Plato Plato - THE COMPLETE WORKS OF PLATO

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This unique collection of Plato's complete works has been designed and formatted to the highest digital standards.
Plato (428/427 BC – 348/347 BC) was a philosopher in Classical Greece. He was also a mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his student, Aristotle, Plato helped to lay the foundations of Western philosophy and science.
Table of contents:
Early works:
Apology
Crito
Charmides
Euthyphro
First Alcibiades
Greater Hippias
Lesser Hippias
Ion
Laches
Lysis
Middle works:
Cratylus
Euthydemus
Gorgias
Menexenus
Meno
Phaedo
Protagoras
Symposium
Republic
Phaedrus
Parmenides
Theaetetus
Late works:
Timaeus
Critias
Sophist
Statesman
Philebus
Laws
Pseudonymous works (traditionally attributed to Plato, but considered by virtually all modern authorities not to have been written by him):
Epinomis
Second Alcibiades
Hipparcus
Rival Lovers
Theages
Cleitophon
Minos
Demoducus
Axiochus
On Justice
On Virtue
Sisyphus
Eryxias
Halcyon
Letters
There are also included a number of essays relating to various aspects of Plato's works.

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It is this method of taking passages out of their context and placing them in a new connexion when they seem to confirm a preconceived theory, which is the defect of Dr. Jackson's procedure. It may be compared, though not wholly the same with it, to that method which the Fathers practised, sometimes called 'the mystical interpretation of Scripture,' in which isolated words are separated from their context, and receive any sense which the fancy of the interpreter may suggest. It is akin to the method employed by Schleiermacher of arranging the dialogues of Plato in chronological order according to what he deems the true arrangement of the ideas contained in them. (Dr. Jackson is also inclined, having constructed a theory, to make the chronology of Plato's writings dependent upon it (See J. of Philol.and elsewhere.).) It may likewise be illustrated by the ingenuity of those who employ symbols to find in Shakespeare a hidden meaning. In the three cases the error is nearly the same:—words are taken out of their natural context, and thus become destitute of any real meaning.

(4) According to Dr. Jackson's 'Later Theory,' Plato's Ideas, which were once regarded as the summa genera of all things, are now to be explained as Forms or Types of some things only,—that is to say, of natural objects: these we conceive imperfectly, but are always seeking in vain to have a more perfect notion of them. He says (J. of Philol.) that 'Plato hoped by the study of a series of hypothetical or provisional classifications to arrive at one in which nature's distribution of kinds is approximately represented, and so to attain approximately to the knowledge of the ideas. But whereas in the Republic, and even in the Phaedo, though less hopefully, he had sought to convert his provisional definitions into final ones by tracing their connexion with the summum genus, the (Greek), in the Parmenides his aspirations are less ambitious,' and so on. But where does Dr. Jackson find any such notion as this in Plato or anywhere in ancient philosophy? Is it not an anachronism, gracious to the modern physical philosopher, and the more acceptable because it seems to form a link between ancient and modern philosophy, and between physical and metaphysical science; but really unmeaning?

(5) To this 'Later Theory' of Plato's Ideas I oppose the authority of Professor Zeller, who affirms that none of the passages to which Dr. Jackson appeals (Theaet.; Phil.; Tim.; Parm.) 'in the smallest degree prove his point'; and that in the second class of dialogues, in which the 'Later Theory of Ideas' is supposed to be found, quite as clearly as in the first, are admitted Ideas, not only of natural objects, but of properties, relations, works of art, negative notions (Theaet.; Parm.; Soph.); and that what Dr. Jackson distinguishes as the first class of dialogues from the second equally assert or imply that the relation of things to the Ideas, is one of participation in them as well as of imitation of them (Prof. Zeller's summary of his own review of Dr. Jackson, Archiv fur Geschichte der Philosophie.)

In conclusion I may remark that in Plato's writings there is both unity, and also growth and development; but that we must not intrude upon him either a system or a technical language.

Balliol College, October, 1891.

