E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Nor was this the sum of Miss Mapp's mental activities, as she sat being dummy to Diva, for, in addition to the rage, despair and disgust with which these various topics filled her, she had narrowly to watch Diva's play, in order, at the end, to point out to her with lucid firmness all the mistakes she had made, while with snorts and sniffs and muttered exclamations and jerks of the head and pullings-out of cards and puttings of them back with amazing assertions that she had not quitted them, she wrestled with the task she had set herself of getting two no-trumps. It was impossible to count the tricks that Diva made, for she had a habit of putting her elbow on them after she had raked them in, as if in fear that her adversaries would filch them when she was not looking, and Miss Mapp, distracted with other interests, forgot that no-trumps had been declared and thought it was hearts, of which Diva played several after their adversaries' hands were quite denuded of them. She often did that "to make sure".

"Three tricks," she said triumphantly at the conclusion, counting the cards in the cache below her elbow.

Miss Mapp gave a long sigh, but remembered that Mr Wyse was present.

"You could have got two more," she said, "if you hadn't played those hearts, dear. You would have been able to trump Major Benjy's club and the Padre's diamond, and we should have gone out. Never mind, you played it beautifully otherwise."

"Can't trump when it's no trumps," said Diva, forgetting that Mr Wyse was there. "That's nonsense. Got three tricks. Did go out. Did you think it was hearts? Wasn't."

Miss Mapp naturally could not demean herself to take any notice of this.

"Your deal, is it, Major Benjy?" she asked. "Me to cut?"

Diva had remembered just after her sharp speech to her partner that Mr Wyse was present, and looked towards the sofa to see if there were any indications of pained surprise on his face which might indicate that he had heard. But what she saw there — or, to be more accurate, what she failed to see there — forced her to give an exclamation which caused Miss Mapp to look round in the direction where Diva's bulging eyes were glued . . . There was no doubt whatever about it: Mrs Poppit and Mr Wyse were no longer there. Unless they were under the sofa they had certainly left the room together and altogether. Had she gone to put on her sable coat on this hot night? Was Mr Wyse staggering under its weight as he fitted her into it? Miss Mapp rejected the supposition; they had gone to another room to converse more privately. This looked very black indeed, and she noted the time on the clock in order to ascertain, when they came back, how long they had been absent.

The rubber went on its wild way, relieved from the restraining influence of Mr Wyse, and when, thirty-nine minutes afterwards, it came to its conclusion and neither the hostess nor Mr Wyse had returned, Miss Mapp was content to let Diva muddle herself madly, adding up the score with the assistance of her fingers, and went across to the other table till she should be called back to check her partner's figures. They would be certain to need checking.

"Has Mr Wyse gone away already, dear Isabel?" she said. "How early!"

("And four makes nine," muttered Diva, getting to her little finger.)

Isabel was dummy, and had time for conversation.

"I think he has only gone with Mamma into the conservatory," she said — "no more diamonds, partner? — to advise her about the orchids."

Now the conservatory was what Miss Mapp considered a potting-shed with a glass roof, and the orchids were one anæmic odontoglossum, and there would scarcely be room besides that for Mrs Poppit and Mr Wyse. The potting-shed was visible from the drawing-room window, over which curtains were drawn.

"Such a lovely night," said Miss Mapp. "And while Diva is checking the score may I have a peep at the stars, dear? So fond of the sweet stars."

She glided to the window (conscious that Diva was longing to glide too, but was preparing to quarrel with the Major's score) and took her peep at the sweet stars. The light from the hall shone full into the potting-shed, but there was nobody there. She made quite sure of that.

Diva had heard about the sweet stars, and for the first time in her life made no objection to her adversaries' total.

"You're right, Major Flint, eighteen-pence," she said. "Stupid of me: I've left my handkerchief in the pocket of my cloak. I'll pop out and get it. Back in a minute. Cut again for partners."

She trundled to the door and popped out of it before Miss Mapp had the slightest chance of intercepting her progress. This was bitter, because the dining-room opened out of the hall, and so did the book-cupboard with a window which dear Susan called her boudoir. Diva was quite capable of popping into both of these apartments. In fact, if the truants were there, it was no use bothering about the sweet stars any more, and Diva would already have won . . .

There was a sweet moon as well, and just as baffled Miss Mapp was turning away from the window, she saw that which made her positively glue her nose to the cold window-pane, and tuck the curtain in, so that her silhouette should not be visible from outside. Down the middle of the garden path came the two truants, Susan in her sables and Mr Wyse close beside her with his coat-collar turned up. Her ample form with the small round head on the top looked like a short-funnelled locomotive engine, and he like the driver on the footplate. The perfidious things had said they were going to consult over the orchid. Did orchids grow on the lawn? It was news to Miss Mapp if they did.

They stopped, and Mr Wyse quite clearly pointed to some celestial object, moon or star, and they both gazed at it. The sight of two such middle-aged people behaving like this made Miss Mapp feel quite sick, but she heroically continued a moment more at her post. Her heroism was rewarded, for immediately after the inspection of the celestial object, they turned and inspected each other. And Mr Wyse kissed her.

Miss Mapp "scriggled" from behind the curtain into the room again.

"Aldebaran!" she said. "So lovely!"

Simultaneously Diva re-entered with her handkerchief, thwarted and disappointed, for she had certainly found nobody either in the boudoir or in the dining-room. But there was going to be a sit-down supper, and as Boon was not there, she had taken a marron glacé.

Miss Mapp was flushed with excitement and disgust, and almost forgot about Diva's gown.

"Found your hanky, dear?" she said. "Then shall we cut for partners again? You and me, Major Benjy. Don't scold me if I play wrong."

She managed to get a seat that commanded a full-face view of the door, for the next thing was to see how "the young couple" (as she had already labelled them in her sarcastic mind) "looked" when they returned from their amorous excursion to the orchid that grew on the lawn. They entered, most unfortunately, while she was in the middle of playing a complicated hand, and her brain was so switched off from the play by their entrance that she completely lost the thread of what she was doing, and threw away two tricks that simply required to be gathered up by her, but now lurked below Diva's elbow. What made it worse was that no trace of emotion, no heightened colour, no coy and downcast eye betrayed a hint of what had happened on the lawn. With brazen effrontery Susan informed her daughter that Mr Wyse thought a little leaf-mould . . .

"What a liar!" thought Miss Mapp, and triumphantly put her remaining trump on to her dummy's best card. Then she prepared to make the best of it.

"We've lost three, I'm afraid, Major Benjy," she said. "Don't you think you overbid your hand just a little wee bit?"

"I don't know about that, Miss Elizabeth," said the Major. "If you hadn't let those two spades go, and hadn't trumped my best heart —"

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