Plato Plato - THE COMPLETE WORKS OF PLATO

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This unique collection of Plato's complete works has been designed and formatted to the highest digital standards.
Plato (428/427 BC – 348/347 BC) was a philosopher in Classical Greece. He was also a mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his student, Aristotle, Plato helped to lay the foundations of Western philosophy and science.
Table of contents:
Early works:
Apology
Crito
Charmides
Euthyphro
First Alcibiades
Greater Hippias
Lesser Hippias
Ion
Laches
Lysis
Middle works:
Cratylus
Euthydemus
Gorgias
Menexenus
Meno
Phaedo
Protagoras
Symposium
Republic
Phaedrus
Parmenides
Theaetetus
Late works:
Timaeus
Critias
Sophist
Statesman
Philebus
Laws
Pseudonymous works (traditionally attributed to Plato, but considered by virtually all modern authorities not to have been written by him):
Epinomis
Second Alcibiades
Hipparcus
Rival Lovers
Theages
Cleitophon
Minos
Demoducus
Axiochus
On Justice
On Virtue
Sisyphus
Eryxias
Halcyon
Letters
There are also included a number of essays relating to various aspects of Plato's works.

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SOCRATES: And is it worse or more dishonourable at a wrestling match, to fall, or to throw another?

HIPPIAS: To fall.

SOCRATES: Then, at a wrestling match, he who voluntarily does base and dishonourable actions is a better wrestler than he who does them involuntarily?

HIPPIAS: That appears to be the truth.

SOCRATES: And what would you say of any other bodily exercise—is not he who is better made able to do both that which is strong and that which is weak—that which is fair and that which is foul?—so that when he does bad actions with the body, he who is better made does them voluntarily, and he who is worse made does them involuntarily.

HIPPIAS: Yes, that appears to be true about strength.

SOCRATES: And what do you say about grace, Hippias? Is not he who is better made able to assume evil and disgraceful figures and postures voluntarily, as he who is worse made assumes them involuntarily?

HIPPIAS: True.

SOCRATES: Then voluntary ungracefulness comes from excellence of the bodily frame, and involuntary from the defect of the bodily frame?

HIPPIAS: True.

SOCRATES: And what would you say of an unmusical voice; would you prefer the voice which is voluntarily or involuntarily out of tune?

HIPPIAS: That which is voluntarily out of tune.

SOCRATES: The involuntary is the worse of the two?

HIPPIAS: Yes.

SOCRATES: And would you choose to possess goods or evils?

HIPPIAS: Goods.

SOCRATES: And would you rather have feet which are voluntarily or involuntarily lame?

HIPPIAS: Feet which are voluntarily lame.

SOCRATES: But is not lameness a defect or deformity?

HIPPIAS: Yes.

SOCRATES: And is not blinking a defect in the eyes?

HIPPIAS: Yes.

SOCRATES: And would you rather always have eyes with which you might voluntarily blink and not see, or with which you might involuntarily blink?

HIPPIAS: I would rather have eyes which voluntarily blink.

SOCRATES: Then in your own case you deem that which voluntarily acts ill, better than that which involuntarily acts ill?

HIPPIAS: Yes, certainly, in cases such as you mention.

SOCRATES: And does not the same hold of ears, nostrils, mouth, and of all the senses—those which involuntarily act ill are not to be desired, as being defective; and those which voluntarily act ill are to be desired as being good?

HIPPIAS: I agree.

SOCRATES: And what would you say of instruments;—which are the better sort of instruments to have to do with?—those with which a man acts ill voluntarily or involuntarily? For example, had a man better have a rudder with which he will steer ill, voluntarily or involuntarily?

HIPPIAS: He had better have a rudder with which he will steer ill voluntarily.

SOCRATES: And does not the same hold of the bow and the lyre, the flute and all other things?

HIPPIAS: Very true.

SOCRATES: And would you rather have a horse of such a temper that you may ride him ill voluntarily or involuntarily?

HIPPIAS: I would rather have a horse which I could ride ill voluntarily.

SOCRATES: That would be the better horse?

HIPPIAS: Yes.

