Nathaniel Hawthorne - The Complete Novels of Nathaniel Hawthorne - All 8 Books in One Edition

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Musaicum Books presents to you this carefully created volume of «The Complete Novels of Nathaniel Hawthorne – All 8 Books in One Edition». This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
Fanshawe
The Scarlet Letter
The House of the Seven Gables
The Blithedale Romance
The Marble Faun or The Romance of Monte Beni (Transformation)
The Dolliver Romance (unfinished)
Septimius Felton or, the Elixir of Life
Doctor Grimshawe's Secret: A romance (unfinished)
Nathaniel Hawthorne (1804-1864) was a 19th century American novelist and short story writer. He is seen as a key figure in the development of American literature for his tales of the nation's colonial history. Between about 1825 and 1850, he developed his talent by writing short fiction and the novel Fanshawe (1828). Then he gained international fame for his novel The Scarlet Letter, a masterpiece of American literature.

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The former clause of this modicum of praise (if praise it may be termed) was indisputable; but it may be doubted, whether, under any circumstances where his success depended on his own exertions, Hugh would have made his way well through the world. He was one of those unfortunate persons, who, instead of being perfect in any single art or occupation, are superficial in many, and who are supposed to possess a larger share of talent than other men, because it consists of numerous scraps, instead of a single mass. He was partially acquainted with most of the manual arts that gave bread to others; but not one of them, nor all of them, would give bread to him. By some fatality, the only two of his multifarious accomplishments in which his excellence was generally conceded were both calculated to keep him poor rather than to make him rich. He was a musician and a poet. There are yet remaining in that portion of the country many ballads and songs,— set to their own peculiar tunes,— the authorship of which is attributed to him. In general, his productions were upon subjects of local and temporary interest, and would consequently require a bulk of explanatory notes to render them interesting or intelligible to the world at large. A considerable proportion of the remainder are Anacreontics; though, in their construction, Hugh Crombie imitated neither the Teian nor any other bard. These latter have generally a coarseness and sensuality intolerable to minds even of no very fastidious delicacy. But there are two or three simple little songs, into which a feeling and a natural pathos have found their way, that still retain their influence over the heart. These, after two or three centuries, may perhaps be precious to the collectors of our early poetry. At any rate, Hugh Crombie’s effusions, tavern-haunter and vagrant though he was, have gained a continuance of fame (confined, indeed, to a narrow section of the country), which many who called themselves poets then, and would have scorned such a brother, have failed to equal.

During the long winter evenings, when the farmers were idle round their hearths, Hugh was a courted guest; for none could while away the hours more skilfully than he. The winter, therefore, was his season of prosperity; in which respect he differed from the butterflies and useless insects, to which he otherwise bore a resemblance. During the cold months, a very desirable alteration for the better appeared in his outward man. His cheeks were plump and sanguine; his eyes bright and cheerful; and the tip of his nose glowed with a Bardolphian fire,— a flame, indeed, which Hugh was so far a vestal as to supply with its necessary fuel at all seasons of the year. But, as the spring advanced, he assumed a lean and sallow look, wilting and fading in the sunshine that brought life and joy to every animal and vegetable except himself. His winter patrons eyed him with an austere regard; and some even practised upon him the modern and fashionable courtesy of the “cut direct.”

Yet, after all, there was good, or something that Nature intended to be so, in the poor outcast,— some lovely flowers, the sweeter even for the weeds that choked them. An instance of this was his affection for an aged father, whose whole support was the broken reed,— his son. Notwithstanding his own necessities, Hugh contrived to provide food and raiment for the old man: how, it would be difficult to say, and perhaps as well not to inquire. He also exhibited traits of sensitiveness to neglect and insult, and of gratitude for favors; both of which feelings a course of life like his is usually quick to eradicate.

