Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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“You’ll get no peace,” he said, “as long as you’re near them. That’s what’s wrong with you now.”

She had frequent periods of sickness. She went constantly to the doctors for treatment and advice. Sometimes she went to the hospital for several days. Her illness manifested itself in various ways — sometimes in a terrible mastoid pain, sometimes in nervous exhaustion, sometimes in an hysterical collapse in which she laughed and wept by turns, and which was governed partly by Gant’s illness and a morbid despair over her failure to bear a child. She drank stealthily at all times — she drank in nibbling draughts for stimulants, never enough for drunkenness. She drank vile liquids — seeking only the effect of alcohol and getting at it in strange ways through a dozen abominations called “tonics” and “extracts.” Almost deliberately she ruined her taste for the better sort of potable liquors, concealing from herself, under the convenient labellings of physic, the ugly crawling hunger in her blood. This self-deception was characteristic of her. Her life expressed itself through a series of deceptions — of symbols: her dislikes, affections, grievances, brandishing every cause but the real one.

But, unless actually bedridden, she was never absent from her father for many hours. The shadow of his death lay over their lives. They shuddered below its horror; its protracted menace, its unsearchable enigma, deprived them of dignity and courage. They were dominated by the weary and degrading egotism of life, which is blandly philosophical over the death of the alien, but sees in its own the corruption of natural law. It was as hard for them to think of Gant’s death as of God’s death: it was a great deal harder, because he was more real to them than God, he was more immortal than God, he was God.

This hideous twilight into which their lives had passed froze Eugene with its terror, and choked him with fury. He would grow enraged after reading a letter from home and pound the grained plaster of the dormitory wall until his knuckles were bloody. They have taken his courage away! he thought. They have made a whining coward out of him! No, and if I die, no damned family about. Blowing their messy breaths in your face! Snuffling down their messy noses at you! Gathering around you till you can’t breathe. Telling you how well you’re looking with hearty smiles, and boo-hooing behind your back. O messy, messy, messy death! Shall we never be alone? Shall we never live alone, think alone, live in a house by ourselves alone? Ah! but I shall! I shall! Alone, alone, and far away, with falling rain. Then, bursting suddenly into the study, he found Elk Duncan, with unaccustomed eye bent dully upon a page of Torts, a bright bird held by the stare of that hypnotic snake, the law.

“Are we to die like rats?” he said. “Are we to smother in a hole?”

“Damn!” said Elk Duncan, folding the big calfskin and cowering defensively behind it.

“Yes, that’s right, that’s right! Calm yourself. You are Napoleon Bonaparte and I’m your old friend, Oliver Cromwell. Harold!” he called. “Help! He killed the keeper and got out.”

“‘Gene!” yelled Harold Gay, hurling a thick volume from him under the spell of Elk’s great names. “What do you know about history? Who signed Magna Charta, eh?”

“It wasn’t signed,” said Eugene. “The King didn’t know how to write, so they mimeographed it.”

“Correct!” roared Harold Gay. “Who was Æthelred the Unready?”

“He was the son of Cynewulf the Silly and Undine the Unwashed,” said Eugene.

“On his Uncle Jasper’s side,” said Elk Duncan, “he was related to Paul the Poxy and Genevieve the Ungenerous.”

“He was excommunicated by the Pope in a Bull of the year 903, but he refused to be cowed,” said Eugene.

“Instead, he called together all the local clergy, including the Archbishop of Canterbury, Dr. Gay, who was elected Pope,” said Elk Duncan. “This caused a great schism in the Church.”

“But as usual, God was on the side of the greatest number of canons,” said Eugene. “Later on, the family migrated to California, and made its fortune in the Gold Rush of ‘49.”

“You boys are too good for me!” yelled Harold Gay, getting up abruptly. “Come on! Who’s going to the Pic?”

The Pic was the only purchasable entertainment that the village afforded steadily. It was a moving-picture theatre, inhabited nightly by a howling tribe of students who rushed down aisles, paved with peanut-shells, through a shrapnel fire of flying goobers, devoting themselves studiously for the remainder of the evening to the unhappy heads and necks of Freshmen, and less attentively, but with roars of applause, indignation, or advice, to the poor flicker-dance of puppets that wavered its way illegibly across the worn and pleated screen. A weary but industrious young woman with a scrawny neck thumped almost constantly at a battered piano. If she was idle for five minutes, the whole pack howled ironically, demanding: “Music, Myrtle! Music!”

It was necessary to speak to every one. If one spoke to every one, one was “democratic”; if one did not, one was a snob, and got few votes. The appraisal of personality, like all other appraisal with them, was coarse and blunt. They were suspicious of all eminence. They had a hard peasant hostility to the unusual. A man was brilliant? Was there a bright sparkle to him? Bad, bad! He was not safe; he was not sound. The place was a democratic microcosmos — seething with political interests: national, regional, collegiate.

The campus had its candidates, its managers, its bosses, its machines, as had the State. A youngster developed in college the political craft he was later to exert in Party affairs. The son of a politician was schooled by his crafty sire before the down was off his cheeks: at sixteen, his life had been plotted ahead to the governorship, or to the proud dignities of a Congressman. The boy came deliberately to the university to bait and set his first traps: deliberately he made those friendships that were most likely to benefit him later. By his junior year, if he was successful, he had a political manager, who engineered his campus ambitions; he moved with circumspection, and spoke with a trace of pomp nicely weighed with cordiality:

“Ah, there, gentlemen.” “Gentlemen, how are you?” “A nice day, gentlemen.”

The vast champaign of the world stretched out its limitless wonder, but few were seduced away from the fortress of the State, few ever heard the distant reverberation of an idea. They could get no greater glory for themselves than a seat in the Senate, and the way to glory — the way to all power, highness, and distinction whatsoever — was through the law, a string tie, and a hat. Hence politics, law schools, debating societies, and speechmaking. The applause of listening senates to command.

The yokels, of course, were in the saddle — they composed nine-tenths of the student body: the proud titles were in their gift, and they took good care that their world should be kept safe for yokelry and the homespun virtues. Usually, these dignities — the presidencies of student bodies, classes, Y.M.C.A.‘s, and the managerships of athletic teams — were given to some honest serf who had established his greatness behind a plough before working in the college commons, or to some industrious hack who had shown a satisfactory mediocrity in all directions. Such an industrious hack was called an “all-round man.” He was safe, sound, and reliable. He would never get notions. He was the fine flower of university training. He was a football scrub, and a respectable scholar in all subjects. He was a universal Two Man. He always got Two on everything, except Moral Character, where he shone with a superlative Oneness. If he did not go into the law or the ministry, he was appointed a Rhodes Scholar.

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