E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'Darling, I've got a new scheme for Grebe,' she said. 'I want you to furnish a room sideways, if you understand what I mean.'

'I don't think I do,' said Lucia.

'Why, like this,' said Irene very thoughtfully. 'You would open the door of the room and find you were walking about on wallpaper with pictures hanging on it. (I'll do the pictures for you.) Then one side of the room where the window is would be whitewashed as if it was a ceiling and the window would be the skylight. The opposite side would be the floor; and you would have the furniture screwed on to it. The other walls, including the one which would be the ceiling in an ordinary room, would be covered with wallpaper and more pictures and a bookcase. It would all be sideways, you see: you'd enter through the wall, and the room would be at right angles to you; ceiling on the left, floor on the right, or vice versa. It would give you a perfectly new perception of the world. You would see everything from a new angle, which is what we want so much in life nowadays. Don't you think so?'

Irene's speech was distinct and clear cut, she walked up and down the garden-room with a firm unwavering step, and Lucia put from her the uneasy suspicion that her dinner had gone to her head.

'It would be most delightful,' she said, 'but slightly too experimental for me.'

'And then, you see,' continued Irene, 'how useful it would be if somebody tipsy came in. It would make him sober at once, for tipsy people see everything crooked, and so your sideways-room, being crooked, would appear to him straight, and so he would be himself again. Just like that.'

'That would be splendid,' said Lucia, 'but I can't provide a room where tipsy people could feel sober again. The house isn't big enough.'

Irene sat down by her, and passionately clasped one of her hands.

'Lucia, you're too adorable,' she said. 'Nothing defeats you. I've been talking the most abject nonsense, though I do think that there may be something in it, and you remain as calm as the moon which I hope will rise over the marsh before long, unless the almanac in which I looked it out is last year's. Don't tell anybody else about the sideways-room, will you, or they might think I was drunk. Let it be our secret, darling.'

Lucia wondered for a moment if she ought to allow Irene to spend the night on the marsh, but she was perfectly capable of coherent speech and controlled movements, and possibly the open air might do her good.

'Not a soul shall know, dear,' she said. 'And now if you're really going to paint the moon, you had better start. You feel quite sure you can manage it, don't you?'

'Of course I can manage the moon,' said Irene stoutly. 'I've managed it lots of times. I wish you would come with me. I always hate leaving you. Or shall I stop here, and paint you instead? Or do you think Georgie would come? What a lamb, isn't he? Pass the mint-sauce please, or shall I go home?'

'Perhaps that would be best,' said Lucia. 'Paint the moon another night.'

* * *

Lucia next day hurried up the firm to which she had entrusted the decoration of Grebe, in case Irene had some new schemes, and halfway through November, the house was ready to receive her furniture from Riseholme. Georgie simultaneously was settling into Mallards Cottage, and in the course of it went through a crisis of the most agitating kind. Isabel had assured him that by noon on a certain day men would arrive to take her furniture to the repository where it was to be stored, and as the vans with his effects from Riseholme had arrived in Tilling the night before, he induced the foreman to begin moving everything out of the house at nine next morning and bring his furniture in. This was done, and by noon all Isabel's tables and chairs and beds and crockery were standing out in the street ready for her van. They completely blocked it for wheeled traffic, though pedestrians could manage to squeeze by in single file. Tilling did not mind this little inconvenience in the least, for it was all so interesting, and tradesmen's carts coming down the street were cheerfully backed into the churchyard again and turned round in order to make a more circuitous route, and those coming up were equally obliging, while foot-passengers, thrilled with having the entire contents of a house exposed for their inspection, were unable to tear themselves away from so intimate an exhibition. Then Georgie's furniture was moved in, and there were dazzling and fascinating objects for inspection, pictures that he had painted, screens and bedspreads that he had worked, very pretty woollen pyjamas for the winter and embroidered covers for hot-water bottles. These millineries roused Major Benjy's manliest indignation, and he was nearly late for the tram to take him out to play golf, for he could not tear himself away from the revolting sight. In a few hours Georgie's effects had passed into the house, but still there was no sign of anyone coming to remove Isabel's from the street, and, by dint of telephoning, it was discovered that she had forgotten to give any order at all about them, and the men from the repository were out on other jobs. It then began to rain rather heavily, and though Georgie called heaven and earth to witness that all this muddle was not his fault he felt compelled, out of mere human compassion, to have Isabel's furniture moved back into his house again. In consequence the rooms and passages on the ground floor were completely blocked with stacks of cupboards and tables piled high with books and crockery and saucepans, the front door would not shut, and Foljambe, caught upstairs by the rising tide, could not come down. The climax of intensity arrived when she let down a string from an upper window, and Georgie's cook attached a small basket of nourishing food to it. Diva was terribly late for lunch at the Wyses, for she was rooted to the spot, though it was raining heavily, till she was sure that Foljambe would not be starved.

But by the time that the month of November was over, the houses of the newcomers were ready to receive them, and a general post of owners back to their homes took place after a remunerative let of four months. Elizabeth returned to Mallards from Wasters, bringing with her, in addition to what she had taken there, a cargo of preserves made from Diva's garden of such bulk that Coplen had to make two journeys with her large wheelbarrow. Diva returned to Wasters from Taormina, quaint Irene came back to Taormina from the labourer's cottage with a handcart laden with striking canvases including that of the women wrestlers who had become men, and the labourer and his family were free to trek to their own abode from the hop-picker's shanty which they had inhabited so much longer than they had intended.

There followed several extremely busy days for most of the returning emigrants. Elizabeth in particular was occupied from morning till night in scrutinizing every corner of Mallards and making out a list of dilapidations against Lucia. There was a teacup missing, the men who removed Lucia's hired piano from the garden-room had scraped a large piece of paint off the wall, Lucia had forgotten to replace dearest mamma's piano which still stood in the telephone-room, and there was no sign of a certain egg-whisk. Simultaneously Diva was preparing a similar list for Elizabeth which would astonish her, but was pleased to find that the tenant had left an egg-whisk behind; while the wife of the labourer, not being instructed in dilapidations, was removing from the whitewashed wall of her cottage the fresco which Irene had painted there in her spare moments. It wasn't fit to be seen, that it wasn't, but a scrubbing-brush and some hot water made short work of all those naked people. Irene, for her part, was frantically searching among her canvases for a picture of Adam and Eve with quantities of the sons of God shouting for joy: an important work. Perhaps she had left it at the cottage, and then remembering that she had painted it on the wall, she hurried off there in order to varnish it against the inclemencies of weather. But it was already too late, for the last of the sons of God was even then disappearing under the strokes of the scrubbing-brush.

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