Title Page
The Author
The Arrest of Arsène Lupin
Arsène Lupin in Prison
The Escape of Arsène Lupin
The Mysterious Traveller
The Queen’s Necklace
Sherlock Holmes Arrives Too Late
The Red Silk Scarf
About the Publisher
Maurice Marie Émile Leblanc was a French novelist and writer of short stories, known primarily as the creator of the fictional gentleman thief and detective Arsène Lupin, often described as a French counterpart to Arthur Conan Doyle's creation Sherlock Holmes.
Leblanc was born in Rouen, Normandy, where he was educated at Lycée Pierre-Corneille. After studying in several countries and dropping out of law school, he settled in Paris and began to write fiction, both short crime stories and longer novels. The latter, heavily influenced by writers like Gustave Flaubert and Guy de Maupassant, were critically admired but had little commercial success.
Leblanc was largely considered little more than a writer of short stories for various French periodicals until the first Arsène Lupin story appeared in a series of short stories that was serialized in the magazine Je sais tout, starting in No. 6, dated 15 July 1905. Clearly created at editorial request under the influence of and in reaction to the wildly successful Sherlock Holmes stories, the roguish and glamorous Lupin was a surprise success and Leblanc's fame and fortune beckoned. In total, Leblanc went on to write 21 Lupin novels or collections of short stories.
The character of Lupin might have been based by Leblanc on French anarchist Marius Jacob, whose trial made headlines in March 1905. It is also possible that Leblanc had also read Octave Mirbeau's Les 21 jours d'un neurasthénique (1901), which features a gentleman thief named Arthur Lebeau, and he had seen Mirbeau's comedy Scrupules (1902), whose main character is a gentleman thief.
By 1907, Leblanc had graduated to writing full-length Lupin novels, and the reviews and sales were so good that Leblanc effectively dedicated the rest of his career to working on the Lupin stories. Like Conan Doyle, who often appeared embarrassed or hindered by the success of Sherlock Holmes and seemed to regard his success in the field of crime fiction as a detraction from his more "respectable" literary ambitions, Leblanc also appeared to have resented Lupin's success. Several times, he tried to create other characters, such as private eye Jim Barnett, but he eventually merged them with Lupin. He continued to pen Lupin tales well into the 1930s.
Leblanc also wrote two notable science fiction novels: Les Trois Yeux (1919), in which a scientist makes televisual contact with three-eyed Venusians, and Le Formidable Evènement (1920), in which an earthquake creates a new landmass between England and France.
Leblanc was awarded the Légion d'Honneur for his services to literature, and died in Perpignan in 1941. He was buried in the Montparnasse Cemetery. Georgette Leblanc was his sister.
The Arrest of Arsène Lupin
It was a strange ending to a voyage that had commenced in a most auspicious manner. The transatlantic steamship ‘La Provence’ was a swift and comfortable vessel, under the command of a most affable man. The passengers constituted a select and delightful society. The charm of new acquaintances and improvised amusements served to make the time pass agreeably. We enjoyed the pleasant sensation of being separated from the world, living, as it were, upon an unknown island, and consequently obliged to be sociable with each other.
Have you ever stopped to consider how much originality and spontaneity emanate from these various individuals who, on the preceding evening, did not even know each other, and who are now, for several days, condemned to lead a life of extreme intimacy, jointly defying the anger of the ocean, the terrible onslaught of the waves, the violence of the tempest and the agonizing monotony of the calm and sleepy water? Such a life becomes a sort of tragic existence, with its storms and its grandeurs, its monotony and its diversity; and that is why, perhaps, we embark upon that short voyage with mingled feelings of pleasure and fear.
But, during the past few years, a new sensation had been added to the life of the transatlantic traveler. The little floating island is now attached to the world from which it was once quite free. A bond united them, even in the very heart of the watery wastes of the Atlantic. That bond is the wireless telegraph, by means of which we receive news in the most mysterious manner. We know full well that the message is not transported by the medium of a hollow wire. No, the mystery is even more inexplicable, more romantic, and we must have recourse to the wings of the air in order to explain this new miracle. During the first day of the voyage, we felt that we were being followed, escorted, preceded even, by that distant voice, which, from time to time, whispered to one of us a few words from the receding world. Two friends spoke to me. Ten, twenty others sent gay or somber words of parting to other passengers.
On the second day, at a distance of five hundred miles from the French coast, in the midst of a violent storm, we received the following message by means of the wireless telegraph:
“Arsène Lupin is on your vessel, first cabin, blonde hair, wound right fore-arm, traveling alone under name of R........”
At that moment, a terrible flash of lightning rent the stormy skies. The electric waves were interrupted. The remainder of the dispatch never reached us. Of the name under which Arsène Lupin was concealing himself, we knew only the initial.
If the news had been of some other character, I have no doubt that the secret would have been carefully guarded by the telegraphic operator as well as by the officers of the vessel. But it was one of those events calculated to escape from the most rigorous discretion. The same day, no one knew how, the incident became a matter of current gossip and every passenger was aware that the famous Arsène Lupin was hiding in our midst.
Arsène Lupin in our midst! the irresponsible burglar whose exploits had been narrated in all the newspapers during the past few months! the mysterious individual with whom Ganimard, our shrewdest detective, had been engaged in an implacable conflict amidst interesting and picturesque surroundings. Arsène Lupin, the eccentric gentleman who operates only in the chateaux and salons, and who, one night, entered the residence of Baron Schormann, but emerged empty-handed, leaving, however, his card on which he had scribbled these words: “Arsène Lupin, gentleman-burglar, will return when the furniture is genuine.” Arsène Lupin, the man of a thousand disguises: in turn a chauffer, detective, bookmaker, Russian physician, Spanish bull-fighter, commercial traveler, robust youth, or decrepit old man.
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