E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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But Miss Mapp did not yet despair of dealing Lucia some nasty blow, for the fact of the matter was (she felt sure of it) that Tilling generally was growing a little restive under Lucia's autocratic ways. She had been taking them in hand, she had been patronizing them, which Tilling never could stand, she had been giving them treats, just like that! She had sent out cards for an evening-party (not dinner at all) with 'un po' di musica' written in the left-hand corner. Even Mr Wyse, that notorious sycophant, had raised his eyebrows over this, and had allowed that this was rather an unusual inscription: 'musica' (he thought) would have been more ordinary, and he would ask Amelia when she came. That had confirmed a secret suspicion which Miss Mapp had long entertained that Lucia's Italian (and, of course, Georgie's too) was really confined to such words as 'ecco' and 'bon giorno' and 'bello' and she was earnestly hoping that Amelia would come before October was over, and they would all see what these great talks in Italian, to which Mr Wyse was so looking forward, would amount to.

And what an evening that 'po-di-mu' (as it was already referred to with faint little smiles) had been! It was a wet night and in obedience to her command (for at that time Lucia was at the height of the ascendancy she had acquired at the hospital fête), they had all put mackintoshes over their evening clothes, and galoshes over their evening shoes, and slopped up to Mallards through the pouring rain. A couple of journeys of Lucia's car could have brought them all in comfort and dryness, but she had not offered so obvious a convenience. Mrs Wyse's Royce was being overhauled, so they had to walk too, and a bedraggled and discontented company had assembled. They had gone into the garden-room dripped on by the wistaria, and an interminable po-di-mu ensued. Lucia turned off all the lights in the room except one on the piano, so that they saw her profile against a black background, like the head on a postage stamp, and first she played the slow movement out of the 'Moonlight Sonata'. She stopped once, just after she had begun, because Diva coughed, and when she had finished there was a long silence. Lucia sighed and Georgie sighed, and everyone said 'Thank you' simultaneously. Major Benjy said he was devoted to Chopin and Lucia playfully told him that she would take his musical education in hand.

Then she had allowed the lights to be turned up again, and there was a few minutes' pause to enable them to conquer the poignancy of emotion aroused by that exquisite rendering of the 'Moonlight Sonata', to disinfect it so to speak with cigarettes, or drown it, as Major Benjy did, in rapid whiskies and sodas, and when they felt braver the po-di-mu began again, with a duet, between her and Georgie, of innumerable movements by Mozart, who must indeed have been a most prolific composer if he wrote all that. Diva fell quietly asleep, and presently there were indications that she would soon be noisily asleep. Miss Mapp hoped that she would begin to snore properly, for that would be a good set-down for Lucia, but Major Benjy poked her stealthily on the knee to rouse her. Mr Wyse began to stifle yawns, though he sat as upright as ever, with his eyes fixed rather glassily on the ceiling, and ejaculated 'Charming' at the end of every movement. When it was all over there were some faintly murmured requests that Lucia would play to them again, and without any further pressing, she sat down. Her obtuseness was really astounding.

'How you all work me!' she said. 'A fugue by Bach then, if you insist on it, and if Georgie will promise not to scold me if I break down.'

Luckily amid suppressed sighs of relief, she did break down, and though she was still perfectly willing to try again, there was a general chorus of unwillingness to take advantage of her great good nature, and after a wretched supper, consisting largely of tomato-salad, they trooped out into the rain, cheered by the promise of another musical evening next week when she would have that beautiful fugue by heart.

It was not the next week but the same week that they had all been bidden to a further evening of harmony, and symptoms of revolt, skilfully fomented by Miss Mapp, were observable. She had just received her note of invitation one morning, when Diva trundled in to Wasters.

'Another po-di-mu already,' said she sarcastically. 'What are you — '

'Isn't it unfortunate?' interrupted Elizabeth, 'for I hope, dear Diva, you have not forgotten that you promised to come in that very night — Thursday, isn't it — and play piquet with me.'

Diva returned Elizabeth's elaborate wink. 'So I did,' she said. 'Anyhow, I do.'

