Nikola Tesla - Tesla's Legacy - Collected Works of the Visionary Inventor Who Changed the Future

When two wires, attached to the terminals of the coil, are set at the proper distance, the streams between them may be so intense as to produce a continuous luminous sheet. To show this phenomenon I have here two circles, C and c (Fig. 10), of rather stout wire, one being about 80 centimetres and the other 30 centimetres in diameter. To each of the terminals of the coil I attach one of the circles. The supporting wires are so bent that the circles may be placed in the same plane, coinciding as nearly as possible. When the light in the room is turned off and the coil set to work, you see the whole space between the wires uniformly filled with streams, forming a luminous disc, which could be seen from a considerable distance, such is the intensity of the streams. The outer circle could have been much larger than the present one; in fact, with this coil I have used much larger circles, and I have been able to produce a strongly luminous sheet, covering an area of more than one square metre, which is a remarkable effect with this very small coil. To avoid uncertainty, the circle has been taken smaller, and the area is now about 0.43 square metre.

The frequency of the vibration, and the quickness of succession of the sparks between the knobs, affect to a marked degree the appearance of the streams. When the frequency is very low, the air gives way in more or less the same manner, as by a steady difference of potential, and the streams consist of distinct threads, generally mingled with thin sparks, which probably correspond to the successive discharges occurring between the knobs. But when the frequency is extremely high, and the arc of the discharge produces a very loud but smooth sound—showing both that oscillation takes place and that the sparks succeed each other with great rapidity—then the luminous streams formed are perfectly uniform. To reach this result very small coils and jars of small capacity should be used. I take two tubes of thick Bohemian glass, about 5 centimetres in diameter and 20 centimetres long. In each of the tubes I slip a primary of very thick copper wire. On the top of each tube I wind a secondary of much thinner gutta-percha covered wire. The two secondaries I connect in series, the primaries preferably in multiple arc. The tubes are then placed in a large glass vessel, at a distance of 10 to 15 centimetres from each other, on insulating supports, and the vessel is filled with boiled out oil, the oil reaching about an inch above the tubes. The free ends of the secondary are lifted out of the oil and placed parallel to each other at a distance of about 10 centimetres. The ends which are scraped should be dipped in the oil. Two four-pint jars joined in series may be used to discharge through the primary. When the necessary adjustments in the length and distance of the wires above the oil and in the arc of discharge are made, a luminous sheet is produced between the wires which is perfectly smooth and textureless, like the ordinary discharge through a moderately exhausted tube.

I have purposely dwelt upon this apparently insignificant experiment. In trials of this kind the experimenter arrives at the startling conclusion that, to pass ordinary luminous discharges through gases, no particular degree of exhaustion is needed, but that the gas may be at ordinary or even greater pressure. To accomplish this, a very high frequency is essential; a high potential is likewise required, but this is a merely incidental necessity. These experiments teach us that, in endeavoring to discover novel methods of producing light by the agitation of atoms, or molecules, of a gas, we need not limit our research to the vacuum tube, but may look forward quite seriously to the possibility of obtaining the light effects without the use of any vessel whatever, with air at ordinary pressure.

Such discharges of very high frequency, which render luminous the air at ordinary pressures, we have probably often occasion to witness in Nature. I have no doubt that if, as many believe, the aurora borealis is produced by sudden cosmic disturbances, such as eruptions at the sun's surface, which set the electrostatic charge of the earth in an extremely rapid vibration, the red glow observed is not confined to the upper rarefied strata of the air, but the discharge traverses, by reason of its very high frequency, also the dense atmosphere in the form of a glow , such as we ordinarily produce in a slightly exhausted tube. If the frequency were very low, or even more so, if the charge were not at all vibrating, the dense air would break down as in a lightning discharge. Indications of such breaking down of the lower dense strata of the air have been repeatedly observed at the occurrence of this marvelous phenomenon; but if it does occur, it can only be attributed to the fundamental disturbances, which are few in number, for the vibration produced by them would be far too rapid to allow a disruptive break. It is the original and irregular impulses which affect the instruments; the superimposed vibrations probably pass unnoticed.

When an ordinary low frequency discharge is passed through moderately rarefied air, the air assumes a purplish hue. If by some means or other we increase the intensity of the molecular, or atomic, vibration, the gas changes to a white color. A similar change occurs at ordinary pressures with electric impulses of very high frequency. If the molecules of the air around a wire are moderately agitated, the brush formed is reddish or violet; if the vibration is rendered sufficiently intense, the streams become white. We may accomplish this in various ways. In the experiment before shown with the two wires across the room, I have endeavored to secure the result by pushing to a high value both the frequency and potential: in the experiment with the thin wires glued on the rubber plate I have concentrated the action upon a very small surface—in other words, I have worked with a great electric density.

A most curious form of discharge is observed with such a coil when the frequency and potential are pushed to the extreme limit. To perform the experiment, every part of the coil should be heavily insulated, and only two small spheres—or, better still, two sharp-edged metal discs ( d d , Fig. 11) of no more than a few centimetres in diameter—should be exposed to the air. The coil here used is immersed in oil, and the ends of the secondary reaching out of the oil are covered with an air-tight cover of hard rubber of great thickness. All cracks, if there are any, should be carefully stopped up, so that the brush discharge cannot form anywhere except on the small spheres or plates which are exposed to the air. In this case, since there are no large plates or other bodies of capacity attached to the terminals, the coil is capable of an extremely rapid vibration. The potential may be raised by increasing, as far as the experimenter judges proper, the rate of change of the primary current. With a coil not widely differing from the present, it is best to connect the two primaries in multiple arc; but if the secondary should have a much greater number of turns the primaries should preferably be used in series, as otherwise the vibration might be too fast for the secondary. It occurs under these conditions that misty white streams break forth from the edges of the discs and spread out phantom-like into space.

With this coil, when fairly well produced, they are about 25 to 30 centimetres long. When the hand is held against them no sensation is produced, and a spark, causing a shock, jumps from the terminal only upon the hand being brought much nearer. If the oscillation of the primary current is rendered intermittent by some means or other, there is a corresponding throbbing of the streams, and now the hand or other conducting object may be brought in still greater proximity to the terminal without a spark being caused to jump.