Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

Здесь есть возможность читать онлайн «Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

But westward now he caught a glimpse of Pisgah and the western range. It was more spacious there. The hills climbed sunward to the sun. There was width to the eye, a smoking sun-hazed amplitude, the world convoluting and opening into the world, hill and plain, into the west. The West for desire, the East for home. To the east the short near mile-away hills reeked protectively above the town. Birdseye, Sunset. A straight plume of smoke coiled thickly from Judge Buck Sevier’s smut-white clapboard residence on the decent side of Pisgah Avenue, thin smoke-wisps rose from the nigger shacks in the ravine below. Breakfast. Fried brains and eggs with streaky rashers of limp bacon. Wake, wake, wake, you mountain grills! Sleeps she yet, wrapped dirtily in three old wrappers in stale, airless yellow-shaded cold. The chapped hands sick-sweet glycerined. Gum-headed bottles, hairpins, and the bits of string. No one may enter now. Ashamed.

A paper-carrier, number 7, finished his route on the corner of Vine Street, as the car stopped, turned eastwards now from Pisgah Avenue toward the town core. The boy folded, bent, and flattened the fresh sheets deftly, throwing the block angularly thirty yards upon the porch of Shields the jeweller; it struck the boarding and bounded back with a fresh plop. Then he walked off with fatigued relief into time toward the twentieth century, feeling gratefully the ghost-kiss of absent weight upon his now free but still leaning right shoulder.

About fourteen, thought Gant. That would be Spring of 1864. The mule camp at Harrisburg. Thirty a month and keep. Men stank worse than mules. I was in third bunk on top. Gil in second. Keep your damned dirty hoof out of my mouth. It’s bigger than a mule’s. That was the man. If it ever lands on you, you bastard, you’ll think it is a mule’s, said Gil. Then they had it. Mother made us go. Big enough to work, she said. Born at the heart of the world, why here? Twelve miles from Gettysburg. Out of the South they came. Stove-pipe hats they had stolen. No shoes. Give me a drink, son. That was Fitzhugh Lee. After the third day we went over. Devil’s Den. Cemetery Ridge. Stinking piles of arms and legs. Some of it done with meat-saws. Is the land richer now? The great barns bigger than the houses. Big eaters, all of us. I hid the cattle in the thicket. Belle Boyd, the Beautiful Rebel Spy. Sentenced to be shot four times. Took the despatches from his pocket while they danced. Probably a little chippie.

Hog-chitlins and hot cracklin’ bread. Must get some. The whole hog or none. Always been a good provider. Little I ever had done for me.

The car still climbing, mounted the flimsy cheap-boarded brown-gray smuttiness of Skyland Avenue.

America’s Switzerland. The Beautiful Land of the Sky. Jesus God! Old Bowman said he’ll be a rich man some day. Built up all the way to Pasadena. Come on out. Too late now. Think he was in love with her. No matter. Too old. Wants her out there. No fool like — White bellies of the fish. A spring somewhere to wash me through. Clean as a baby once more. New Orleans, the night Jim Corbett knocked out John L. Sullivan. The man who tried to rob me. My clothes and my watch. Five blocks down Canal Street in my nightgown. Two A.M. Threw them all in a heap — watch landed on top. Fight in my room. Town full of crooks and pickpockets for prizefight. Make good story. Policeman half hour later. They come out and beg you to come in. Frenchwomen. Creoles. Beautiful Creole heiress. Steamboat race. Captain, they are gaining. I will not be beaten. Out of wood. Use the bacon she said proudly. There was a terrific explosion. He got her as she sank the third time and swam to shore. They powder in front of the window, smacking their lips at you. For old men better maybe. Who gets the business there? Bury them all above ground. Water two feet down. Rots them. Why not? All big jobs. Italy. Carrara and Rome. Yet Brutus is an hon-orable man. What’s a Creole? French and Spanish. Has she any nigger blood? Ask Cardiac?

The car paused briefly at the car-shed, in sight of its stabled brothers. Then it moved reluctantly past the dynamic atmosphere of the Power and Light Company, wheeling bluntly into the gray frozen ribbon of Hatton Avenue, running gently up hill near its end into the frore silence of the Square.

Ah, Lord! Well do I remember. The old man offered me the whole piece for $1,000 three days after I arrived. Millionaire today if —

The car passed the Tuskegee on its eighty-yard climb into the Square. The fat slick worn leather-chairs marshalled between a fresh-rubbed gleaming line of brass spittoons squatted massively on each side of the entry door, before thick sheets of plate-glass that extended almost to the sidewalks with indecent nearness.

Many a fat man’s rump upon the leather. Like fish in a glass case. Travelling man’s wet chewed cigar, spit-limp on his greasy lips. Staring at all the women. Can’t look back long. Gives advantage.

A negro bellboy sleepily wafted a gray dust-cloth across the leather. Within, before the replenished crackle-dance of the wood-fire, the nightclerk sprawled out in the deep receiving belly of a leather divan.

The car reached the Square, jolted across the netting of north-south lines, and came to a halt on the north side, facing east. Scurfing a patch away from the glazed window, Gant looked out. The Square in the wan-gray frozen morning walled round him with frozen unnatural smallness. He felt suddenly the cramped mean fixity of the Square: this was the one fixed spot in a world that writhed, evolved, and changed constantly in his vision, and he felt a sick green fear, a frozen constriction about his heart because the centre of his life now looked so shrunken. He got very definitely the impression that if he flung out his arms they would strike against the walls of the mean three-and-four-story brickbuilt buildings that flanked the Square raggedly.

Anchored to earth at last, he was hit suddenly by the whole cumulation of sight and movement, of eating, drinking, and acting that had gathered in him for two months. The limitless land, wood, field, hill, prairie, desert, mountain, the coast rushing away below his eyes, the ground that swam before his eyes at stations, the remembered ghosts of gumbo, oysters, huge Frisco seasteaks, tropical fruits swarmed with the infinite life, the ceaseless pullulation of the sea. Here only, in his unreal-reality, this unnatural vision of what he had known for twenty years, did life lose its movement, change, color.

The Square had the horrible concreteness of a dream. At the far southeastern edge he saw his shop: his name painted hugely in dirty scaly white across the brick near the roof: W. O. Gant — Marbles, Tombstones, Cemetery Fixtures. It was like a dream of hell, when a man finds his own name staring at him from the Devil’s ledger; like a dream of death, when he who comes as mourner finds himself in the coffin, or as witness to a hanging, the condemned upon the scaffold.

A sleepy negro employed at the Manor Hotel clambered heavily up and slumped into one of the seats reserved for his race at the back. In a moment he began to snore gently through his blubbered lips.

At the east end of the Square, Big Bill Messler, with his vest half-unbuttoned over his girdled paunch-belly, descended slowly the steps of the City Hall, and moved soundingly off with country leisure along the cold-metallic sidewalk. The fountain, ringed with a thick bracelet of ice, played at quarter-strength a sheening glut of ice-blue water.

Cars droned separately into their focal positions; the carmen stamped their feet and talked smokily together; there was a breath of beginning life. Beside the City Hall, the firemen slept above their wagons: behind the bolted door great hoofs drummed woodenly.

A dray rattled across the east end of the Square before the City Hall, the old horse leaning back cautiously as he sloped down into the dray market by the oblique cobbled passage at the southeast that cut Gant’s shop away from the market and “calaboose.” As the car moved eastward again, Gant caught an angular view of Niggertown across this passage. The settlement was plumed delicately with a hundred tiny fumes of smoke.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel»

Представляем Вашему вниманию похожие книги на «Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel»

Обсуждение, отзывы о книге «Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x