E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Peppino was sitting in the window seat, with eyes closed, because he listened to music better so, and with head that nodded occasionally, presumably for the same reason. But the cessation of the slow movement naturally made him cease to listen, and he stirred and gave the sigh with which Riseholme always acknowledged the end of a slow movement. Georgie sighed too, and Lucia sighed; they all sighed, and then Lucia began again. So Peppino closed his eyes again, and Georgie continued his mental analysis of the situation.

At present, so he concluded, Lucia did not mean war. She meant, as by some great armed demonstration, to exhibit the Riseholme spirit in its full panoply, and then crush into dazzled submission any potential rivalry. She meant also to exert an educational influence, for she allowed that Olga had great gifts, and she meant to train and refine those gifts so that they might, when exercised under benign but autocratic supervision, conduce to the strength and splendour of Riseholme. Naturally she must be loyally and ably assisted, and Georgie realized that the tableau of King Cophetua (his tableau as she had said) partook of the nature of a bribe, and, if that word was invidious, of a raising of his pay. It was equally certain that this prolonged recital of slow movements was intended to produce in his mind a vivid consciousness of the contrast between the romp last night and the present tranquil hour, and it did not fail in this respect.

Lucia shut the piano-lid, and almost before they had given their sighs, spoke.

"I think I will have a little dinner-party first," she said. "I will ask Lady Ambermere. That will make us four, with you Georgie, and Miss Bracely and Mr Shuttleworth will make six. The rest I shall ask to come in at nine, for I know Lady Ambermere does not like late hours. And now shall we talk over our tableaux?"

So even Lucia's mind had not been wholly absorbed in Beethoven, though Georgie, as usual, told her she had never played so divinely.

Chapter Eleven

Table of Contents

The manoeuvres of the next week became so bewilderingly complicated that by Wednesday Georgie was almost thinking of going away to the seaside with Foljambe and Dicky in sheer despair, and in after years he could not without great mental effort succeed in straightening it all out, and the effort caused quite a buzzing in his head . . . That Sunday evening Lucia sent an invitation to Lady Ambermere for "dinner and tableaux," to which Lady Ambermere's "people" replied by telephone on Monday afternoon that her ladyship was sorry to be unable. Lucia therefore gave up the idea of a dinner-party, and reverted to her original scheme of an evening-party like Olga's got up on the spur of the moment, with great care and most anxious preparation. The rehearsals for the impromptu tableaux meantime went steadily forward behind closed doors, and Georgie wrestled with twenty bars of the music of the "Awakening of Brünnhilde." Lucia intended to ask nobody until Friday evening, and Olga should see what sort of party Riseholme could raise at a moment's notice.

Early on Tuesday morning the devil entered into Daisy Quantock, probably by means of subconscious telepathy, and she proceeded to go round the green at the morning parliament, and ask everybody to come in for a good romp on Saturday evening, and they all accepted. Georgie, Lucia and Olga were absentees, and so, making a house-to-house visitation she went first to Georgie. He with secret knowledge of the tableaux (indeed he was stitching himself a robe to be worn by King Cophetua at the time and hastily bundling it under the table) regretted that he was already engaged. This was rather mysterious, but he might have planned, for all Mrs Quantock knew, an evening when he would be "busy indoors," and since those evenings were never to be pried upon, she asked no questions, but went off to Lucia's to give her invitation there. There again she was met with a similarly mysterious refusal. Lucia much regretted that she and Peppino were unable to come, and she hoped Daisy would have a lovely party. Even as she spoke, she heard her telephone bell ringing, and hurried off to find that Georgie, faithful lieutenant, was acquainting her with the fact that Mrs Quantock was planning a party for Saturday; he did not know how far she had got. At that moment she had got just halfway to Old Place, walking at unusual speed. Lucia grasped the situation with amazing quickness, and cutting off Georgie with a snap, she abandoned all idea of her party being impromptu, and rang up Olga. She would secure her anyhow . . .

The telephone was in the hall, and Olga, with her hat on, was just preparing to go out, when the bell sounded. The words of grateful acceptance were on her very lips when her front-door bell rang too, very long and insistently, and had hardly left off when it began again. Olga opened the door herself and there was Mrs Quantock on the doorstep with her invitation for Saturday night. She was obliged to refuse, but promised to look in, if she was not very late in getting away from Mrs Lucas's (and pop went the cat out of the bag). Another romp would be lovely.

Already the evils of decentralisation and overlapping were becoming manifest. Lucia rang up house after house, only to find that its inhabitants were already engaged. She had got Olga and Georgie, and could begin the good work of education and the crushing of rivalry, not by force but by pure and refined example, but Mrs Quantock had got everybody else. In the old days this could never have happened for everything devolved round one central body. Now with the appearance of this other great star, all the known laws of gravity and attraction were upset.

Georgie, again summoned to the telephone, recommended an appeal to Mrs Quantock's better nature, which Lucia rejected, doubting whether she had one.

"But what about the tableaux?" asked Georgie. "We three can't very well do tableaux for Miss Olga to look at."

Then Lucia showed herself truly great.

"The merit of the tableaux does not consist in the number of the audience," she said.

She paused a moment.

"Have you got the Cophetua-robe to set properly?" she asked.

"Oh, it'll do," said Georgie dejectedly.

* * *

On Tuesday afternoon Olga rang up Lucia again to say that her husband was arriving that day, so might she bring him on Saturday? To this Lucia cordially assented, but she felt that a husband and wife sitting together and looking at another husband and wife doing tableaux would be an unusual entertainment, and not characteristic of Riseholme's best. She began to waver about the tableaux and to consider dinner instead. She also wondered whether she had been wronging dear Daisy, and whether she had a better nature after all. Perhaps Georgie might ascertain.

Georgie was roused from a little fatigued nap by the telephone, for he had fallen asleep over King Cophetua's robe. Lucia explained the situation and delicately suggested that it would be so easy for him to "pop in" to dear Daisy's, and be very diplomatic. There was nobody like Georgie for tact. So with a heavy yawn he popped in.

"You've come about this business on Saturday," said Daisy unerringly. "Haven't you?"

Georgie remembered his character for tact.

"How wonderful of you to guess that!" he said. "I thought we might see if we couldn't arrange something, if we put our heads together. It's such a pity to split up. We — I mean Lucia has got Miss Olga and her husband coming, and —"

"And I've got everybody else," said Daisy brightly. "And Miss Bracely is coming over here, if she gets away early. Probably with such a small party she will."

"Oh, I shouldn't count on that," said he. "We are having some tableaux, and they always take longer than you think. Dear me, I shouldn't have said that, as they were to be impromptu, but I really believe my head is going. You know how thorough Lucia is; she is taking a great deal of trouble about them."

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