SOCRATES: Then with a horse of better temper, vicious actions would be produced voluntarily; and with a horse of bad temper involuntarily?

HIPPIAS: Certainly.

SOCRATES: And that would be true of a dog, or of any other animal?

HIPPIAS: Yes.

SOCRATES: And is it better to possess the mind of an archer who voluntarily or involuntarily misses the mark?

HIPPIAS: Of him who voluntarily misses.

SOCRATES: This would be the better mind for the purposes of archery?

HIPPIAS: Yes.

SOCRATES: Then the mind which involuntarily errs is worse than the mind which errs voluntarily?

HIPPIAS: Yes, certainly, in the use of the bow.

SOCRATES: And what would you say of the art of medicine;—has not the mind which voluntarily works harm to the body, more of the healing art?

HIPPIAS: Yes.

SOCRATES: Then in the art of medicine the voluntary is better than the involuntary?

HIPPIAS: Yes.

SOCRATES: Well, and in lute-playing and in flute-playing, and in all arts and sciences, is not that mind the better which voluntarily does what is evil and dishonourable, and goes wrong, and is not the worse that which does so involuntarily?

HIPPIAS: That is evident.

SOCRATES: And what would you say of the characters of slaves? Should we not prefer to have those who voluntarily do wrong and make mistakes, and are they not better in their mistakes than those who commit them involuntarily?

HIPPIAS: Yes.

SOCRATES: And should we not desire to have our own minds in the best state possible?

HIPPIAS: Yes.

SOCRATES: And will our minds be better if they do wrong and make mistakes voluntarily or involuntarily?

HIPPIAS: O, Socrates, it would be a monstrous thing to say that those who do wrong voluntarily are better than those who do wrong involuntarily!

SOCRATES: And yet that appears to be the only inference.

HIPPIAS: I do not think so.

SOCRATES: But I imagined, Hippias, that you did. Please to answer once more: Is not justice a power, or knowledge, or both? Must not justice, at all events, be one of these?

HIPPIAS: Yes.

SOCRATES: But if justice is a power of the soul, then the soul which has the greater power is also the more just; for that which has the greater power, my good friend, has been proved by us to be the better.

HIPPIAS: Yes, that has been proved.

SOCRATES: And if justice is knowledge, then the wiser will be the juster soul, and the more ignorant the more unjust?

HIPPIAS: Yes.

SOCRATES: But if justice be power as well as knowledge—then will not the soul which has both knowledge and power be the more just, and that which is the more ignorant be the more unjust? Must it not be so?

HIPPIAS: Clearly.

SOCRATES: And is not the soul which has the greater power and wisdom also better, and better able to do both good and evil in every action?

HIPPIAS: Certainly.

SOCRATES: The soul, then, which acts ill, acts voluntarily by power and art—and these either one or both of them are elements of justice?

HIPPIAS: That seems to be true.

SOCRATES: And to do injustice is to do ill, and not to do injustice is to do well?

HIPPIAS: Yes.

SOCRATES: And will not the better and abler soul when it does wrong, do wrong voluntarily, and the bad soul involuntarily?

HIPPIAS: Clearly.

SOCRATES: And the good man is he who has the good soul, and the bad man is he who has the bad?

HIPPIAS: Yes.

SOCRATES: Then the good man will voluntarily do wrong, and the bad man involuntarily, if the good man is he who has the good soul?

HIPPIAS: Which he certainly has.

SOCRATES: Then, Hippias, he who voluntarily does wrong and disgraceful things, if there be such a man, will be the good man?

HIPPIAS: There I cannot agree with you.

SOCRATES: Nor can I agree with myself, Hippias; and yet that seems to be the conclusion which, as far as we can see at present, must follow from our argument. As I was saying before, I am all abroad, and being in perplexity am always changing my opinion. Now, that I or any ordinary man should wander in perplexity is not surprising; but if you wise men also wander, and we cannot come to you and rest from our wandering, the matter begins to be serious both to us and to you.

Ion

Table of Contents

Introduction

The Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as 'very precise about the exact words of Homer, but very idiotic themselves.' (Compare Aristotle, Met.)

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