NOTE

The chief additions to the Introductions in the Third Edition consist of Essays on the following subjects:—

1. Language.

2. The decline of Greek Literature.

3. The 'Ideas' of Plato and Modern Philosophy.

4. The myths of Plato.

5. The relation of the Republic, Statesman and Laws.

6. The legend of Atlantis.

7. Psychology.

8. Comparison of the Laws of Plato with Spartan and Athenian Laws and Institutions.

Early Works

Main TOC

Contents

Apology Apology Table of Contents Introduction Socrates' Defence

Crito Introduction Crito or The Duty of a Citizen

Charmides Introduction Charmides or Temperance

Euthyphro Introduction Text

First Alcibiades Introduction Text

Greater Hippias Introduction Text

Lesser Hippias Introduction Text

Ion Introduction Text

Laches Introduction Laches or Courage

Lysis Introduction Lysis or Friendship

Apology

Table of Contents

Introduction

In what relation the Apology of Plato stands to the real defence of Socrates, there are no means of determining. It certainly agrees in tone and character with the description of Xenophon, who says in the Memorabilia that Socrates might have been acquitted 'if in any moderate degree he would have conciliated the favour of the dicasts;' and who informs us in another passage, on the testimony of Hermogenes, the friend of Socrates, that he had no wish to live; and that the divine sign refused to allow him to prepare a defence, and also that Socrates himself declared this to be unnecessary, on the ground that all his life long he had been preparing against that hour. For the speech breathes throughout a spirit of defiance, (ut non supplex aut reus sed magister aut dominus videretur esse judicum' (Cic. de Orat.); and the loose and desultory style is an imitation of the 'accustomed manner' in which Socrates spoke in 'the agora and among the tables of the money-changers.' The allusion in the Crito may, perhaps, be adduced as a further evidence of the literal accuracy of some parts. But in the main it must be regarded as the ideal of Socrates, according to Plato's conception of him, appearing in the greatest and most public scene of his life, and in the height of his triumph, when he is weakest, and yet his mastery over mankind is greatest, and his habitual irony acquires a new meaning and a sort of tragic pathos in the face of death. The facts of his life are summed up, and the features of his character are brought out as if by accident in the course of the defence. The conversational manner, the seeming want of arrangement, the ironical simplicity, are found to result in a perfect work of art, which is the portrait of Socrates.

Yet some of the topics may have been actually used by Socrates; and the recollection of his very words may have rung in the ears of his disciple. The Apology of Plato may be compared generally with those speeches of Thucydides in which he has embodied his conception of the lofty character and policy of the great Pericles, and which at the same time furnish a commentary on the situation of affairs from the point of view of the historian. So in the Apology there is an ideal rather than a literal truth; much is said which was not said, and is only Plato's view of the situation. Plato was not, like Xenophon, a chronicler of facts; he does not appear in any of his writings to have aimed at literal accuracy. He is not therefore to be supplemented from the Memorabilia and Symposium of Xenophon, who belongs to an entirely different class of writers. The Apology of Plato is not the report of what Socrates said, but an elaborate composition, quite as much so in fact as one of the Dialogues. And we may perhaps even indulge in the fancy that the actual defence of Socrates was as much greater than the Platonic defence as the master was greater than the disciple. But in any case, some of the words used by him must have been remembered, and some of the facts recorded must have actually occurred. It is significant that Plato is said to have been present at the defence (Apol.), as he is also said to have been absent at the last scene in the Phaedo. Is it fanciful to suppose that he meant to give the stamp of authenticity to the one and not to the other?—especially when we consider that these two passages are the only ones in which Plato makes mention of himself. The circumstance that Plato was to be one of his sureties for the payment of the fine which he proposed has the appearance of truth. More suspicious is the statement that Socrates received the first impulse to his favourite calling of cross-examining the world from the Oracle of Delphi; for he must already have been famous before Chaerephon went to consult the Oracle (Riddell), and the story is of a kind which is very likely to have been invented. On the whole we arrive at the conclusion that the Apology is true to the character of Socrates, but we cannot show that any single sentence in it was actually spoken by him. It breathes the spirit of Socrates, but has been cast anew in the mould of Plato.

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