E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'There will be no admission to the rooms in the house,' she said. 'I will lock all the doors, and I am sure that nobody in Tilling will be so ill bred as to attempt to force them open.'

That was a nasty one. Elizabeth recoiled for a moment from the shock, but rallied. She opened her mouth very wide to begin again, but Lucia got in first.

'They will pass straight from the front door into the garden,' she said, 'where we undertake to entertain them, presenting their tickets of admission or paying at the door. As for the carpet in your sweet little sitting-room, there isn't one. And I have too high an opinion of the manners of Tilling in general to suppose that they will trample on your flower-beds.'

'Perhaps you would like to hire a menagerie,' said Elizabeth, completely losing her self-control, 'and have an exhibition of tigers and sharks in the garden-room.'

'No: I should particularly dislike it,' said Lucia earnestly. 'Half of the garden-room would have to be turned into a sea-water tank for the sharks and my piano would be flooded. And the rest would have to be full of horseflesh for the tigers. A most ridiculous proposal, and I cannot entertain it.'

Elizabeth gave a dreadful gasp as if she was one of the sharks and the water had been forgotten. She adroitly changed the subject.

'Then again, there's the rumour — of course it's only rumour — that there is some idea of entertaining such inmates of the workhouse as are not bedridden. Impossible.'

'I fancy the Padre is arranging that,' said Lucia. 'For my part, I'm delighted to give them a little treat.'

'And for my part,' said Miss Mapp, rising (she had become Miss Mapp again in Lucia's mind), 'I will not have my little home-sanctuary invaded by the ragtag — '

'The tickets will be half a crown,' interposed Lucia.

' — and bobtail of Tilling,' continued Miss Mapp.

'As long as I am tenant here,' said Lucia, 'I shall ask here whom I please, and when I please, and — and how I please. Or do you wish me to send you a list of the friends I ask to dinner for your sanction?'

Miss Mapp, trembling very much, forced her lips to form the syllables: 'But, dear Lulu — '

'Dear Elizabeth, I must beg you not to call me Lulu,' she said. 'Such a detestable abbreviation — '

Grosvenor had appeared at the door of the garden-room.

'Yes, Grosvenor, what is it?' asked Lucia in precisely the same voice.

'The ironmonger is here, ma'am,' she said, 'and he says that he'll have to put in some rather large screws, as they're pulled out — '

'Whatever is necessary to make the door safe,' said Lucia. 'And Miss Mapp wants to look into cupboards and take some things of her own away. Go with her, please, and give her every facility.'

Lucia, quite in the grand style, turned to look out of the window in the direction of Mallards Cottage, in order to give Miss Mapp the opportunity of a discreet exit. She threw the window open.

'Georgino! Georgino!' she called, and Georgie's face appeared above the paling.

'Come round and have ickle talk, Georgie,' she said. 'Sumfin' I want to tell you. Presto!'

She kissed her hand to Georgie and turned back into the room. Miss Mapp was still there, but now invisible to Lucia's eye. She hummed a gay bar of Mozartino, and went back to her table in the bow-window where she tore up the letter of resignation and recommendation she had written to the Padre, and the half-finished note to Miss Mapp, which so cordially asked her to dinner, saying that it was so long since they had met, for they had met again now. When she looked up she was alone, and there was Georgie tripping up the steps by the front door. Though it was standing open (for the ironmonger was already engaged on the firm restoration of the chain) he very properly rang the bell and was admitted.

'There you are,' said Lucia brightly as he came in. 'Another lovely day.'

'Perfect. What has happened to your front door?'

Lucia laughed.

'Elizabeth came to see me,' she said gaily. 'The chain was on the door, as I have ordered it always shall be. But she gave the door such a biff that the hasp pulled out. It's being repaired.'

'No!' said Georgie, 'and did you give her what for?'

'She had several things she wanted to see me about,' said Lucia, keeping an intermittent eye on the front door. 'She wanted to get out of her cupboards some stuff for the jumble sale she is getting up in aid of the hospital, and she is at it now under Grosvenor's superintendence. Then she wanted me to send a sketch for the picture exhibition, I said I would be delighted. Then she said she could not manage to send any fruit for our fête here. She did not approve of the fête at all, Georgie. In fact, she forbade me to give it. We had a little chat about that.'

'But what's to be done then?' asked Georgie.

'Nothing that I know of, except to give the fête,' said Lucia. 'But it would be no use asking her to be on the committee for an object of which she disapproved, so I tore up the letter I had written to the Padre about it.'

Lucia suddenly focused her eyes and her attention on the front door, and a tone of warm human interest melted the deadly chill of her voice.

'Georgie, there she goes,' she said. 'What a quantity of things! There's an old kettle and a boot-jack, and a rug with a hole in it, and one stair-rod. And there's a shaving from the front door where they are putting in bigger screws, stuck to her skirt . . . And she's dropped the stair-rod . . . Major Benjy's picking it up for her.'

Georgie hurried to the window to see these exciting happenings, but Miss Mapp, having recovered the stair-rod, was already disappearing.

'I wish I hadn't given her my picture of the Landgate,' said he. 'It was one of my best. But aren't you going to tell me all about your interview? Properly, I mean: everything.'

'Not worth speaking of,' said Lucia. 'She asked me if I would like to have a menagerie and keep tigers and sharks in the garden-room. That sort of thing. Mere raving. Come out, Georgie. I want to do a little shopping. Coplen told me there were some excellent greengages from the garden which he was taking down to Twistevant's.'

It was the hour when the collective social life of Tilling was at its briskest. The events of the evening before, tea-parties and games of bridge had become known and were under discussion, as the ladies of the place with their baskets on their arms collided with each other as they popped in and out of shops and obstructed the pavements. Many parcels were being left at Wasters which Miss Mapp now occupied, for jumble sales on behalf of deserving objects were justly popular, since everybody had a lot of junk in their houses, which they could not bear to throw away, but for which they had no earthly use. Diva had already been back from Taormina to her own house (as Elizabeth to hers) and had disinterred from a cupboard of rubbish a pair of tongs, the claws of which twisted round if you tried to pick up a lump of coal and dropped it on the carpet, but which were otherwise perfect. Then there was a scuttle which had a hole in the bottom, through which coal dust softly dribbled, and a candlestick which had lost one of its feet, and a glass inkstand once handsome, but now cracked. These treasures, handsome donations to a jumble sale, but otherwise of no particular value, she carried to her own hall, where donors were requested to leave their offerings, and she learned from Withers, Miss Mapp's parlour-maid, the disagreeable news that the jumble sale was to be held here. The thought revolted her; all the ragtag and bobtail of Tilling would come wandering about her house, soiling her carpets and smudging her walls. At this moment Miss Mapp herself came in carrying the tea kettle and the boot-jack and the other things. She had already thought of half a dozen withering retorts she might have made to Lucia.

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