E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Who the expected friend was who had disappointed Mrs Poppit could be thought out later: at present, as Miss Mapp smiled at Withers and hummed her tune again, she had to settle whether she was going to be delighted to accept, or obliged to decline. The argument in favour of being obliged to decline was obvious: Mrs Poppit deserved to be "served out" for not including her among the original guests, and if she declined it was quite probable that at this late hour her hostess might not be able to get anyone else, and so one of her tables would be completely spoiled. In favour of accepting was the fact that she would get a rubber of bridge and a good tea, and would be able to say something disagreeable about the redcurrant fool, which would serve Miss Poppit out for attempting to crib her ancestral dishes . . .

A bright, a joyous, a diabolical idea struck her, and she went herself to the telephone, and genteelly wiped the place where Withers had probably breathed on it.

"So kind of you, Isabel," she said, "but I am very busy today, and you didn't give me much notice, did you? So I'll try to look in if I can, shall I? I might be able to squeeze it in."

There was a pause, and Miss Mapp knew that she had put Isabel in a hole. If she successfully tried to get somebody else, Miss Mapp might find she could squeeze it in, and there would be nine. If she failed to get someone else, and Miss Mapp couldn't squeeze it in, then there would be seven . . . Isabel wouldn't have a tranquil moment all day.

"Ah, do squeeze it in," she said in those horrid wheedling tones which for some reason Major Flint found so attractive. That was one of the weak points about him, and there were many, many others. But that was among those which Miss Mapp found it difficult to condone.

"If I possibly can," said Miss Mapp. "But at this late hour — Goodbye, dear, or only au reservoir, we hope."

She heard Isabel's polite laugh at this nearly new and delicious malaprop before she rang off. Isabel collected malaprops and wrote them out in a notebook. If you reversed the notebook and began at the other end, you would find the collection of Spoonerisms, which were very amusing, too.

Tea, followed by a bridge-party, was, in summer, the chief manifestation of the spirit of hospitality in Tilling. Mrs Poppit, it is true, had attempted to do something in the way of dinner-parties, but though she was at liberty to give as many dinner-parties as she pleased, nobody else had followed her ostentatious example. Dinner-parties entailed a higher scale of living; Miss Mapp, for one, had accurately counted the cost of having three hungry people to dinner, and found that one such dinner-party was not nearly compensated for, in the way of expense, by being invited to three subsequent dinner-parties by your guests. Voluptuous teas were the rule, after which you really wanted no more than little bits of things, a cup of soup, a slice of cold tart, or a dished-up piece of fish and some toasted cheese. Then, after the excitement of bridge (and bridge was very exciting in Tilling), a jig-saw puzzle or Patience cooled your brain and composed your nerves. In winter, however, with its scarcity of daylight, Tilling commonly gave evening bridge-parties, and asked the requisite number of friends to drop in after dinner, though everybody knew that everybody else had only partaken of bits of things. Probably the ruinous price of coal had something to do with these evening bridge-parties, for the fire that warmed your room when you were alone would warm all your guests as well, and then, when your hospitality was returned, you could let your sitting-room fire go out. But though Miss Mapp was already planning something in connection with winter bridge, winter was a long way off yet . . .

Before Miss Mapp got back to her window in the garden-room Mrs Poppit's great offensive motor car, which she always alluded to as "the Royce", had come round the corner and, stopping opposite Major Flint's house, was entirely extinguishing all survey of the street beyond. It was clear enough then that she had sent the Royce to take the two out to the golf-links, so that they should have time to play their round and catch the two-twenty back to Tilling again, so as to be in good time for the bridge-party. Even as she looked, Major Flint came out of his house on one side of the Royce and Captain Puffin on the other. The Royce obstructed their view of each other, and simultaneously each of them shouted across to the house of the other. Captain Puffin emitted a loud "Coo-ee, Major" (an Australian ejaculation, learned on his voyages), while Major Flint bellowed "Quai-hai, Captain," which, all the world knew, was of Oriental origin. The noise each of them made prevented him from hearing the other, and presently one in a fuming hurry to start ran round in front of the car at the precise moment that the other ran round behind it, and they both banged loudly on each other's knockers. These knocks were not so precisely simultaneous as the shouts had been, and this led to mutual discovery, hailed with peals of falsetto laughter on the part of Captain Puffin and the more manly guffaws of the Major . . . After that the Royce lumbered down the grass-grown cobbles of the street, and after a great deal of reversing managed to turn the corner.

