Annie Haynes - Inspector Stoddart's Murder Mysteries (4 Intriguing Golden Age Thrillers)

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This carefully edited collection of Inspector Stoddart mysteries has been designed and formatted to the highest digital standards and adjusted for readability on all devices. The Man with the Dark Beard – Basil Wilton is accused of murdering his own father but is he the real killer or is the-man-with-the-dark-beard someone else known to him who is on a murdering spree? How is Basil's to-be father-in-law related to the whole affair? Who Killed Charmian Karslake? – The riddle around the murder of Charmian Karslake, an American actress, gets murkier at every step. Can Inspector Stoddart solve this puzzle? The Crime at Tattenham Corner – A gruesome death just before an important horse race looks out of place until Inspector Stoddart is called in to look into the matter. The Crystal Beads Murder – A broken necklace is the sole clue for Inspector Stoddart to solve a high-profile murder until it's too late! Annie Haynes (1865-1929) was a renowned golden age mystery writer and a contemporary of Agatha Christie, another famous crime writer, which often led to her comparison with the latter, and unfavourably so. Haynes's fictions are now lauded for their quick-pace action and sustaining aura of suspense till the end.

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"Do either of you know anything of this?" he asked severely. "I was walking in one of the shrubbery paths a few minutes ago when this—these"—brandishing the roses—"came hurtling over the bushes, and hit me plump in the face."

In spite of her nervousness, or perhaps on that very account, Hilary smiled.

Her father glanced at her sharply.

"Is this your doing, Hilary?"

Before the girl could answer Wilton quietly moved in front of her. His grey eyes met the doctor's frankly.

"I must own up, sir. I brought the flowers for—for Miss—for Hilary's birthday. And then, because I was annoyed, I threw them out of the window."

For a moment the doctor looked inclined to smile. Then he frowned again.

"A nice sort of confession. And may I ask why you speak of my daughter as Hilary?"

Wilton did not flinch.

"Because I love her, sir. My dearest wish is that she may promise to be my wife—some day."

"Indeed!" said the doctor grimly. "And may I ask how you expect to support a wife, Wilton? Upon your salary as my assistant?"

Wilton hesitated. "Well, sir, I was hoping—"

Hilary interrupted him. Taking her courage in both hands she raised her voice boldly.

"I love Basil, dad. And I hope we shall be married some day."

"Oh, you do, do you?" remarked her father, raising his pince-nez and surveying her sarcastically. "I suppose it isn't the thing nowadays to ask your father's consent—went out when cropped heads and skirts to the knees came in, didn't it?"

Chapter II

Table of Contents

"What is this I hear from your father?"

Miss Lavinia Priestley was the speaker. She was the elder sister of Hilary's mother, to whom she bore no resemblance whatever. A spinster of eccentric habits, of an age which for long uncertain was now unfortunately becoming obvious, she was almost the only living relative that the young Bastows possessed. Of her, as a matter of fact, they knew but little, since most of her time was spent abroad, wandering about from one continental resort to another. Naturally, however, during her rare visits to England she saw as much as possible of her sister's family, by whom in spite of her eccentricity she was much beloved. Of Hilary she was particularly fond, though at times her mode of expressing her affection was somewhat arbitrary.

In appearance she was a tall, gaunt-looking woman with large features, dark eyes, which in her youth had been fine, and a quantity of rather coarse hair, which in the natural course of years should have been grey, but which Miss Lavinia, with a fine disregard of the becoming, had dyed a sandy red. Her costume, as a rule, combined what she thought sensible and becoming in the fashions of the past with those of the present day. The result was bizarre.

Today she wore a coat and skirt of grey tweed with the waist line and the leg-of-mutton sleeves of the Victorian era, while the length and the extreme skimpiness of the skirt were essentially modern, as were her low-necked blouse, which allowed a liberal expanse of chest to be seen, and the grey silk stockings with the grey suede shoes. Her hair was shingled, of course, and had been permanently waved, but the permanent waves had belied their name, and the dyed, stubbly hair betrayed a tendency to stand on end.

She repeated her question.

"What is this I hear from your father?"

