Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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“She’s a pretty good old girl,” he said. “You’ve got a right to a few dead-heads. Take it out in trade.”

They walked on down the dark unpaved street, folding papers rapidly during the intervals between delivery.

“It’s a hell of a route,” said Jennings Ware. “When it rains it’s terrible. You’ll go into mud up to your knees. And you can’t collect from half the bastards.” He hurled a paper viciously.

“But, oh man,” he said, after a moment. “If you want Jelly Roll you’ve come to the right place. I ain’t kidding you!”

“With — with niggers?” Eugene whispered, moistening his dry lips.

Jennings Ware turned his red satirical face on him.

“You don’t see any Society Belles around here, do you?” he said.

“Are niggers good?” Eugene asked in a small dry voice.

“Boy!” The word blew out of Jennings Ware’s mouth like an explosion. He was silent a moment.

“There ain’t nothing better,” he said.

At first, the canvas strap of the paper-bag bit cruelly across his slender shoulders. He strained against the galling weight that pulled him earthwards. The first weeks were like a warring nightmare: day after day he fought his way up to liberation. He knew all the sorrow of those who carry weight; he knew, morning by morning, the aerial ecstasy of release. As his load lightened with the progress of his route, his leaning shoulder rose with winged buoyancy, his straining limbs grew light: at the end of his labor his flesh, touched sensuously by fatigue, bounded lightly from the earth. He was Mercury chained by fardels, Ariel bent beneath a pack: freed, his wingshod feet trod brightness. He sailed in air. The rapier stars glinted upon his serfdom: dawn reddened on release. He was like a sailor drowned within the hold, who gropes to life and morning through a hatch; a diver twined desperately in octopal feelers, who cuts himself from death and mounts slowly from the sea-floor into light.

Within a month a thick hummock of muscle hardened on his shoulder: he bent jubilantly into his work. He had now no fear of failure. His heart lifted like a proud crested cock. He had been dropped among others without favor, and he surpassed them. He was a lord of darkness; he exulted in the lonely sufficiency of his work. He walked into the sprawled chaos of the settlement, the rifleman of news for sleeping men. His fast hands blocked the crackling sheet, he swung his lean arm like a whip. He saw the pale stars drown, and ragged light break open on the hills. Alone, the only man alive, he began the day for men, as he walked by the shuttered windows and heard the long denned snore of the tropics. He walked amid this close thick sleep, hearing again the ghostly ring of his own feet, and the vast orchestral music of darkness. As the gray tide of morning surged westward he awoke.

And Eugene watched the slow fusion of the seasons; he saw the royal processional of the months; he saw the summer light eat like a river into dark; he saw dark triumph once again; and he saw the minute-winning days, like flies, buzz home to death.

In summer, full day had come before he finished: he walked home in a world of wakenings. The first cars were grouped on the Square as he passed, their new green paint giving them the pleasant appearance of fresh toys. The huge battered cans of the milkmen glinted cleanly in the sun. Light fell hopefuly upon the swarthy greasiness of George Chakales, nightman of the Athens Cafe. The Hellenic Dawn. And in Uneeda No. 1, upon the Square, Eugene sat, washing an egg-sandwich down with long swallows of pungent coffee, stooled in a friendly company of motormen, policemen, chauffeurs, plasterers, and masons. It was very pleasant, he felt, to complete one’s work when all the world was beginning theirs. He went home under singing trees of birds.

In autumn, a late red moon rode low in the skies till morning. The air was filled with dropping leaves, there was a solemn thunder of great trees upon the hills; sad phantasmal whisperings and the vast cathedral music deepened in his heart.

In winter, he went down joyously into the dark howling wind, leaning his weight upon its advancing wall as it swept up a hill; and when in early Spring the small cold rain fell from the reeking sky he was content. He was alone.

He harried his deficient subscribers for payment, with a wild tenacity. He accepted their easy promises without question; he hunted them down in their own rooms, or in the rooms of a neighbor, he pressed so doggedly that, at length, sullenly or good-humoredly, they paid a part of their debt. This was more than any of his predecessors had accomplished, but he fretted nervously over his accounts until he found that he had become, for the circulation manager, the exemplar for indolent boys. As he dumped his desperately gathered pile of “chicken feed” upon the man’s desk, his employer would turn accusingly to a delinquent boy, saying:

“Look at that! He does it every week! Niggers, too!”

His pallid face would flame with joy and pride. When he spoke to the great man his voice trembled. He could hardly speak.

As the wind yelled through the dark, he burst into maniacal laughter. He leaped high into the air with a scream of insane exultancy, burred in his throat idiot animal-squeals, and shot his papers terrifically into the flimsy boarding of the shacks. He was free. He was alone. He heard the howl of a train-whistle, and it was not so far away. In the darkness he flung his arm out to the man on the rails, his goggled brother with steel-steady rail-fixed eyes.

He did not shrink so much, beneath the menace of the family fist. He was more happily unmindful of his own unworthiness.

Assembled with three or four of the carriers in the lunchroom, he learned to smoke: in the sweet blue air of Spring, as he sloped down to his route, he came to know the beauty of Lady Nicotine, the delectable wraith who coiled into his brain, left her poignant breath in his young nostrils, her sharp kiss upon his mouth.

He was a sharp blade.

The Spring drove a thorn into his heart, it drew a wild cry from his lips. For it, he had no speech.

He knew hunger. He knew thirst. A great flame rose in him. He cooled his hot face in the night by bubbling water jets. Alone, he wept sometimes with pain and ecstasy. At home the frightened silence of his childhood was now touched with savage restraint. He was wired like a race-horse. A white atom of inchoate fury would burst in him like a rocket, and for a moment he would be cursing mad.

“What’s wrong with him? Is it the Pentland crazy streak coming out?” Helen asked, seated in Eliza’s kitchen.

Eliza moulded her lips portentously for some time, shaking her head slowly.

“Why,” she said, with a cunning smile, “don’t you know, child?”

His need for the negroes had become acute. He spent his afternoons after school combing restlessly through the celled hive of Niggertown. The rank stench of the branch, pouring its thick brown sewage down a bed of worn boulders, the smell of wood-smoke and laundry stewing in a black iron yard-pot, and the low jungle cadences of dusk, the forms that slid, dropped, and vanished, beneath a twinkling orchestration of small sounds. Fat ropes of language in the dusk, the larded sizzle of frying fish, the sad faint twanging of a banjo, and the stamp, far-faint, of heavy feet; voices Nilotic, river-wailing, and the greasy light of four thousand smoky lamps in shack and tenement.

From the worn central butte round which the colony swarmed, the panting voices of the Calvary Baptist Church mounted, in an exhausting and unceasing frenzy, from seven o’clock until two in the morning, in their wild jungle wail of sin and love and death. The dark was hived with flesh and mystery. Rich wells of laughter bubbled everywhere. The catforms slid. Everything was immanent. Everything was far. Nothing could be touched.

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