E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"I heard you do that last May," said Georgie.

"Then you heard a most second-rate performance," said she. "But really being unlaced by that Thing, that great fat profligate beery Prussian, was almost too much for me. And the duet! But it was very polite of you to come, and I will do better next time. Siegfried! Brünnhilde! Siegfried! Miaou! Miaou! Bring on the next lot of cats! Darling Georgie, wasn't it awful? And you had proposed to me only the day before."

"I was absolutely enchanted," said Riseholme-Georgie.

"Yes, but then you didn't have that Thing breathing beer into your innocent face." Georgie rose; the first call on a stranger in Riseholme was never supposed to last more than half an hour, however much you were enjoying it, and never less, however bored you might be, and he felt sure he had already exceeded this.

"I must be off," he said. "Too delightful to think that you and Mr Shuttleworth will come to lunch with me tomorrow. Half-past one, shall we say?"

"Excellent; but where do you live?"

"Just across the green. Shall I call for you?" he asked.

"Certainly not. Why should you have that bother?" she said. "Ah, let me come with you to the inn-door, and perhaps you will show me from there."

She passed through the hall with him, and they stood together in the sight of all Riseholme, which was strolling about the green at this as at most other hours. Instantly all faces turned round in their direction, like so many sunflowers following the sun, while Georgie pointed out his particular mulberry tree. When everybody had had a good look, he raised his hat.

"A domani then," she said. "So many thanks."

And quite distinctly she kissed her hand to him as he turned away . . .

"So she talks Italian too," thought Georgie, as he dropped little crumbs of information to his friends on his way to his house. "Domani, that means tomorrow. Oh yes; she was meaning lunch."

It is hardly necessary to add that on the table in his hall there was one of Lucia's commoner kinds of note, merely a half-sheet folded together in her own manner. Georgie felt that it was scarcely more necessary to read it, for he felt quite sure that it contained some excuse for not coming to his house at six in order to call on Mr and Mrs Bracely. But he gave a glance at it before he rolled it up in a ball for Tipsipoozie to play with, and found its contents to be precisely what he expected, the excuse being that she had not done her practising. But the postscript was interesting, for it told him that she had asked Foljambe to give her his copy of Siegfried . . .

Georgie strolled down past The Hurst before dinner. Mozart was silent now, but there came out of the open windows the most amazing hash of sound, which he could just recognise as being the piano arrangement of the duet between Brünnhilde and Siegfried at the end. He would have been dull indeed if he had not instantly guessed what that signified.

Chapter Seven

Table of Contents

A fresh thrill went through an atmosphere already super-saturated with excitement, when next morning all Lucia's friends who had been bidden to the garden-party (Tightum) were rung up on the telephone and informed that the party was Hightum. That caused a good deal of extra work, because the Tightum robes had to be put away again, and the Hightums aired and brushed and valetted. But it was well worth it, for Riseholme had not the slightest difficulty in conjecturing that Olga Bracely was to be among the guests. For a cultured and artistic centre the presence of a star that blazed so regally in the very zenith of the firmament of art absolutely demanded the Hightum which the presence of poor Lady Ambermere (though she would not have liked that) had been powerless to bring out of their cupboards. And these delightful anticipations concentrated themselves into one rose-coloured point of joy, when no less than two independent observers, without collusion, saw the piano-tuner either entering or leaving The Hurst, while a third, an ear-witness, unmistakably heard the tuning of the piano actually going on. It was thus clear to all penetrating minds that Olga Bracely was going to sing. It was further known that something was going on between her and Georgie, for she had been heard by one Miss Antrobus to ask for Georgie's number at the telephone in the Ambermere Arms. Etiquette forbade her actually to listen to what passed, but she could not help hearing Olga laugh at something (presumably) that Georgie said. He himself took no part in the green-parliament that morning, but had been seen to dash into the fruiterer's and out again, before he went in a great hurry to The Hurst, shortly after twelve-thirty. Classes on Eastern philosophy under the tuition of Mrs Quantock's Indian, were already beginning to be hinted at, but today in the breathless excitement about the prima-donna nobody cared about that; they might all have been taking lessons in cannibalism, and nobody would have been interested. Finally about one o'clock one of the motors in which the party had arrived yesterday drew up at the door of the Ambermere Arms, and presently Mr Bracely — no, dear, Mr Shuttleworth — got in and drove off alone. That was very odd conduct in a lately-married bridegroom, and it was hoped that there had been no quarrel.

Olga had, of course, been given no directions as to Hightum or Tightum, and when she walked across to Georgie's house shortly after half-past one only Mrs Weston who was going back home to lunch at top speed was aware that she was dressed in a very simple dark blue morning frock, that would almost have passed for Scrub. It is true that it was exceedingly well cut, and had not the look of having been rolled up in a ball and hastily ironed out again that usually distinguished Scrub, and she also wore a string of particularly fine pearls round her neck, the sort of ornament that in Riseholme would only be seen in an evening Hightum, even if anybody in Riseholme had owned such things. Lucia, not long ago, had expressed the opinion that jewels were vulgar except at night, and for her part she wore none at all, preferring one Greek cameo of uncertain authenticity.

Georgie received Olga alone, for Hermy and Ursy were not yet back from their golf.

"It is good of you to let me come without my husband," she said. "His excuse is toothache and he has driven into Brinton —"

"I'm very sorry," said Georgie.

"You needn't be, for now I'll tell you his real reason. He thought that if he lunched with you he would have to come on to the garden-party, and that he was absolutely determined not to do. You were the thin edge of the wedge, in fact. My dear, what a delicious house. All panelled, with that lovely garden behind. And croquet — may we play croquet after lunch? I always try to cheat, and if I'm found out I lose my temper. Georgie won't play with me, so I play with my maid."

"This Georgie will," said he.

"How nice of him! And do you know what we did this morning, before the toothache didn't begin? We went all over that house three doors away, which is being done up. It belongs to the proprietor of the Ambermere Arms. And — oh, I wonder if you can keep a secret?"

"Yes," said Georgie. He probably had never kept one yet, but there was no reason why he shouldn't begin now.

"Well, I'm absolutely determined to buy it, only I daren't tell my husband until I've done it. He has an odd nature. When a thing is done, settled, and there's no help for it, he finds it adorable, but he also finds fatal objections to doing it at all, if he is consulted about it before it is done. So not a word! I shall buy it, make the garden, furnish it, down to the minutest detail, and engage the servants, and then he'll give it me for a birthday present. I had to tell somebody or I should burst."

Georgie nearly swooned with fervour and admiration.

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