'Consequently we shall have to refuse dear Lucia's invitation,' said Elizabeth regretfully. 'Lovely, wasn't it, the other night? And so many movements of Mozart. I began to think he must have discovered the secret of perpetual motion, and that we should be stuck there till Doomsday.'

Diva was fidgeting about the room in her restless manner. ('Rather like a spinning top,' thought Miss Mapp, 'bumping into everything. I wish it would die.')

'I don't think she plays bridge very well,' said Diva. 'She began, you know, by saying she was so anxious to learn, and that we all played marvellously, but now she lays down the law like anything, telling us what we ought to have declared, and how we ought to have played. It's quite like — '

She was going to say 'It's quite like playing with you,' but luckily stopped in time.

'I haven't had the privilege of playing with her. Evidently I'm not up to her form,' said Elizabeth, 'but I hear, only report, mind, that she doesn't know the elements of the game.'

'Well, not much more,' said Diva. 'And she says she will start a bridge class if we like.'

'She spoils us! And who will the pupils be?' asked Elizabeth.

'I know one who won't,' said Diva darkly.

'And one and one make two,' observed Elizabeth. 'A pity that she sets herself up like that. Saying the other night that she would take Major Benjy's musical education in hand! I always thought education began at home, and I'm sure I never heard so many wrong notes in my life.'

Diva ruminated a moment, and began spinning again. 'She offered to take the choir-practices in church, only the Padre wouldn't hear of it,' she said. 'And there's talk of a class to read Homer in Pope's translation.'

'She has every accomplishment,' said Elizabeth, 'including push.'

Diva bumped into another topic.

'I met Mr Wyse just now,' she said. 'Countess Amelia Faraglione is coming tomorrow.'

Miss Mapp sprang up.

'Not really?' she cried. 'Why, she'll be here for Lucia's po-di-mu on Thursday. And the Wyses will be going, that's certain, and they are sure to ask if they may bring the Faradidleone with them. Diva, dear, we must have our piquet another night. I wouldn't miss that for anything.'

'Why?' asked Diva.

'Just think what will happen! She'll be forced to talk Italian, for Mr Wyse has often said what a treat it will be to hear them talk it together, and I'm sure Lucia doesn't know any. I must be there.'

'But if she does know it, it will be rather a sell,' said Diva. 'We shall have gone there for nothing except to hear all that Mozart over again and to eat tomatoes. I had heartburn half the night afterwards.'

'Trust me, Diva,' said Elizabeth. 'I swear she doesn't know any Italian. And how on earth will she be able to wriggle out of talking it? With all her ingeniousness, it can't be done. She can't help being exposed.'

'Well, that would be rather amusing,' said Diva. 'Being put down a peg or two certainly wouldn't hurt her. All right. I'll say I'll come.'

Miss Mapp's policy was now of course the exact reverse of what she had first planned. Instead of scheming to get all Tilling to refuse Lucia's invitation to listen to another po-di-mu, her object was to encourage everyone to go, in order that they might listen not so much to Mozart as to her rich silences or faltering replies when challenged to converse in the Italian language. She found that the Padre and Mrs Bartlett had hurriedly arranged a choir-practice and a meeting of the girl-guides respectively to take place at the unusual hour of half-past nine in the evening in order to be able to decline the po-di-mu, but Elizabeth, throwing economy to the winds, asked them both to dine with her on the fatal night, and come on to Lucia's delicious music afterwards. This added inducement prevailed, and off they scurried to tell choirboys and girl-guides that the meetings were cancelled and would be held at the usual hour the day after. The curate needed no persuasion, for he thought that Lucia had a wonderful touch on the piano, and was already looking forward to more; Irene similarly had developed a violent schwärm for Lucia and had accepted, so that Tilling, thanks to Elizabeth's friendly offices, would now muster in force to hear Lucia play duets and fugues and not speak Italian. And when, in casual conversation with Mr Wyse, Elizabeth learned that he had (as she had anticipated) ventured to ask Lucia if she would excuse the presumption of one of her greatest admirers, and allow him to bring his sister Amelia to her soirée and that Lucia had sent him her most cordial permission to do so, it seemed that nothing could stand in the way of the fulfilment of Elizabeth's romantic revenge on that upstart visitor for presuming to set herself up as Queen of the social life of Tilling.

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