At length the restraint — for such his father had ever been — upon Hugh Crombie’s conduct was removed by death; and then the wise men and the old began to shake their heads; and they who took pleasure in the follies, vices, and misfortunes of their fellow-creatures, looked for a speedy gratification. They were disappointed, however; for Hugh had apparently determined, that, whatever might be his catastrophe, he would meet it among strangers, rather than at home. Shortly after his father’s death, he disappeared altogether from the vicinity; and his name became, in the course of years, an unusual sound, where once the lack of other topics of interest had given it a considerable degree of notoriety. Sometimes, however, when the winter blast was loud round the lonely farm-house, its inmates remembered him who had so often chased away the gloom of such an hour, and, though with little expectation of its fulfilment, expressed a wish to behold him again.

Yet that wish, formed, perhaps, because it appeared so desperate, was finally destined to be gratified. One summer evening, about two years previous to the period of this tale, a man of sober and staid deportment, mounted upon a white horse, arrived at the Hand and Bottle, to which some civil or military meeting had chanced, that day, to draw most of the inhabitants of the vicinity. The stranger was well though plainly dressed, and anywhere but in a retired country town would have attracted no particular attention; but here, where a traveller was not of every-day occurrence, he was soon surrounded by a little crowd, who, when his eye was averted, seized the opportunity diligently to peruse his person. He was rather a thickset man, but with no superfluous flesh; his hair was of iron-gray; he had a few wrinkles; his face was so deeply sunburnt, that, excepting a half-smothered glow on the tip of his nose, a dusky yellow was the only apparent hue. As the people gazed, it was observed that the elderly men, and the men of substance, gat themselves silently to their steeds, and hied homeward with an unusual degree of haste; till at length the inn was deserted, except by a few wretched objects to whom it was a constant resort. These, instead of retreating, drew closer to the traveller, peeping anxiously into his face, and asking, ever and anon, a question, in order to discover the tone of his voice. At length, with one consent, and as if the recognition had at once burst upon them, they hailed their old boon-companion, Hugh Crombie, and, leading him into the inn, did him the honor to partake of a cup of welcome at his expense.

But, though Hugh readily acknowledged the not very reputable acquaintances who alone acknowledged him, they speedily discovered that he was an altered man. He partook with great moderation of the liquor for which he was to pay; he declined all their flattering entreaties for one of his old songs; and finally, being urged to engage in a game at all-fours, he calmly observed, almost in the words of an old clergyman on a like occasion, that his principles forbade a profane appeal to the decision by lot.

On the next Sabbath Hugh Crombie made his appearance at public worship in the chapel of Harley College; and here his outward demeanor was unexceptionably serious and devout,— a praise which, on that particular occasion, could be bestowed on few besides. From these favorable symptoms, the old established prejudices against him began to waver; and as he seemed not to need, and to have no intention to ask, the assistance of any one, he was soon generally acknowledged by the rich as well as by the poor. His account of his past life, and of his intentions for the future, was brief, but not unsatisfactory. He said that, since his departure, he had been a seafaring man, and that, having acquired sufficient property to render him easy in the decline of his days, he had returned to live and die in the town of his nativity.

There was one person, and the one whom Hugh was most interested to please, who seemed perfectly satisfied of the verity of his reformation. This was the landlady of the inn, whom, at his departure, he had left a gay, and, even at thirty-five, a rather pretty wife, and whom, on his return, he found a widow of fifty, fat, yellow, wrinkled, and a zealous member of the church. She, like others, had, at first, cast a cold eye on the wanderer; but it shortly became evident to close observers, that a change was at work in the pious matron’s sentiments respecting her old acquaintance. She was now careful to give him his morning dram from her own peculiar bottle, to fill his pipe from her private box of Virginia, and to mix for him the sleeping-cup in which her late husband had delighted. Of all these courtesies Hugh Crombie did partake with a wise and cautious moderation, that, while it proved them to be welcome, expressed his fear of trespassing on her kindness. For the sake of brevity, it shall suffice to say, that, about six weeks after Hugh’s return, a writing appeared on one of the elm-trees in front of the tavern (where, as the place of greatest resort, such notices were usually displayed) setting forth that marriage was intended between Hugh Crombie and the Widow Sarah Hutchins. And the ceremony, which made Hugh a landholder, a householder, and a substantial man, in due time took place.

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