E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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There was a Gladstone bag under his bed. He had brought it back from the clubhouse only yesterday, after that game of golf which had been so full of disturbances and wet stockings, but which now wore the shimmering security of peaceful, tranquil days long past. How little, so he thought to himself, as he began swiftly storing shirts, ties, collars and other useful things into his bag, had he appreciated the sweet amenities of life, its pleasant conversations and companionships, its topped drives, and mushrooms and incalculable incidents. Now they wore a glamour and a preciousness that was bound up with life itself. He starved for more of them, not knowing while they were his how sweet they were.

The house was not yet astir, when ten minutes later he came downstairs with his bag. He left on his sitting-room table, where it would catch the eye of his housemaid, a sheet of paper on which he wrote "Called away" (he shuddered as he traced the words). "Forward no letters. Will communicate . . ." (Somehow the telegraphic form seemed best to suit the urgency of the situation.) Then very quietly he let himself out of his house.

He could not help casting an apprehensive glance at the windows of his quondam friend and prospective murderer. To his horror he observed that there was a light behind the blind of the Major's bedroom, and pictured him writing to his seconds — he wondered who the "seconds" were going to be — or polishing up his pistols. All the rumours and hints of the Major's duels and affairs of honour, which he had rather scorned before, not wholly believing them, poured like a red torrent into his mind, and he found that now he believed them with a passionate sincerity. Why had he ever attempted (and with such small success) to call this fire-eater a hippopotamus?

The gale of the night before had abated, and thick chilly rain was falling from a sullen sky as he tiptoed down the hill. Once round the corner and out of sight of the duellist's house, he broke into a limping run, which was accelerated by the sound of an engine-whistle from the station. It was mental suspense of the most agonizing kind not to know how long it was after his watch had stopped that he had awoke, and the sound of that whistle, followed by several short puffs of steam, might prove to be the six-thirty bearing away to London, on business or pleasure, its secure and careless pilgrims. Splashing through puddles, lopsidedly weighted by his bag, with his mackintosh flapping against his legs, he gained the sanctuary of the waiting-room and booking-office, which was lighted by a dim expiring lamp, and scrutinized the face of the murky clock . . .

With a sob of relief he saw that he was in time. He was, indeed, in exceptionally good time, for he had a quarter of an hour to wait. An anxious internal debate followed as to whether or not he should take a return ticket. Optimism, that is to say, the hope that he would return to Tilling in peace and safety before the six months for which the ticket was available inclined him to the larger expense, but in these disquieting circumstances, it was difficult to be optimistic and he purchased a first-class single, for on such a morning, and on such a journey, he must get what comfort he could from looking-glasses, padded seats and coloured photographs of places of interest on the line. He formed no vision at all of the future: that was a dark well into which it was dangerous to peer. There was no bright speck in its unplumbable depths: unless Major Flint died suddenly without revealing the challenge he had sent last night, and the promptitude with which its recipient had disappeared rather than face his pistol, he could not frame any grouping of events which would make it possible for him to come back to Tilling again, for he would either have to fight (and this he was quite determined not to do) or be pointed at by the finger of scorn as the man who had refused to do so, and this was nearly as unthinkable as the other. Bitterly he blamed himself for having made a friend (and worse than that, an enemy) of one so obsolete and old-fashioned as to bring duelling into modern life . . . As far as he could be glad of anything he was glad that he had taken a single, not a return ticket.

He turned his eyes away from the blackness of the future and let his mind dwell on the hardly less murky past. Then, throwing up his hands, he buried his face in them with a hollow groan. By some miserable forgetfulness he had left the challenge on his chimney-piece, where his housemaid would undoubtedly find and read it. That would explain his absence far better than the telegraphic instructions he had left on his table. There was no time to go back for it now, even if he could have faced the risk of being seen by the Major, and in an hour or two the whole story, via Withers, Janet, etc., would be all over Tilling.

It was no use then thinking of the future nor of the past, and in order to anchor himself to the world at all and preserve his sanity he had to confine himself to the present. The minutes, long though each tarried, were slipping away and provided his train was punctual, the passage of five more of these laggards would see him safe. The newsboy took down the shutters of his stall, a porter quenched the expiring lamp, and Puffin began to listen for the rumble of the approaching train. It stayed three minutes here: if up to time it would be in before a couple more minutes had passed.

There came from the station-yard outside the sound of heavy footsteps running. Some early traveller like himself was afraid of missing the train. The door burst open, and, streaming with rain and panting for breath, Major Flint stood at the entry. Puffin looked wildly round to see whether he could escape, still perhaps unobserved, on to the platform, but it was too late, for their eyes met.

In that instant of abject terror, two things struck Puffin. One was that the Major looked at the open door behind him as if meditating retreat, the second that he carried a Gladstone bag. Simultaneously Major Flint spoke, if indeed that reverberating thunder of scornful indignation can be called speech.

"Ha! I guessed right then," he roared. "I guessed, sir, that you might be meditating flight, and I — in fact, I came down to see whether you were running away. I was right. You are a coward, Captain Puffin! But relieve your mind, sir. Major Flint will not demean himself to fight with a coward."

Puffin gave one long sigh of relief, and then, standing in front of his own Gladstone bag, in order to conceal it, burst into a cackling laugh.

"Indeed!" he said. "And why, Major, was it necessary for you to pack a Gladstone bag in order to stop me from running away? I'll tell you what has happened. You were running away, and you know it. I guessed you would. I came to stop you, you, you quaking runaway. Your wound troubled you, hey? Didn't want another, hey?"

There was an awful pause, broken by the entry from behind the Major of the outside porter, panting under the weight of a large portmanteau.

"You had to take your portmanteau, too," observed Puffin witheringly, "in order to stop me. That's a curious way of stopping me. You're a coward, sir! But go home. You're safe enough. This will be a fine story for tea-parties."

Puffin turned from him in scorn, still concealing his own bag. Unfortunately the flap of his coat caught it, precariously perched on the bench, and it bumped to the ground.

"What's that?" said Major Flint.

They stared at each other for a moment and then simultaneously burst into peals of laughter. The train rumbled slowly into the station, but neither took the least notice of it, and only shook their heads and broke out again when the station-master urged them to take their seats. The only thing that had power to restore Captain Puffin to gravity was the difficulty of getting the money for his ticket refunded, while the departure of the train with his portmanteau in it did the same for the Major.

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