Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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He did not: he hated regular hours. The excitement, the movement, the constant moments of crisis at Gant’s and Eliza’s had him keyed to their stimulation. The order and convention of domestic life he had never known. He was desperately afraid of regularity. It meant dullness and inanition to him. He loved the hour of midnight.

But obediently he promised her that he would be regular — regular in eating, sleeping, studying, and exercising.

But he had not yet learned to play with the crowd. He still feared, disliked and distrusted them.

He shrank from the physical conflict of boy life, but knowing her eye was upon him he plunged desperately into their games, his frail strength buffeted in the rush of strong legs, the heavy jar of strong bodies, picking himself up bruised and sore at heart to follow and join again the mill of the burly pack. Day after day to the ache of his body was added the ache and shame of his spirit, but he hung on with a pallid smile across his lips, and envy and fear of their strength in his heart. He parroted faithfully all that John Dorsey had to say about the “spirit of fair play,” “sportsmanship,” “playing the game for the game’s sake,” “accepting defeat or victory with a smile,” and so on, but he had no genuine belief or understanding. These phrases were current among all the boys at the school — they had been made somewhat too conscious of them and, as he listened, at times the old, inexplicable shame returned — he craned his neck and drew one foot sharply off the ground.

And Eugene noted, with the old baffling shame again, as this cheap tableau of self-conscious, robust, and raucously aggressive boyhood was posed, that, for all the mouthing of phrases, the jargon about fair play and sportsmanship, the weaker, at Leonard’s, was the legitimate prey of the stronger. Leonard, beaten by a boy in a play of wits, or in an argument for justice, would assert the righteousness of his cause by physical violence. These spectacles were ugly and revolting: Eugene watched them with sick fascination.

Leonard himself was not a bad man — he was a man of considerable character, kindliness, and honest determination. He loved his family, he stood up with some courage against the bigotry in the Methodist church, where he was a deacon, and at length had to withdraw because of his remarks on Darwin’s theory. He was, thus, an example of that sad liberalism of the village — an advanced thinker among the Methodists, a bearer of the torch at noon, an apologist for the toleration of ideas that have been established for fifty years. He tried faithfully to do his duties as a teacher. But he was of the earth — even his heavy-handed violence was of the earth, and had in it the unconscious brutality of nature. Although he asserted his interest in “the things of the mind,” his interest in the soil was much greater, and he had added little to his stock of information since leaving college. He was slow-witted and quite lacking in the sensitive intuitions of Margaret, who loved the man with such passionate fidelity, however, that she seconded all his acts before the world. Eugene had even heard her cry out in a shrill, trembling voice against a student who had answered her husband insolently: “Why, I’d slap his head off! That’s what I’d do!” And the boy had trembled, with fear and nausea, to see her so. But thus, he knew, could love change one. Leonard thought his actions wise and good: he had grown up in a tradition that demanded strict obedience to the master, and that would not brook opposition to his rulings. He had learned from his father, a Tennessee patriarch who ran a farm, preached on Sundays, and put down rebellion in his family with a horse-whip and pious prayers, the advantages of being God! He thought little boys who resisted him should be beaten.

Upon the sons of his wealthiest and most prominent clients, as well as upon his own children, Leonard was careful to inflict no chastisement, and these young men, arrogantly conscious of their immunity, were studious in their insolence and disobedience. The son of the Bishop, Justin Raper, a tall thin boy of thirteen, with black hair, a thin dark bumpy face, and absurdly petulant lips, typed copies of a dirty ballad and sold them among the students at five cents a copy.

“Madam, your daughter looks very fine,

Slapoon!

Madam, your daughter looks very fine,

Slapoon!”

Moreover, Leonard surprised this youth one afternoon in Spring on the eastern flank of the hill, in the thick grass beneath a flowering dogwood, united in sexual congress with Miss Hazel Bradley, the daughter of a small grocer who lived below on Biltburn Avenue, and whose lewdness was already advertised in the town. Leonard, on second thought, did not go to the Bishop. He went to the Grocer.

“Well,” said Mr. Bradley, brushing his long mustache reflectively away from his mouth, “you ought to put up a no-trespassin’ sign.”

The target of concentrated abuse, both for John Dorsey and the boys, was the son of a Jew. The boy’s name was Edward Michalove. His father was a jeweller, a man with a dark, gentle floridity of manner and complexion. He had white delicate fingers. His counters were filled with old brooches, gemmed buckles, ancient incrusted watches. The boy had two sisters — large handsome women. His mother was dead. None of them looked Jewish: they all had a soft dark fluescence of appearance.

At twelve, he was a tall slender lad, with dark amber features, and the mincing effeminacy of an old maid. He was terrified in the company of other boys, all that was sharp, spinsterly, and venomous, would come protectively to the surface when he was ridiculed or threatened, and he would burst into shrill unpleasant laughter, or hysterical tears. His mincing walk, with the constant gesture of catching maidenly at the fringe of his coat as he walked along, his high husky voice, with a voluptuous and feminine current playing through it, drew upon him at once the terrible battery of their dislike.

They called him “Miss” Michalove; they badgered him into a state of constant hysteria, until he became an unpleasant snarling little cat, holding up his small clawed hands to scratch them with his long nails whenever they approached; they made him detestable, master and boys alike, and they hated him for what they made of him.

Sobbing one day when he had been kept in after school hours, he leaped up and rushed suddenly for the doors. Leonard, breathing stertorously, pounded awkwardly after him, and returned in a moment dragging the screaming boy along by the collar.

“Sit down!” yelled John Dorsey, hurling him into a desk. Then, his boiling fury unappeased, and baffled by fear of inflicting some crippling punishment on the boy, he added illogically: “Stand up!” and jerked him to his feet again.

“You young upstart!” he panted. “You little two-by-two whippersnapper! We’ll just see, my sonny, if I’m to be dictated to by the like of you.”

“Take your hands off me!” Edward screamed, in an agony of physical loathing. “I’ll tell my father on you, old man Leonard, and he’ll come down here and kick your big fat behind all over the lot. See if he don’t.”

Eugene closed his eyes, unable to witness the snuffing out of a young life. He was cold and sick about his heart. But when he opened his eyes again Edward, flushed and sobbing, was standing where he stood. Nothing had happened.

Eugene waited for God’s visitation upon the unhappy blasphemer. He gathered, from the slightly open paralysis that had frozen John Dorsey’s and Sister Amy’s face, that they were waiting too.

Edward lived. There was nothing beyond this — nothing.

Eugene thought of this young Jew years later with the old piercing shame, with the riving pain by which a man recalls the irrevocable moment of some cowardly or dishonorable act. For not only did he join in the persecution of the boy — he was also glad at heart because of the existence of some one weaker than himself, some one at whom the flood of ridicule might be directed. Years later it came to him that on the narrow shoulders of that Jew lay a burden he might otherwise have borne, that that overladen heart was swollen with a misery that might have been his.

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