve and avoidance. Mick Daly, when he had the orchard, used to sleep in the loft over the kitchen; and he swore that within five or six weeks, while he lodged there, he twice saw the same thing, and that was a lady in a hood and a loose dress, her head drooping, and her finger on her lip, walking in silence among the crooked stems, with a little child by the hand, who ran smiling and skipping beside her. And the Widow Cresswell once met them at night-fall, on the path through the orchard to the back-door, and she did not know what it was until she saw the men looking at one another as she told it.

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