Miss Mapp set off with her basket to do her shopping. She carried in it the weekly books, which she would leave, with payment but not without argument, at the tradesmen's shops. There was an item for suet which she intended to resist to the last breath in her body, though her butcher would probably surrender long before that. There was an item for eggs at the dairy which she might have to pay, though it was a monstrous overcharge. She had made up her mind about the laundry, she intended to pay that bill with an icy countenance and say "Good-morning for ever," or words to that effect, unless the proprietor instantly produced the — the article of clothing which had been lost in the wash (like King John's treasures), or refunded an ample sum for the replacing of it. All these quarrelsome errands were meat and drink to Miss Mapp: Tuesday morning, the day on which she paid and disputed her weekly bills, was as enjoyable as Sunday mornings when, sitting close under the pulpit, she noted the glaring inconsistencies and grammatical errors in the discourse. After the bills were paid and business was done, there was pleasure to follow, for there was a fitting-on at the dressmaker's, the fitting-on of a tea-gown, to be worn at winter-evening bridge-parties, which, unless Miss Mapp was sadly mistaken, would astound and agonize by its magnificence all who set eyes on it. She had found the description of it, as worn by Mrs Titus W. Trout, in an American fashion paper; it was of what was described as kingfisher blue, and had lumps and wedges of lace round the edge of the skirt, and orange chiffon round the neck. As she set off with her basket full of tradesmen's books, she pictured to herself with watering mouth the fury, the jealousy, the madness of envy which it would raise in all properly-constituted breasts.

In spite of her malignant curiosity and her cancerous suspicions about all her friends, in spite, too, of her restless activities, Miss Mapp was not, as might have been expected, a lady of lean and emaciated appearance. She was tall and portly, with plump hands, a broad, benignant face and dimpled, well-nourished cheeks. An acute observer might have detected a danger warning in the sidelong glances of her rather bulgy eyes, and in a certain tightness at the corners of her expansive mouth, which boded ill for any who came within snapping distance, but to a more superficial view she was a rollicking, good-natured figure of a woman. Her mode of address, too, bore out this misleading impression: nothing, for instance, could have been more genial just now than her telephone voice to Isabel Poppit, or her smile to Withers, even while she so strongly suspected her of using the telephone for her own base purposes, and as she passed along the High Street, she showered little smiles and bows on acquaintances and friends. She markedly drew back her lips in speaking, being in no way ashamed of her long white teeth, and wore a practically perpetual smile when there was the least chance of being under observation. Though at sermon time on Sunday, as has been already remarked, she greedily noted the weaknesses and errors of which those twenty minutes were so rewardingly full, she sat all the time with down-dropped eyes and a pretty sacred smile on her lips, and now, when she spied on the other side of the street the figure of the vicar, she tripped slantingly across the road to him, as if by the move of a knight at chess, looking everywhere else, and only perceiving him with glad surprise at the very last moment. He was a great frequenter of tea-parties and except in Lent an assiduous player of bridge, for a clergyman's duties, so he very properly held, were not confined to visiting the poor and exhorting the sinner. He should be a man of the world, and enter into the pleasures of his prosperous parishioners, as well as into the trials of the troubled. Being an accomplished card-player he entered not only into their pleasures but their pockets, and there was no lady of Tilling who was not pleased to have Mr Bartlett for a partner. His winnings, so he said, he gave annually to charitable objects, though whether the charities he selected began at home was a point on which Miss Mapp had quite made up her mind. "Not a penny of that will the poor ever see," was the gist of her reflections when on disastrous days she paid him seven-and-ninepence. She always called him "padre", and had never actually caught him looking over his adversaries' hands.

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