"I really don't know, Aunt Lavinia."

"You know what I mean well enough, Hilary. You want to engage yourself to young Wilton."

"I am engaged to Basil Wilton," Hilary returned with a sudden access of courage.

Miss Lavinia raised her eyebrows.

"Well, you were twenty yesterday, Hilary, out of your teens. It is time you were thinking of matrimony. Why, bless my life, before I was your age I had made two or three attempts at it."

"You! Aunt Lavinia!" Hilary stared at her.

"Dear me, yes!" rejoined Miss Lavinia testily. "Do you imagine because I have not married that I was entirely neglected? I don't suppose that any girl in Meadshire had more chances of entering the state of holy matrimony, as they call it, than I had. But you see I went through the wood and came out without even the proverbial crooked stick."

"I remember Dad telling me you had been engaged to a clergyman," Hilary remarked, repressing a smile.

"My dear, I was engaged to three," Miss Lavinia corrected. "Not all at once, of course. Successively."

"Then why did you not marry some—I mean one of them?" Hilary inquired curiously.

Miss Lavinia shrugged her shoulders.

"I don't know. Thought somebody better would turn up, I suppose. And I had to do something. Life in the country is really too appallingly uninteresting for words, if one is not engaged to the curate."

"What did the curates think on the matter?"

"I am sure I don't know," Miss Lavinia returned carelessly. "One of them died—the one I liked the best. Doubtless he was spared much. Another is an archdeacon. The third—I really don't know what became of him—a mousy-looking little man in spectacles. His father had seventeen children. Enough to choke anyone off the son, I should think. Not at all in my line!"

Hilary coughed down a laugh. The vision conjured up of her maiden aunt with a numerous progeny of mousy-looking, embryo curates was somewhat overpowering.

"To change the subject," Miss Lavinia went on briskly, "who is this parlourmaid of yours, Hilary?"

"Parlourmaid!" Hilary echoed blankly. "Why, she is just the parlourmaid, Aunt Lavinia."

"Don't be a fool, Hilary," rebuked her aunt tartly. "I know she is the parlourmaid. But how did she come to be your parlourmaid? That's what I want to know. Did you have good references with her? That sort of thing. What's her name?"

"Her name?" debated Hilary. "Why, Taylor, of course. We always call her Taylor. Oh, you mean her Christian name. Well, Mary Ann, I think. And we had excellent references with her. She is quite a good maid. I have no fault to find with her."

"She doesn't look like a Mary Ann Taylor," sniffed Miss Lavinia. "One of your Dorothys or Mabels or Veras, I should have said. She is after your father—casting the glad eye you call it nowadays."

"After Dad!" Indignation was rendering Hilary almost speechless.

"Dear me, yes, your father," Miss Lavinia repeated with some asperity. "He won't be the first man to be made a fool of by a pretty face, even if it does belong to one of his maids. And this particular girl is making herself very amiable to him. I have watched her. By the way, where is your father tonight? He is generally out of the consulting-room by this time, and I want a word with him before bed-time. That is why I came after dinner."

"He is rather late," Hilary said; "but he had ever so many people to see before dinner, and I dare say he has had more writing to do since in consequence."

"That secretary of his gone home, I suppose?"

"Miss Houlton? Oh, yes. She goes home at seven. But really, Aunt Lavinia, she is a nice, quiet girl. Dad likes her."

Miss Lavinia snorted.

"Dare say he does. As he likes your delightful parlourmaid, I suppose. In my young days men didn't have girls to wait on them. They had men secretaries and what not. But nowadays they have as many women as they can afford. Believe it would be more respectable to call it a harem at once!"

Hilary laughed.

"Oh, Aunt Lavinia! The girls and men of the present day aren't like that. They don't think of such things."

"Nonsense!" Miss Lavinia snapped her fingers. "Short skirts and backless frocks haven't altered human nature!"

"Haven't they?" Hilary questioned with a smile. "But we will send for Dad, Aunt Lavinia. He always enjoys a chat with you."

"Not always, I fancy," Miss Lavinia said grimly. "However, he gets a few whether he enjoys them or not."

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