“Stained like pale honey oozed from topmost rocks
“Sun-blanched the livelong summer,” — all that’s left
Of the Goito lay! And thus bereft,
Sleep and forget, Sordello! In effect
He sleeps, the feverish poet — I suspect
Not utterly companionless; but, friends,
Wake up! The ghost’s gone, and the story ends
I’d fain hope, sweetly; seeing, peri or ghoul,
That spirits are conjectured fair or foul,
Evil or good, judicious authors think,
According as they vanish in a stink
Or in a perfume. Friends, be frank! ye snuff
Civet, I warrant. Really? Like enough!
Merely the savour’s rareness; any nose
May ravage with impunity a rose:
Rifle a musk-pod and ‘t will ache like yours!
I’d tell you that same pungency ensures
An after-gust, but that were overbold.
Who would has heard Sordello’s story told.
Bells and Pomegranates No. III: Dramatic Lyrics
Table of Contents
Cavalier Tunes I. Marching Along
Cavalier Tunes II. Give a Rouse
Cavalier Tunes III. Boot and Saddle
My Last Duchess
Count Gismond
Incident of the French Camp
Soliloquy of the Spanish Cloister
In a Gondola
Artemis Prologuizes
Waring
Warning II
Rudel to the Lady of Tripoli
Cristina
Johannes Agricola in Meditation I. — Madhouse Cell
Johannes Agricola in Meditation II. — Madhouse Cell
Porphyria’s Lover
Through the Metidja to Abd-El-Kadr
The Pied Piper of Hamelin
Cavalier Tunes I. Marching Along.
Table of Contents
I.
KENTISH Sir Byng stood for his King,
Bidding the crop-headed Parliament swing:
And, pressing a troop unable to stoop
And see the rogues flourish and honest folk droop,
Marched them along, fifty score strong,
Great-hearted gentlemen, singing this song.
II.
God for King Charles! Pym and such carles
To the Devil that prompts ’em their treasonous parles!
Cavaliers, up! Lips from the cup,
Hands from the pasty, nor bite take nor sup
Till you’re (Chorus) Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song.
III.
Hampden to hell, and his obsequies’ knell.
Serve Hazelrig, Fiennes, and young Harry as well!
England, good cheer! Rupert is near!
Kentish and loyalists, keep we not here
(Chorus) Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song?
IV.
Then, God for King Charles! Pym and his snarls
To the Devil that pricks on such pestilent carles!
Hold by the right, you double your might;
So, onward to Nottingham, fresh for the fight,
(Chorus) March we along, fifty-score strong,
Great-hearted gentlemen, singing this song!
Cavalier Tunes II. Give a Rouse.
Table of Contents
I.
KING CHARLES, and who’ll do him right now?
King Charles, and who’s ripe for fight now?
Give a rouse: here’s, in hell’s despite now,
King Charles!
II.
Who gave me the goods that went since?
Who raised me the house that sank once?
Who helped me to gold I spent since?
Who found me in wine you drank once?
(Chorus.) King Charles, and who’ll do him right now?
King Charles, and who’s ripe for fight now?
Give a rouse: here’s, in hell’s despite now,
King Charles!
III.
To whom used my boy George quaff else,
By the old fool’s side that begot him?
For whom did he cheer and laugh else,
While Noll’s damned troopers shot him?
(Chorus.) King Charles, and who’ll do him right now?
King Charles, and who’s ripe for fight now?
Give a rouse: here’s, in hell’s despite now,
King Charles!
Cavalier Tunes III. Boot and Saddle.
Table of Contents
I.
BOOT, saddle, to horse, and away!
Rescue my castle before the hot day
Brightens to blue from its silvery grey,
(Chorus). — Boot, saddle, to horse, and away!
II.
Ride past the suburbs, asleep as you’d say;
Many’s the friend there, will listen and pray
“God’s luck to gallants that strike up the lay,
(Chorus). — ”Boot, saddle, to horse, and away!”
III.
Forty miles off, like a roebuck at bay,
Flouts Castle Brancepeth the Roundheads’ array:
Who laughs, “Good fellows ere this, by my fay,
(Chorus). — ”Boot, saddle, to horse, and away!”
IV.
Who? My wife Gertrude; that, honest and gay,
Laughs when you talk of surrendering, “Nay!
“I’ve better counsellors; what counsel they?
(Chorus). — ”Boot, saddle, to horse, and away!”
Table of Contents
FERRARA
THAT’S my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Frà Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Frà Pandolf chanced to say “Her mantle laps
“Over my lady’s wrist too much,” or “Paint
“Must never hope to reproduce the faint
“Half-flush that dies along her throat;” such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart … how shall I say? … too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace — all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men, — good; but thanked
Somehow … I know not how … as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech — (which I have not) — to make your will
Quite clear to such an one, and say, “Just this
“Or that in you disgusts me; here you miss,
“Or there exceed the mark” — and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
— E’en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
Table of Contents
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