E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'I am not attending any dear patient at Mallards,' had been his unpromising reply, 'and if I was I need hardly remind you that, as a professional man, I should not dream of answering any inquiry about my patients without their express permission to do so. Good-morning.'

'A very rude man,' thought Miss Mapp, 'but perhaps I had better not try to get at it that way.'

She looked up at the church, wondering if she would find inspiration in that beautiful grey tower, which she had so often sketched, outlined against the pellucid blue of the October sky. She found it instantly, for she remembered that the leads at the top of it which commanded so broad a view of the surrounding country commanded also a perfectly wonderful view of her own little secret garden. It was a small chance, but no chance however small must be neglected in this famine of evidence, and it came to her in a flash that there could be no more pleasant way of spending the morning than making a sketch of the green, green marsh and the line of the blue, blue sea beyond. She hurried back to Wasters, pausing only at Mallards to glance at the garden-room where the curtains were adjusted in the most exasperatingly skilful manner, and to receive Grosvenor's assurance that the patient's temperature was quite normal today.

'Oh, that is good news,' said Miss Mapp. 'Then tomorrow perhaps she will be about again.'

'I couldn't say, miss,' said Grosvenor, holding on to the door.

'Give her my fondest love,' said Miss Mapp, 'and tell her how rejoiced I am, please, Grosvenor.'

'Yes, miss,' said Grosvenor, and before Miss Mapp could step from the threshold, she heard the rattle of the chain behind the closed door.

She was going to lunch that day with the Wyses, a meal which Mr Wyse, in his absurd affected fashion, always alluded to as breakfast, especially when the Contessa was staying with them. Breakfast was at one, but there was time for an hour at the top of the church tower first. In order to see the features of the landscape better, she took up an opera-glass with her sketching things. She first put a blue watery wash on her block for the sky and sea, and a green one for the marsh, and while these were drying she examined every nook of her garden with the opera-glass. No luck, and she picked up her sketch again on which the sky was rapidly inundating the land.

Lucia had learned this morning via Grosvenor and her cook and Figgis, Mr Wyse's butler, that the week of the Contessa's stay here was to be curtailed by one day and that the Royce would convey her to Whitchurch next morning on her visit to the younger but ennobled branch of the family. Further intelligence from the same source made known that the breakfast today to which Miss Mapp was bidden was a Belshazzar breakfast, eight if not ten. This was good news: the period of Lucia's danger of detection would be over in less than twenty-four hours, and about the time that Miss Mapp at the top of the tower of Tilling Church was hastily separating the firmament from the dry land, Lucia wrote out a telegram to Georgie that he might return the following day and find all clear. Together with that she sent a request to Messrs Woolgar & Pipstow that they should furnish her with an order to view a certain house she had seen just outside Tilling, near quaint Irene's cottage, which she had observed was for sale.

She hesitated about giving Grosvenor the envelope addressed to Contessa di Faraglione, which contained the transcript, duly signed, of Mrs Brocklebank's letter to a Countess, and decided, on the score of dramatic fitness, to have it delivered shortly after one o'clock when Mrs Wyse's breakfast would be in progress, with orders that it should be presented to the Contessa at once.

Lucia was feeling the want of vigorous exercise, and bethought herself of the Ideal System of Callisthenics for those no longer Young. For five days she had been confined to house and garden, and the craving to skip took possession of her. Skipping was an exercise highly recommended by the ideal system, and she told Grosvenor to bring back for her, with the order to view from Messrs Woolgar & Pipstow, a simple skipping-rope from the toyshop in the High Street. While Grosvenor was gone this desire for free active movement in the open air awoke a kindred passion for the healthful action of the sun on the skin, and she hurried up to her sick-room, changed into a dazzling bathing-suit of black and yellow, and, putting on a very smart dressing-gown gay with ribands, was waiting in the garden-room when Grosvenor returned, recalling to her mind the jerks and swayings which had kept her in such excellent health when grief forbade her to play golf.

The hour was a quarter to one when Lucia tripped into the secret garden, shed her dressing-gown and began skipping on the little lawn with the utmost vigour. The sound of the church clock immediately below Miss Mapp's eyrie on the tower warned her that it was time to put her sketching things away, deposit them at Wasters and go out to breakfast. During the last half-hour she had cast periodical but fruitless glances at her garden, and had really given it up as a bad job. Now she looked down once more, and there close beside the bust of good Queen Anne was a gay striped figure of waspish colours skipping away like mad. She dropped her sketch, she reached out a trembling hand for her opera-glasses, the focus of which was already adjusted to a nicety, and by their aid she saw that this athletic wasp who was skipping with such exuberant activity was none other than the invalid.

Miss Mapp gave a shrill crow of triumph. All came to him who waited, and if she had known Greek she would undoubtedly have exclaimed 'Eureka': as it was she only crowed. It was all too good to be true, but it was all too distinct not to be. 'Now I've got her,' she thought. 'The whole thing is as clear as daylight. I was right all the time. She has not had influenza any more than I, and I'll tell everybody at breakfast what I have seen.' But the sight still fascinated her. What shameless vigour, when she should have been languid with fever! What abysses of falsehood, all because she could not talk Italian! What expense to herself in that unnecessary dinner to the Padre and Major Benjy! There was no end to it . . .

Lucia stalked about the lawn with a high prancing motion when she had finished her skipping. Then she skipped again, and then she made some odd jerks, as if she was being electrocuted. She took long deep breaths, she lifted her arms high above her head as if to dive, she lay down on the grass and kicked, she walked on tiptoe like a ballerina, she swung her body round from the hips. All this had for Miss Mapp the fascination that flavours strong disgust and contempt. Eventually, just as the clock struck one, she wrapped herself in her dressing-gown, the best was clearly over. Miss Mapp was already late, and she must hurry straight from the tower to her breakfast, for there was no time to go back to Wasters first. She would be profuse in pretty apologies for her lateness; the view from the church tower had been so entrancing (this was perfectly true) that she had lost all count of time. She could not show her sketch to the general company, because the firmament had got dreadfully muddled up with the waters which were below it, but instead she would tell them something which would muddle up Lucia.

The breakfast-party was all assembled in Mrs Wyse's drawing-room with its dark oak beams and its silver-framed photographs and its morocco case containing the order of the MBE, still negligently open. Everybody had been waiting, everybody was rather grumpy at the delay, and on her entry the Contessa had clearly said 'Ecco! Now at last!'

They would soon forgive her when they learned what had really made her late, but it was better to wait for a little before imparting her news, until breakfast had put them all in a more appreciative mood. She hastened on this desired moment by little compliments all round: what a wonderful sermon the Padre had preached last Sunday: how well dear Susan looked: what a delicious dish these eggs à la Capri were, she must really be greedy and take a teeny bit more. But these dewdrops were only interjected, for the Contessa talked in a loud continuous voice as usual, addressing the entire table, and speaking with equal fluency whether her mouth was full or empty.

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