E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'Something like that, do you think, dear Daisy, for the start of the procession?' she said to her. 'Will you try it like that and see how it goes? And a little more briskness, gentlemen, from the halberdiers. Would you form in front of me now, while Mrs Quantock goes into the house . . . Ah, that has more snap, hasn't it? Excellent. Quite like guardsmen. Piggy and Goosie, my dears, you must remember that you are Elizabethan Countesses. Very stately, please, and Countesses never giggle. Sweep two low curtsies, and while still down pick up the Queen's train. You opened the gate very properly, Robert. Very nice indeed. Now may we have that all over again. Queen, please,' she called to Daisy.

Daisy came out of the house in all the panoply of Majesty, and with the idea of not hurrying came so slowly that her progress resembled that of a queen following a hearse. ('A little quicker, dear,' called Lucia encouragingly. 'We're all ready.') Then she tripped over a piece of loose crazy pavement. Then she sneezed, for she had certainly caught Robert's cold. Then she forgot to bow to her lieges, until they had closed up in procession in front of her, and then bobbed to their backs.

'Hey ho, nonny, nonny,' sang Lucia to start the chorus. 'Off we go! Right, left — I beg your pardon, how stupid of me — Left, right. Crescendo, choir. Sing out, please. We're being Merrie England. Capital!'

Lucia walked by the side of the procession across the green, beating time with her parasol, full of encouragement and enthusiasm. Sometimes she ran on in front and observed their progress, sometimes she stood still to watch them go by.

'Open out a little, halberdiers,' she cried, 'so that we can get a glimpse of the Queen from in front. Hey nonny! Hold that top G, choirboys! Queen, dear, don't attempt to keep step with the halberdiers. Much more royal to walk as you choose. The train a little higher, Piggy and Goosie. Hey nonny, nonny HEY!'

She looked round as they got near the Golden Hind, to see if the cooks were basting the bolster that did duty for the sheep, and that Drake's sailors were dancing their hornpipes.

'Dance, please, sailors,' she shrieked. 'Go on basting, cooks, until the procession stops, and then begins the chorus of sailors on the last "nonny Hey". Cooks must join in, too, or we shan't get enough body of sound. Open out, halberdiers, leave plenty of room for the Queen to come between you. Slowly, Elizabeth! "When the storm winds blow and the surges sweep." Louder! Are you ready, Georgie? No; don't come off the Golden Hind. You receive the Queen on the deck. A little faster, Elizabeth, the chorus will be over before you get here.'

Lucia clapped her hands.

'A moment, please,' she said. 'A wonderful scene. But just one suggestion. May I be Queen for a minute and show you the effect I want to get, dear Daisy? Let us go back, procession, please, twenty yards. Halberdiers still walking in front of Queen. Sailors' chorus all over again. Off we go! Now, halberdiers, open out. Half right and left turn respectively. Two more steps and halt, making an avenue.'

It was perfectly timed. Lucia moved forward up the avenue of halberdiers, and just as the last 'Yo ho' was yelled by cooks, courtiers and sailors, she stepped with indescribable majesty on to the deck of the Golden Hind. She stood there a moment quite still, and whispered to Georgie, 'Kneel and kiss my hand, Georgie. Now, everybody together! "God save the Queen". "Hurrah". Hats in the air. Louder, louder! Now die away! There!'

Lucia had been waving her own hat, and shrilly cheering herself, and now she again clapped her hands for attention, as she scrutinized the deck of the Golden Hind.

'But I don't see Drake's wife,' she said. 'Drake's wife, please.'

Drake's wife was certainly missing. She was also the grocer's wife, and as she had only to come forward for one moment, curtsey and disappear, she was rather slack at her attendance of rehearsals.

'It doesn't matter,' said Lucia. 'I'll take Drake's wife, just for this rehearsal. Now we must have that over again. It's one of the most important moments, this Queen's entry on to the Golden Hind. We must make it rich in romance, in majesty, in spaciousness. Will the procession, please, go back, and do it over again?'

This time poor Daisy was much too early. She got to the Golden Hind long before the cooks and the chorus were ready for her. But there was a murmur of applause when Mrs Drake (so soon to be Lady Drake) ran forward and threw herself at the Queen's feet in an ecstasy of loyalty, and having kissed her hand walked backwards from the Presence with head bent low, as if in adoration.

'Now step to the Queen's left, Georgie,' said Lucia, 'and take her left hand, holding it high and lead her to the banquet. Daisy dear, you must mind your train. Piggy and Goosie will lay it down as you reach the deck, and then you must look after it yourself. If you're not careful you'll tread on it and fall into the Thames. You've got to move so that it follows you when you turn round.'

'May I kick it?' asked Daisy.

'No, it can be done without. You must practise that.'

The whole company now, sailors, soldiers, courtiers and all were eager as dogs are to be taken out for a walk by their mistress, and Lucia reluctantly consented to come and look at the scene of the review at Tilbury. Possibly some little idea, she diffidently said, might occur to her; fresh eyes sometimes saw something, and if they all really wanted her she was at their disposal. So off they went to the rendezvous in front of the Ambermere Arms, and the fresh eyes perceived that according to the present grouping of soldiers and populace no spectator would see anything of the Queen at all. So that was rectified, and the mob was drilled to run into its proper places with due eagerness, and Lucia sat where the front row of spectators would be to hear the great speech. When it was over she warmly congratulated the Queen.

'Oh, I'm so glad you liked it,' said the Queen. 'Is there anything that strikes you?'

Lucia sat for a while in pensive silence.

'Just one or two little tiny things, dear,' she said, thoughtfully. 'I couldn't hear very well. I wondered sometimes what the mob was cheering about. And would it perhaps be safer to read the speech? There was a good deal of prompting that was quite audible. Of course there are disadvantages in reading it. It won't seem so spontaneous and inspiring if you consult a paper all the time. Still, I dare say you'll get it quite by heart before the time comes. Indeed, the only real criticism I have to make is about your gestures, your movements. Not quite, quite majestic enough, not inspiring enough. Too much as if you were whisking flies away. More breadth!'

Lucia sighed, she appeared to be lost in meditation.

'What kind of breadth?' asked Daisy.

'So difficult to explain,' said Lucia. 'You must get more variety, more force, both in your gestures and your voice. You must be fierce sometimes, the great foe of Spain, you must be tender, the mother of your people. You must be a Tudor. The daughter of that glorious cad, King Hal. Coarse and kingly. Shall I show you for a moment the sort of thing I mean? So much easier to show than to explain.'

Daisy's heart sank: she was full of vague apprehensions. But having asked for help, she could hardly refuse this generous granting of it, for indeed Lucia was giving up her whole morning.

'Very good of you,' she said.

'Lend me your copy of the speech, then,' said Lucia, 'and might I borrow your ruff, just to encourage myself. Now let me read through the speech to myself. Yes . . . yes . . . crescendo, and flare up then . . . pause again; a touch of tenderness . . . Well, as you insist on it I'll try to show you what I mean. Terribly nervous, though.'

Lucia advanced and spoke in the most ingratiating tones to her army and the mob.

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